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vibrantv. 10, n. 2 | July – December 2013
Dossier Migration and Exile
vibrant v.10 n.2 ii
Conselho Editorial
Beatriz Heredia (ifcs/ufrj) bheredia@pobox.com
Bela Feldman Bianco (unicamp) bfb@uol.com.br
Claudia Fonseca (ufrgs) claudiaf2@uol.com.br
Gustavo Lins Ribeiro (unb) gustavor@unb.br
Jane Beltrão (ufpa) jane@ufpa.br
João Pacheco de Oliveira Filho (ufrj/mn) jpacheco@ism.com.br
Lívio Sansone (ufba) sansone@ufba.br
Lux Vidal (usp) luxvidal@ig.com.br
Manuela C. da Cunha (Universidade de Chicago) mm-cunha@uchicago.edu
Maria do Carmo Brandão (ufpe) mctbmachado@ig.com.br
Mariza Peirano (unb) mpeirano@uol.com.br
Omar Thomas (Unicamp) omarfe@uol.com.br
Patrícia Monte-Mor (uerj) patriciamontemor@terra.com.br
Paul Elliott Little (unb) little@unb.br
Rafael M. Bastos (ufsc) rafael@cfh.ufsc.br
Roberto Kant de Lima (uff) kant@web4u.com.br
Ruben Oliven (ufrgs) oliven@uol.com.br
v. 10, n. 2
07 – 12 / 2013
vibrant
vibrant v.10 n.2 iv
Editor: Peter Fry, Universidade Federal do Rio de Janeiro
Co-editor: Carmen Rial, Universidade Federal de Santa CatarinaReviews Editor: Lilia Moritz Schwarcz, Universidade de São Paulo
International relations: Gustavo Lins Ribeiro, Universidade de Brasília
Editorial Supervision: Antonio Luz Costa, Universidade Federal do Rio
de Janeiro
Design & typesetting: Gabriel H Lovato gabrielhl.com
Cover image: Fernando Lemos, Cada vez somos mais..., 1978. Litography
(85 × 47 cm). Artist’s Collection.
V626
Vibrant : Virtual Brazilian Anthropology / Associação Brasileira de
Antropologia. Vol. 1, n. 1/2 (jan./dez. 2004) – . Brasília : Associação Brasileira
de Antropologia, 2004 -
v.
Semestral
ISSN 1809-4341
1. Antropologia - Periódicos. I. Associação Brasileira de Antropologia.
CDD : 301
Apoio
vibrant v.10 n.2 v
vibrant v. 10, n. 2
07 – 12 / 2013
Articles
13 In and Around LifeBiopolitics in the TropicsPedro Paulo Gomes Pereira
39 “All Against Pedophilia”Ethnographic notes about a contemporary moral crusade Laura Lowenkron
73 Eduardo Mondlane and the social sciencesLivio Sansone
Dossier Migration and ExileEditors: Bela Feldman-Bianco, Liliana Sanjurjo, Desirée Azevedo & Douglas Mansur da Silva
113 Foreword
Part 1: The Meanings of Immigration in Brazilian History
118 The diverse understandings of foreign migration to the South of Brazil (1818-1950)Giralda Seyferth
163 Immigration and the maintenance of the religious moral orderThe case of the Ruthenian immigration to Parana in the late nineteenth centuryPaulo Renato Guérios
Part 2: Immigration, Work and Nationality
198 The Experience of Guestworkers at a United States Tourist ResortGuilherme Mansur Dias
vibrant v.10 n.2 vi
229 Para pensar las redes transnacionalesItinerarios e historias migratorias de los capoeiristas brasileños en MadridMenara Lube Guizardi
Part 3: Deconstructing Exile
273 Portuguese writers and scientists exiled in BrazilExclusion, cosmopolitanism and particularism (1945-1974)Douglas Mansur da Silva
305 Between Dictatorships and RevolutionsNarratives of Argentine and Brazilian ExilesDesirée Azevedo and Liliana Sanjurjo
Part 4: Migration as Crime
340 Confounding Borders and WallsDocuments, letters and the governance of relationships in São Paulo and Barcelona prisonsNatália Corazza Padovani
377 Cinderella DeceivedAnalyzing a Brazilian Myth Regarding Trafficking in Persons.Ana Paula da Silva, Thaddeus Gregory Blanchette and Andressa Raylane Bento
vibrant v.10 n.2 vii
Cover and section images
Fernando Lemos, Cada vez somos mais..., 1978. Litography (85 × 47 cm). Artist’s Collection.
“Progress For Women Is Progress For Everyone” & “We Are All Immigrants”, signs at the May Day Immigration Rights Rally (Washington, DC) by takomabibelot or Jim Kuhn.
Family of ruthenian colonists in Prudentópolis (PR), in the beginning of the 20th century. Collection of the Millennium Museum - Prudentópolis.
vibrant v.10 n.2 viii
Photo: Marcello Casal Jr./ABr
Fernando Lemos, Desenho, 1955 . Ink on paper (63,2 × 44cm) The Museum of Contemporary Art, University of São Paulo collection
Fernando Lemos, Sem título, 1984. From series Memórias Nº5. Ink on tracing paper (52 × 65cm). Artist’s Collection.
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