Dinamicas Da Patrimonializacao

7/23/2019 Dinamicas Da Patrimonializacao

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3Vasehttp://portal.iphan.gov.br/portal/baixaFcdAnexo.do;jsessionid=FA139D6027297A1E7878E367E57DD21C?id=723,"Dossi Iphan 4 - Samba de Roda do Recncavo Baiano", Iphan, 2004, consulta en 13/09/2013, yhttp://www.unesco.org/culture/intangible-heritage/07lac_fr.htm, "Troisime proclamation des chefs d'oeuvre dupatrimoine oral et immatriel de l'humanit", Unesco, 2005, consulta en 13/09/2013.4Vase http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011&RL=00049 "Las expresiones orales y grficas delos wajapi", Unesco, 2008, consulta em 13/09/2013.


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12Vase http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011&RL=00049 "Las expresiones orales y grficasde los wajapi", 2013, Unesco, consulta en 14/09/2013


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16La ausencia de lo ajeno conllevala desaparicin de la categora de lo posible; cayendo esta, desmorona el mundo, quese ve reducido a la pura superficie de lo inmediato, y el sujeto se disuelve, pasando a coincidir con las cosas-en-s (al

mismo tiempo en que estas se desenvuelvenen dobles fantasmales). Ajeno,sin embargo, no es nadie,ni sujeto ni objeto,es ms una estructura o relacin, la relacin absoluta que determina la ocupacin de las posiciones relativas de sujeto y deobjeto por personajes concretos, as como su alternancia: ajenome designa a m para el otro Yo y el otro yo para m.Ajenono es un elemento del campo perceptivo; es el principio que lo constituye, a l y a sus contenidos.Ajenono es, portanto, un punto de vista particular, relativo al sujeto (el punto de vista del otro con relacin a mi punto de vista oviceversa), pero es la posibilidad de que haya punto de vista, o sea, es el concepto de punto de vista. l es elpunto de vistaque permite que el yo y el otro accedana unpunto de vista (Viveiros de Castro 2002). 17Vase http://www.unesco.org/new/es/culture/themes/creativity/creative-industries/copyright/#c88491 "Derecho deautor", 2013, Unesco, consulta em 14/09/2013 yhttp://www.unesco.org/new/fileadmin/MULTIMEDIA/HQ/CLT/images/ABC_Copyright_fr.jpg"TheABC of Copyright", Unesco Culture Sector, Paris, 2010, Consulta en 14/09/2013


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S%)1%4$*'E5'

ABREU, Regina. 2013. Patrimonializao das diferenas e os novos sujeitos de direitocoletivo no Brasil. In: TARDY, Ccile; DODEBEI, Vera. Memria e Novos Patrimnios.Marseille: Open EditionPress,. (Coleo do Programa Saint-Hilaire. Brasil-Frana: SaberesCruzados em Cincias Sociais e Humanas) p. 57-74.

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http://portal.iphan.gov.br/portal/baixaFcdAnexo.do;jsessionid=FA139D6027297A1E7878E367E57DD21C?id=723,

"Dossi Iphan 4 - Samba de Roda do Recncavo Baiano", Iphan, 2004, consulta en 13/09/2013

http://www.unesco.org/culture/intangible-heritage/07lac_fr.htm, "Troisime proclamation des chefs d'oeuvre du

patrimoine oral et immatriel de l'humanit", Unesco, 2005, consulta en 13/09/2013.

http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011&RL=00049 "Las expresiones orales y grficas de los

wajapi", Unesco, 2008, consulta em 13/09/2013.

http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011, "Listas del patrimonio cultural immaterial y registro demejores prcticas de salvaguardia", Unesco, 2013, consulta en 13/09/2013.

@00.ABBCCC8.-%+%-0/81/D8;$B(()D)-E=>B(/+30)0')(%/B(/+30)0')(%/(/F.)-%&/8@0F

GH/+30)0')IJ/ &% K,.L;-)(% 4,&,$%0)D% &/ M$%3)- &, "NOOG< P$,3)&Q+()% &% K,.L;-)(%8=N89=">< (/+3'-0% ,+ ">B=NB9=">

http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011&Art18=00504, "Concurso de proyectos del ProgramaNacional de Patrimonio Immaterial, Unesco, 2011, consulta en 13/09/2013

http://www.unesco.org/culture/ich/index.php?lg=es&pg=00011&RL=00049 "Las expresiones orales y grficas de los

wajapi", 2013, Unesco, consulta en 14/09/2013

http://www.unesco.org/new/es/culture/themes/creativity/creative-industries/copyright/#c88491 "Derecho de autor", 2013,Unesco, consulta em 14/09/2013


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