ARTIGO ARTETERAPIA

140

OFICINA DE ARTE-TERAPIA COMO ESTÍMULO AO SENTIMENTO DE AUTOEFICÁCIA DE MULHERES IDOSAS

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Ana Maria Cruz de Freitas Coelho1

Fernanda da Silva Ferreira1

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

PALAVRAS-CHAVET&<"2.I&<(2$.%2,1!I&<(2$.;4E4,!I&-$4,!K,#,/!/.I&A/$%$%I&

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ABSTRACT:&&@Q,%&2.32&!,1%&2$&/.%4",K.&2Q.&.35.",.+4.&$O&2Q.&.32.+%,$+&5"$8.42&<"2&@Q."!5G&U$"V%Q$5%&,+&2Q.&?+,7."%,2G&$O&@Q,"/&<).&>"$)"!1&!2&2Q.&C#(1,+.+%.&C./."!#&?+,7."%,2G&D&>$#.&$O& !15$%&/$%&F$G2!4!H.%I&A2W%&!&5"$8.42&2Q!2&!,1%&2$&4$+2",K(2.&2$&2Q.&/.7.#$51.+2&$O&!&%.+%.&$O&%.#O=.O;4!4G&!+/& 2$&.32.+/&%.+,$"&4,2,H.+%& ,+2."!42,$+%B&5"$1$2,+)& 2Q.&!"2,%2,4& ,1!),+!2,$+&!%&!&%2"!2.)G&2$&O!4.&2Q.&4Q!##.+).%&K"$()Q2&KG&#,O.&!2&2Q,%&%2!).&$O&2Q.&#,O.&4$("%.I&A+&2Q.&X$"V&5"$)"!1B&2$5,4%&!K$(2&%.#O=.%2..1B&#$7.B&O!1,#GB&%$4,!#&#,O.B&!(2$+$1G&!+/&O(2(".&5"$8.42%&!".&included. Various artistic languages !+/&2.4Q+,J(.%&!".&4$+%,/."./&2$&".%4(.&2Q.&5#!GO(#&.35.",.+4.&$O&/!G=2$=/!GB&1!,+#G&2$&.35!+/&2Q.&%$4,!K,#,2G&$O&2Q.&4$11(+,2G&!22.+/./I&<2&2Q.&.+/&$O&2Q.&5"$8.42B& 2Q.& 5!"2,4,5!+2%& 4$+%,/."./& 2Q.& .35.",.+4.& 5$%,2,7.& O$"& 2Q.,"& %.+%.& $O& %.#O=.O;4!4GI

KEYWORDS:&<"2I&-.#O=.%2..1I&-.#O=.O;4!4GI&-$4,!K,#,2GI&'#/."#GI

INTRODUÇÃO

<&4,/!/.&/.& !15$%&/$%&F$G2!4!H.%B&%,2(!/!&!$&+$"2.&/$&'%2!/$&/$&Y,$&/.&Z!+.,"$B&4$1&[\]&1,#& Q!K,2!+2.%B& +9$& /,O.".+2.& /.& $(2"!%& 4$+;)("!LM.%& /.& 5$"2.&1R/,$& +$& 5!N%B& !%%,%2.& Q$8.&!& (1& %.+%N7.#& .+7.#Q.4,1.+2$& /.& %(!& 5$5(#!L9$T& 4."4!& /.& ^^_&/.& %.(& 4$+2,+).+2.& 5$%%(,&1!,%& /.& \`& !+$%& /.& ,/!/.I&a!& 5$5(#!L9$& !K%$#(2!B& $%& ,/$%$%B& $(& %.8!B& !J(.#.%& J(.& 2*1&$(&.%29$&!4,1!&/.&\`&!+$%B&4$+%2,2(.1B&Q$8.B&4."4!&/.&bbI```&5.%%$!%B&4$+O$"1.&!5$+2!1&/!/$%&1&F"!/(!+/!&.1&-."7,L$&-$4,!#&5.#!&?+,7."%,/!/.&C./."!#&C#(1,+.+%.B&K$#%,%2!&/.&.32.+%9$&cO."+!+/!O."".,"!IO%Od)1!,#I4$1eI

Em ExtensãoB&?K."#f+/,!B&7I&^`B&+I&gB&5I&^[`=^[hB&8(#I&i&/.HI&g`^Î

141

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a.%2.&1$/$B&/,!+2.&/!%&4$+/,LM.%&/.&l2",%2.H!%&7!",!/!%m&!5".%.+2!/!%&5$"&5!"2.&/$%&(%(E",$%B&!&".%5$%2!&,1./,!2!&J(.&+$%&$4$"".(&O$,&!&/.&".!#,H!"&(1!&.35.",*+4,!&4$1&(1!&$;4,+!&/.&!"2.=2."!5,!I&'1&+$%%$&.+2.+/."B&!4.%%!"&!&4",!2,7,/!/.&%.",!&(1!&O$"1!&/.&1.")(#Q!"&+$&(+,7."%$&#S/,4$&.&!2.15$"!#B&2"!H.+/$&o&2$+!&$%&.#.1.+2$%&+.4.%%E",$%&5!"!&$&,+/,7N/($&%.&l!5$/."!"m&/.&%,&1.%1$&.&O$"2!#.4."&$&%.+2,1.+2$&/.&!(2$.;4E4,!I& $+O$"1.&j!+/("!&c^ppqeB&.%2.&4$+4.,2$&5$/.&%."&.+2.+/,/$&4$1$&!&5."4.5L9$&/$&,+/,7N/($&!4."4!&/!&%(!&!(2$.%2,1!&.&/.&%(!&4".+L!&+!&4!5!4,/!/.&/.&".!#,H!"&!#)$&J(.&5#!+.8!"!&5!"!&%,&1.%1$I&<4"./,2!1$%&J(.B&+!&5."%5.42,7!&/!&!"2.=2."!5,!B&(1&/$%&4!1,+Q$%&5$%%N7.,%&5!"!&!2,+),"&$&O$"2!#.4,1.+2$&/.&2!#&4$+/,L9$&%.8!&$&/$&2"!K!#Q$&4$1&,1!).+%B&5$,%&

o processo de arte-terapia se baseia no reconhecimento de que os

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P.%2.%&2."1$%B&+$&4!15$&/!&>%,4$#$),!B&$%&.%2(/$%&/.&Z(+)&c^ppê&2"!H.1&,+S1."!%&4$+2",K(,LM.%&%.&4$+%,/."!"1$%&!%&,1!).+%&!/7,+/!%&/$&,+4$+%4,.+2.&4$1$&(1!&/!%&.%2"!2R),!%&5!"!&!&4$15"..+%9$&/!&7,/!&5%NJ(,4!&/!%&5.%%$!%I&a.&O$"1!&)."!#B&QE&!&5$%%,K,#,/!/.&/.&4!52!"&$&%.+2,/$&/.&!#)(1!%&.35.",*+4,!%&!&5!"2,"&/!%&,1!).+%&5",1$"/,!,%B&$(&%.8!B&/$%&!"J(R2,5$%&J(.&%9$&5"$8.2!/$%&+$%&2"!K!#Q$%&!"2N%2,4$%&/!%&5!"2,4,5!+2.%&D&(2,#,H!+/$B&5!"!&,%%$B&!#)(1!%&2R4+,4!%B&4$1$&!15#,;4!L9$&.&,1!),+!L9$&!2,7!&D&4$1&!&,+2.+L9$&/.&".n.2,"&4$1$&4!/!&(1&%.&5."4.K.&/.+2"$&/$&%.(&4$+2.32$&/.&7,/!I&&

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As imagens que resultam das atividades propostas na arte-terapia servem de base para uma

".n.39$&!4."4!&/!%&.35.",*+4,!%&/$&4("%$&/.&7,/!&/.&5.%%$!%&+!&2."4.,"!&,/!/.B&5$/.+/$&O!H."&.1."),"&$&".4$+Q.4,1.+2$&/.&/$".%B&1./$%B&!#.)",!%B&.%5."!+L!%&.&/.&!#)(+%&%.+2,1.+2$%&J(.&+.1&%.15".&%9$&OE4.,%&/.&%.".1&!4.,2$%B&2.+/$&.1&7,%2!&$&4$+8(+2$&/.&5".%%M.%&J(.&4$+/,4,$+!1&$&2 Trata-se de uma expressão utilizada por algumas das participantes para se referirem a um conjunto de problemas vivenciados no cotidiano.


142

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REFERÊNCIAS

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AP-@A@?@:&jY<-A0'AY:&a'&F':FY<CA<&'& '-@<@~-@A <& D& AjF'I&Censo 2010.

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Z?PFB& I&FI&Tipos PsicológicosI&>.2"65$#,%T&w$H.%B&^ppÎ

|?Pa'Y<B&sI&A imortalidadeI&-9$&>!(#$T& N"4(#$&/$&0,7"$B&^pphI

P<?sj?YFB&sI&<"2.=2."!5,!T& %.(&.%4$5$&.& O(+L9$I& A+T&t!11."B&'I&CI& c:")IeB&Aplicações clínicas dos desenhos projetivosI&-9$&>!(#$T& !%!&/$&>%,46#$)$B&^pp^B&5I&]hh=]pgI

>:Y@'00<B&su&:Ys'v<PP:B&FI&<"2.=2."!5,!&+$&4(,/!/$&)."$+2$#6),4$T& ".n.3M.%&%$K".&7,7*+4,!%&4",!2,7!%&+!&7.#Q,4.&.&+!&./(4!L9$I&A+T&Revista Transdisciplinar de GerontologiaB&C#$",!+65$#,%B&7I&]B&+I&gB&g`^Ì

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