2011

EDUARDO SOUTO DE MOURA The 2011 Pritzker Architecture Prize

Author: Joana de Mira Corra

Print version (Hardcover) - 2011ISBN 9787538170870Published by Liaoning Science & Technology Publishing HouseShenyang, Liaoning, China

eBook version - 2011ISBN 9781619870147Published by Profession Design Press Co., LtdCalifornia, United States of America

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EDUARDO SOUTO DE MOURA The 2011 Pritzker Architecture Prize

2011

About Eduardo Souto de Moura

S.E.C. Cultural Centre - "Casa das Artes"

Conversion of the Santa Maria do Bouro Convent into a State Inn

Burgo Tower

House in Moledo

Courtyard Houses in Matosinhos

House in Serra da Arrabida

House in Cascais

House in "Bom Jesus" II

House in Maia II

Commercial Building in Maia City

Porto Metro

Cinema's House "Manoel de Oliveira"

Braga Municipal Stadium

2 Houses in Ponte de Lima

Contemporary Art Museum in Braganca

Row Houses "Quinta da Avenida"

House in Maia III

Hotelary School in Portalegre

Office Building in Avenida Boavista

Paula Rego Museum

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CONTENTS

S.E.C.

Eduardo Souto de Moura was born in Porto, Portugal in 1952. His father was a doctor (ophthalmologist) and his mother was a home maker.

Following his early years at the Italian School, Souto de Moura enrolled in the School of Fine Arts in Porto, where he began as an art student, studying sculpture, but eventually achieving his degree in architecture. He credits a meeting with Donald Judd in Zurich for the switch from art to architecture. While still a student, he worked for architect No Dinis and then lvaro Siza, the latter for five years. While studying and working with his professor of urbanism, Architect Fernandes de S, he received his first commission, a market project in Braga which has since been demolished because of changing business patterns.

After two years of military service he won the competition for the Cultural Centre in Porto, the beginning of his career as an independent architect.

He is frequently invited as a guest professor to Lausanne and Zurich in Switzerland as well as Harvard in the United States. These guest lectures at universities and seminars over the years have afforded him the opportunity to meet many colleagues in the field, among them Jacques Herzog and Aldo Rossi.

Along with his architecture practice, Souto de Moura is a professor at the University of Oporto, and is a visiting professor at Geneva, Paris-Belleville, Harvard, Dublin and the ETH Zurich and Lausanne.

Often described as a neo-Miesian, but one who constantly strives for originality, Souto de Moura has achieved much praise for his exquisite use of materials - granite, wood, marble, brick, steel, concrete - as well as his unexpected use of colour. Souto de Moura is clear on his view of the use of materials, saying, I avoid using endangered or protected species. I think we should use wood in moderation and replant our forests as we use the wood. We have to use wood because it is one of the finest materials available.

About Eduardo Souto de Moura

In an interview with Croquis, he explained, I find Mies increasingly fascinating... There is a way of reading him which is just to regard him as a minimalist. But he always oscillated between classicism and neoplasticism... You only have to remember the last construction of his life, the IBM building, with that powerful travertine base that he drilled through to produce a gigantic door. Then on the other hand, he arrived in Barcelona and did two pavilions, didnt he? One was abstract and neo plastic and the other one was classical, symmetrical with closed corners... He was experimenting. He was already so modern that he was post.

Souto de Moura acknowledges the Miesian influence, speaking of h is Burgo Tower, but refers people to something written by Italian journalist and critic, Francesco Dal Co, its better not to be original but good, rather than wanting to be very original and bad.

At a ser ies of forums cal led the Holcim Forum on sustainable architecture, Souto de Moura stated, For me, architecture is a global issue. There is no ecological architecture, no intelligent architecture, no sustainable architecture - there is only good architecture. There are always problems we must not neglect; for example, energy, resources, costs, social aspects - one must always pay attention to all these.

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01 S.E.C. Cultural Centre - "Casa das Artes"

Project Year: 1981-1985Construction Year: 1988-1991Address: Rua Antnio Cardoso, 175Location: Porto, PortugalClient: Secretaria de Estado da Cultura Collaborators: Joo Carreira, Lusa Penha Structural Consultants: Joo Maria A. SobreiraElectrical Consultants: Jos Sousa GuedesMechanical Consultants: Constantino Matos Campos General Contractor: Soares da CostaPhotographer: Lus Ferreira Alves

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"The castle was big, though, wasn't it? And the angel was big, very big, even when right next to you?" Rilke, Duno Elegies

Work was not allowed to interfere with the garden. Omitting was more important than proposing, filing and shaving was more important than designing, and simplicity more important than composition. The building is structured primarily by a concrete wall, and by another stone wall, adjusted and somewhat out of phase at the point of the doorway. A flat copper-plated roof rests on these walls. Work would begin two metres from the line of trees that we did not want to affect. There would be three sculptures. Regardless of their quality, we were interested in their location, and attitude in the place that they would participate in shaping and making too. They are all essential pieces in the definition and codification of the three sectors: the Auditorium, the Exhibition Hall and the Cinema. The first sculpture will rest on the wall that comes from outside the garden and, upon entering into the auditorium, makes the interior stage or theatre. The second sculpture will be in the entrance to the exhibition hall, serving as the emblematic doorway to the Centre as well as capping off the elevation. The third will have the cinema as its backdrop, placed near the wall that separates the Cultural Centre from the nine-storey-high tower...

Section 11. Yellow granite2. Bedding mortar3. Concrete screed4. Gravel 5. Connecting pipe to the collector 125mm6. Concrete box

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Section 21. No.14 zinc plate top2. Cover of existing box 3. Waterproof regularisation4. The same stone of the buildings wall applied5. Delta-drain with geotextile6. Cerezite 7. Plaster 8. Existing box 9. Bottom drainage tube 150mm 10. Yellow granite cover11. Adhesive 12. Waterproof regularisation13. Concrete wall of the existing housing 14. Existing box 15. Yellow granite 16. Bedding mortar17. Concrete screed18. Gravel19. Compacted clay 20. Humus

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1. Entrance2. Foyer/exhibitions3. Cinematheque4. Auditorium5. Stage6. Projection booth 7. Fire station8. Winding booth9. Secretary10. Cabinet11. Library12. Public toilets

13. General collection14. Book file15. Film archive16. Dressing room17. Chamber18. Bathroom19. Bathroom for artists20. Gallery at access21. Command of light/sound22. Emergency exit23. Wardrobe technician24. Conduct

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02 Conversion of the Santa Maria do Bouro Convent into a State Inn

Co-author: Humberto VieiraProject Year: 1989Construction Year: 1997Address: Bouro, AmaresLocation: Braga, PortugalClient: EnaturCollaborators: Manuela Lara, Marie Clement, Ana Fortuna, Pedro ValenteStructural Consultants: G.O.P.Electrical Consultants: G.O.P.Mechanical Consultants: Gesto Energia TrmicaGeneral Contractor: Soares da CostaPhotographer: Lus Ferreira AlvesBuilding Size: 7,300 m2Cost: 7,980,766.35 Euros

Site plan (Above)1. Cathedral2. Convent3. Patio with orange orchard4. Cloister5. Cultivation ground6. Mill7. Terrace8. Pond of Mirror9. Olive-grove10. Swimming pool11. Tennis court12. Orange-grove13. Pillory

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This project aims to adapt, or rather, to make use of the stones available to build a new building. It is a new building, in which various voices and functions (some already registered, other still to be constructed) intervene; it is not a reconstruction of the building in its original form. For this project, the ruins are more important than the "Convent"; they are open and manipulable, just as the building was during its history. This attitude is not meant to express or represent an exceptional case justifying some original manifesto, but rather to abide by a rule of architecture, more or less unchanging throughout time. During the design process, lucidity was sought for between the form and the programme. Faced with two possible paths, the architect chose to reject the pure and simple consolidation of the ruin for the sake of contemplation, opting instead for the introduction of new materials, uses, forms and functions "entre les choses", as Corbusier said. The "picturesque" is a question of fate, not part of a project or programme.

Axonometric drawing

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Ground floor plan (Left)1. Patio with orange orchard2. Show room3. Auditorium4. Entrance hall5. Mill6. Pond of Mirror7. Terrace

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Section 1 (Below)1. Blackout gutter 2. Yellow brass window frame3. Compressed band4. Locker5. Double glass 6+6+6mm6. Hinge

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First floor plan1. Cathedral2. Void above cloister3. Void above patio4. Guest rooms5. Lounge6. Patio with orange orchard7. Terrace8. Living room9. Billiard room10. Dining room11. Restaurant12. Chapter room13. Sacristy14. Cultivation ground15. Pond of Mirror

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Burgo Tower

Project Year: Phase 1: 1991, Phase 2: 2003Construction Year: Under constructionAddress: Av. BoavistaLocality: Porto, PortugalClient: Burgo Fundirios, S.A.Collaborators: Phase 1 (1991/1995): Teresa Gonalves, Adriano Pimenta, Antnio Dias, Filipe Pinto da Cruz, Francisco Cunha, Francisco Vieira de Campos, Graa Correia, Manuela Lara, Marie Clement, Nuno Rodrigues Pereira, Pedro Mendes, Pedro Reis, Silvia AlvesPhase 2 (2003/2004): Silvia Alves, Diogo Guimares, Manuel Vasconcelos, Diogo Morais, Susana MonteiroStructural consultants: AFAssociadosHidraulic consultants: Vitor Abrantes ConsultoresElectrical consultants: Rodrigues Gomes & AssociadosMechanical consultants: AFAssociadosGeneral contractor: San JosPhotographer: Lus Ferreira Alves

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The site is located where the Avenida da Boavista breaks into discontinuous sections; it is the biggest straight-line avenue in Portugal that extends from "Casa da Msica" till the Sea in West. The solution consists in a level platform which incorporates two nearby volumes which recast in different scales. A low ribbon-like building allows for the enclosure more close to approximate the sought-after anonymity. The tower, set back from the avenue, rises up from the platform, waiting for further and future works of architecture still to come. This office complex opens a large square between the two buildings, one horizontal and the other vertical. The square is occupied by a big sculpture by the Porto architect/sculptor Nadir de Afonso. The buildings were drawn with very simple shapes, following the influences of Mies and the Chicago buildings. The main interest about the building is its faade. Its skin is composed out of a single module that wraps all the volumes. That module was studied so it could fit on two different ways creating a glass faade and an opaque faade. The building was described by the Pirtzker jury as two buildings side by side, one vertical and one horizontal with different scales, in dialogue with each other and the urban landscape. Souto de Moura commented that a twenty storey office tower is an unusual project for me. I began my career building single family houses.

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Ground floor plan (Plaza)1. Entrance2. Entrance hall3. Reception4. Waiting area5. Elevator6. Stairs7. Trade

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Typical floor plan1. Atrium elevators2. Atrium3. Technical area4. Bandstand5. Antechamber 6. Tidy room7. Drinking water supplies8. HVAC technique installation9. Generator10. Garbage

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Site plan

04 House in Moledo

Project Year: 1991Construction Year: 1998Location: Moledo, Caminha, PortugalClient: Antnio ReisCollaborators: Manuela Lara, Pedro Reis, Nuno Rodrigues PereiraStructural Consultants: Jos Adriano CardosoPhotographer: Lus Ferreira Alves

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After the experience at the Baio House, I felt that it would be more natural, in Portugal, to design wooden frames. To this end, the roof has to be exposed to view, declaring itself a new object, visible as if fallen from the sky. The project set out to redesign another, earlier house, analogous in terms of site, programme and materials. One exception, one aspect that was not a redesign, is that we had to reconstruct the hillside with new retaining walls and platforms, and this cost more than the house itself. "Le coeur a des raisons..." The client, as an intelligent man, was in agreement, and during seven years the house progressively gained in autonomy, passing from the redesign to the specific design for the occupants and the site which we progressively discovered and modified.

Axonometric drawing 1 Axonometric drawing 2

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Detail drawing1. Draining membrane2. Thermal insulation3. Waterproof membrane4. Concrete screed levelling5. Screed6. Concrete slab7. Plaster8. Stainless steel casement9. Wood casement10. Underfloor heating system11. Concrete slab12. Screed13. Timber floor

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05 Courtyard Houses in Matosinhos

Project Year: 1993Construction Year: 1999Address: Rua Cartelas VieiraLocation: Matosinhos, PortugalClient: Miguel Pereira Leite e OutrosCollaborators: Silvia Alves, Manuela Lara, Filipe Pinto da Cruz, Teresa Gonalves, Laura PerettiStructural Consultants: G.O.P.Electrical Consultants: Eng. Raul SerafimGeneral Contractor: ComportoPhotographer: Lus Ferreira AlvesBuilding Size: 3,033 m2Lot Size: 7,340 m2

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An aristocratic villa with a beautiful garden had been sold and was being used as a venue for wedding celebrations. The house's vegetable garden, running parallel to Porto de Leixes, was sold off as plots for development. A new road, proposed by the local authority, was to cut diagonally across the vegetable garden to leave a triangle (one plot) and a trapezium (nine plots). The project sets out to occupy the trapezium, dividing it into four small and five large plots, with swimming pools and annexes. The plots are separated by parallel walls, which support three strips of concrete which act as roofs. The spaces between the walls are courtyards, where the vegetation will grow up above the walls to merge with the neighbouring gardens and fields. I believe that the place, laid out with walls and trees, will retain its identity.

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Plan (Below)1. Entrance2. Hall / Study3. Garage4. Dressing room5. Bedroom6. Kitchen

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House in Serra da Arrabida

Project Year: 1994Construction Year: 2002Location: Serra da Arrabida, PortugalClient: Dr. Paulo Filipe MonteiroCollaborators: Nuno Graa Moura, Camilo Rebelo, Jos Carlos MarianoStructural Consultants: G.O.P.Electrical Consultants: Rodrigues Gomes & AssociadosMechanical Consultants: Rodrigues Gomes & AssociadosPhotographer: Lus Ferreira AlvesBuilding Size: 212.60 m2 + 46.25 m2 (Courtyard)

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The project for the Arrabida House has been in progress for almost four years and I have only now obtained the building permit from the local authority. At the present moment I have passed beyond the permanent crisis, the personal difficulties with the definition of the language, and the final construction project is ready to go ahead. One of the problems was the incompatibility, with regard to the client, the topography and to me, of reconciling any previous experience with this project. The simple solutions were exhausted, and quickly became simplistic. The form transformed itself into formula. A text by the writer Edgar Morin serves to explain the situation: "In the face of increasing complexity, we are more than ever in need of a thought that is capable of simplifying without mutilating. When reality resists simplification, we have to turn to complexity. Complexity is the eruption of the disorder of the aleatory and of uncertainty into reality... We all know today that the future is unpredictable, given the perpetual intervention of the new and the unexpected. And it is for that very reason that extreme complexity has a tendency to resemble a permanent crisis." (Edgar Morin, "O Jornal" 24th December, 1986)

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Constructive detail drawing1. Stone 3cm2. Bedding mortar3. Regularisation4. Enkadrain5. Waterproof geomembrane 6. Geotextile 7. Drain8. Waterproof geomembrane 9. Stone10. Form layer11. Geotextile 12. Roofmate isolation material 2cm13. Sikaplan PVC screen14. Geotextile 15. Regularisation16. Screed17. Waterproof geomembrane18. Wallmate isolation material 40mm 19. Enkadrain 20. Drain 21. Marble22. Bedding mortar23. Screed24. Screed armed25. Polyethylene film26. Roofmate isolation material 30mm27. Regularisation

28. Reinforced concrete29. Waterproof geomembrane30. Tout-venant31. Humus 32. Stone33. Roofmate isolation material34. Geotextile35. Goth36. Enkadrain37. Roofmate isolation material 40mm 38. Sikaplan PVC geotextile screen 39. Floor screed materials40. Lightweight concrete with a 1% drop 41. Cerezite42. Wallmate isolation material 40mm43. Reinforced plaster44. Stone45. Bedding mortar46. Geotextile47. Roofmate isolation material 40mm48. PVC screen 49. Wallmate isolation material 20mm50. Stone51. Lightweight concrete with a 1% drop 52. Waterproof geomembrane53. Wallmate isolation material 40mm54. Enkadrain

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Ground floor plan1. Hall2. Room3. Toilet4. Room5. Dressing room6. Storage7. Storage8. Technical area

Basement floor plan1. Patio2. Entrance3. Living room4. Kitchen 5. Hall6. Room7. Toilet8. Office9. Laundry

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House in Cascais

Project Year: 1994Construction Year: 2002Location: Cascais, PortugalClient: Eng. Lus Carlos Valadas FernandesCollaborators: Nuno Graa Moura, Camilo Rebelo, Jos Carlos MarianoStructural Consultants: AFA - Ado da Fonseca & AssociadosElectrical Consultants: Rodrigues Gomes & AssociadosMechanical Consultants: Rodrigues Gomes & AssociadosGeneral Contractor: PromaferPhotographer: Luis Ferreira Alves

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When designing a house, the problem is to understand the identity of both the client and the place in order to invent an "alter ego". Our capacity for repetition depends on our attitudes to the "time" and on the personality of the "place". I became interested in doors and windows, which I had felt inhibited about for 25 years. An immense horizontal sea, the Atlantic, cannot be recorded: an ocean - always different, always the same - cannot be "caught". We therefore opened up a neutral view, expanding the voids and designing with positives and negatives. The materials and colours are all different, all the same: grey. The grey tones vary gradually from outside to inside. The greys of Azulino de Cascais stone, the matt sheen of the aluminium and the sand-blasted stainless steel are all waiting for the setting sun to lift them out of their "grey" state.

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North faade (Kitchen) detail drawing 1. Camarinha type zinc plate2. Delta MS Drken3. Roofmate isolation material 40mm4. Regularisation (1cm) 5. Form layer (Lightweight concrete)6. Zinc ruff7. Roofmate isolation material 20mm8. Delta MS Drken9. Zinc plate10. Stainless steel corner 30x30x2mm11. Concrete12. Waterproof mortar13. Expanded polystyrene 40mm14. Dryvit type armed and colored concrete15. Stainless steel corner 30x30x2mm16. Handmade tile 14x14cm 17. Regularisation/Settlement18. Waterproof mortar19. Wallmate isolation material 40mm20. Concrete21. Waterproof mortar22. Regularisation23. Bedding mortar24. Handmade tile 14x14cm25. Marble threshold26. Stainless steel corner 30x30x2 mm27. Dryvit type armed and coloured concrete28. Expanded polystyrene 25mm29. Waterproof mortar30. Concrete slab 31. Regularisation32. Acoustic screen 33. Filling34. Regularisation35. Bedding mortar36. Marble

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Ground floor plan (Above)1. Garage2. Hall3. Laundry4. Bathroom5. Bedroom6. Wine cellar7. Machine room8. Storage9. Balneary

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First floor plan (Above)1. Entrance2. Entrance hall3. Living room4. Kitchen5. Pantry6. Hall7. Television room8. Corridor9. Bedroom10. Hall (Suite)11. Restrooms12. Dressing room13. Balcony14. Stairs

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Project Year: 1996-2004Construction Year: 2004-2007Address: LamaesLocation: Bom Jesus, Braga, PortugalClient: Dr. Fernando VazCollaborators: Susana Meirinhos, Lus Peixoto, Toms NevesStructural Consultants: S.G.P.E.Electrical Consultants: Fernando RamosMechanical Consultants: Matos CamposGeneral Contractor: S Machado & FilhosPhotographer: Lus Ferreira AlvesBuilding Size: 1,171 m2Lot Size: 5,050 m2

House in "Bom Jesus" II

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To meet the clients requirements we designed a black and white house with large terraces overlooking the city. The image of the Art House Project in Naoshima - Minami Dera Temple by Tadao Ando came up as an excuse for the black and also because the client was a timber industrial. Because the site was a fairly steep hill overlooking the city of Braga, we decided not to produce a large volume resting on a hilltop. The house was to be a wooden box but due to maintenance issues it will now be coated with patinaed zinc. Instead, we made the construction on five terraces with retainer walls, with a different function defined for each terrace - fruit trees on the lowest level, a swimming pool on the next, the main parts of the house on the next, bedrooms on the fourth, and on the top, we planted a forest. Those terraces drawings led us to involve the house in a heroically suspended ring. The ring will probably be painted in white. Between this ring and the house a garden embraces the vertical oak-trees. On the houses south and west sides the terraces horizontal subbase planes could be aligned with the skyline. (Porto, August 2009, Eduardo Souto de Moura)

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Detail section drawing1. "Wavin" drain omega 100 mm2. Grass3. Sand substrate 4cm4. Fine sand 13cm5. Thick area 10cm6. LECA 20cm7. "Cordrain" 16mm8. Alkorplan L membrane 35177 (1.5mm)9. Alkorplus protection layer 81005 (300g/m2)10. Roofmate isolation material 40mm11. Alkorplus vapour control layer 8101212. Form layer with regularisation and 1% drop13. Wooden floor14. Wood slats15. Armed screed16. Floormate isolation material 30mm17. Regularisation18. Concrete slab19. Waterproof geomembrane 20. Sub-foundation of tout-venant21. Support structure of the plasterboard22. Waterproof plasterboard 15mm23. Concrete wall 20cm24. Screed 8cm with 1% drop25. Concrete screed26. Rockfill

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Cave plan (Right)1. Garage2. Tidy room3. Technical area4. Hall5. Restroom6. Storage7. Kitchen8. Swimming pool9. Vestibule / kitchenette10. Technical area / tidy room of chairs11. SPA

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Ground floor plan (Above)1. Hall2. Cloakroom3. Service room4. Living room5. Dining room6. Breakfast room7. Kitchen8. Pantry9. Service hall

10. Laundry11. Service room12. Storage13. Service room14. Restroom15. Storage16. Playroom17. Office18. Storage19. Vault

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Site plan

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Project Year: 1996Construction Year: 2005-2007Address: Rua Nicolau Nasoni, Lotes 1 e 9Location: Maia, PortugalClient: Fernando DiasCollaborators: Lus Peixoto, Susana MeirinhosStructural Consultants: AFA consult - Eng Rui Furtado, Eng Miguel Paula RochaElectrical Consultants: AFA consult - Eng Raul Serafim Mechanical Consultants: AFA consult - Eng Isabel SarmentoHydraulic: AFA consult - Eng Paulo SilvaLandscaping: Eng Manuel Pedro MeloConstructor: MatrizPhotographer: Lus Ferreira Alves

House in Maia II

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The house is developed on two lots whose ends have a height of seven metres. Moving forward to the middle between two volumes, the programme looks like this: the rooms on the east, and the living room as well as others on the west. Below, is a basement with a porch that serves as a garage, pool and the engine room. The house has two patios and gardens with two different geographies: to the east, the rooms, a more intimate area with a tranquil oriental garden that provides the necessary light; to the west lies a long garden with oaks on the north, falling into a pool where a window lets you see the industrial outskirts and subway passes.

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Ground floor plan (Below)1. Hall / entrance2. Room 13. Corridor 14. Hall5. Corridor 26. Hall 27. Hall 38. Patio9. Bedroom suite

10. Bedroom 211. Bedroom 312. Hall 413. Bedroom 414. Room 215. Pantry16. Laundry17. Kitchen18. Dining room

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Constructive section 1 & 21. Humus2. "Impersep 250" (Imperalum) type screen3. "Isola platon de 25" (Imperalum) type screen4. Roofmate isolation material 6cm5. Asphalt screen6. Regularisation7. Form layer (Lightweight concrete)8. Visoplast armed and coloured concrete9. Plaster10. Bended zinc plate11. Wing (Drip)12. Bedding mortar of Wallmate13. Wallmate isolation material 2cm14. Dryvit type armed and coloured concrete15. Paved in granite 8cm16. Regularisation17. Concrete screed18. Gravel foundation 15cm 19. Vitrocsa aluminium frame (Double rail)20. Laminated glass 8mm (4+4)21. Air box 10mm22. Tempered glass 6mm23. Unequal corner aluminium tabs 25x12mm24. Asphalt screen25. Filling26. Insulation panel27. Concrete layer with additive28. Floor29. Slats

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Street elevation

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Section1

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Longitudinal section

Transverse section

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Constructive section (House 1)1. Zinc ruff2. Zinc plate (Profile - Camarinha type) 3. "Delta MS Drken" 4. Roofmate isolation material 4cm5. Regularisation 1cm6. Lightweight concrete 7. Slab 20cm8. Waterproof mortar 9. Expanded polystyrene 3cm10. Armed coloured concrete 0.5cm11. Drip pan (5mm vane) 12. Stainless steel flat bar 40x10mm 13. Stainless steel rod 10mm 14. Waterproof mortar 15. Expanded polystyrene 3cm16. Armed and coloured concrete 0.5cm17. Waterproof mortar 18. Expanded polystyrene 3cm19. Armed and coloured concrete 0.5cm20. "Sika" type self-levelling21. Bedding mortar 22. Armed screed

23. Roofmate isolation material 2cm24. Asphalt screen 25. Form layer with regularisation26. Concrete slab 20cm27. Plaster stucco 2cm28. Plywood to be painted 15mm 29. Roller blinds (Type sunscreen) 30. Technal aluminium frame-double rail Serial Number GK31. Double glass of security (6+8+10.2) 32. Sika type self-levelling33. Regularisation34. Armed screed 8cm35. Concrete slab 30cm36. Waterproof mortar 37. Expanded polystyrene 3cm38. Armed and coloured concrete 0.5cm39. "Troplein" 5cm 40. Vale 41. Falling tube 9cm (Air box) 42. Roller blinds (Type sunscreen) 43. Plywood to be painted 15mm 44. Stainless steel frame

45. Double glass (4+6+8)46. Granite stone 20cm 47. Stainless steel plate 2mm48. High density rock 49. Steel grid 50. Porous concrete 51. Drain 52. Geotextile 53. Roofmate isolation material 2cm54. Asphalt screen 55. Form layer with regularisation56. Concrete slab 20cm57. Sarrisca 5cm58. Ruler pine 2cm 59. Layer of gravel 20cm60. Geotextile 61. Geodrain tube, diameter 150mm 62. Concrete screed 63. Waterproof mortar 64. Expanded polystyrene 3cm65. Armed and coloured concrete 0.5cm66. Drip pan (5mm vane) 67. Granite step176

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Section 3

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Ground floor plan (House 1)1. Entry2. Room3. Kitchen4. Corridor5. Room 26. Dressing room7. Bathroom8. Balcony9. Entry 210. Pool11. Garden

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Contemporary Art Museum in Braganca

Project Year: 2002Construction Year: March 2008Address: Rua Ablio Bea, 105Locality: Bragana, PortugalClient: Bragana City HallCollaborators: Joaquim Portela, Teresa Fonseca, Tiago Coelho, Jorge Domingues, Maria Vasconcelos, Diogo Machado Lima, Ana Fortuna, Cndida Corra de S, Patrcia Diogo, Ctia Bernardo, Ricardo Prata, Susana MonteiroStructural Consultants: AFAElectrical Consultants: AFAMechanical Consultants: AFAGeneral Contractor: FDOPhotographer: Lus Ferreira Alves

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The Braganca Contemporary Art Museum consists of several parts. First, construction of a new building, with a temporary exhibitions area, 240 square metres and 8.30 metres high, is capable of receiving any exhibition that submits to the conditionings of the international legislation (light, ventilation, air conditioned, setting services, etc). Second, rehabilitation of the building, Solar Veiga Cabral, former "Banco de Portugal", that will receive the permanent exhibition on the first floor. The ground floor will function as a library, reception and restaurant, as well as other adjacent services. Third, the two buildings will be connected by a new volume, which corresponds to the proposed programme: circulation between temporary and permanent exhibitions; complementary programme to the museological activity, such as: educative service, administrative cabinet, and museology technical cabinet. After this three-volume restructuration, there are left some interstitial spaces, which will be fulfilled these ways: trucks' access ramp, for exhibitions loading and unloading, small yard to park cars, pedestrian ramp, from Emdio Navarro Street to the restaurant's esplanade, which will serve those out of the regular working hours. And, this operation obliges to the use of the pre-defined materials, in Emdio Navarro Street project, because without this, the museum wouldn't be integrated in an urban requalification operation, but would be one more insolite object.

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Longitudinal section of temporary exhibition room1. Galvanised steel structure in plasterboard system2. Double rock 30mm3. Fireproof plasterboard panel 20mm4. "Baswaphon" type rigid mineral wool panel 45mm5. Two layers of "Baswaphon" type acoustic plaster6. Square tubular steel structure 50x50x3mm7. Galvanised steel structure in plasterboard system8. 2x30mm rock9. Fireproof plasterboard panel 20mm10. Steel bracket 30x30x3mm11. "iGuzzinni" type standard illumination gutter 32x32mm12. Square tubular steel structure 50x50x3mm13. Bended steel plate 6mm14. "ERCO-wallwasher" type luminaria, ref.6504015. "iGuzzini" type standard illumination gutter type 32x32mm16. Galvanised steel structure in plasterboard system17. 2x30mm rock18. Fireproof plasterboard panel 20mm19. "Baswaphon" type rigid mineral wool panel 45mm20. Two layers of "Baswaphom" type acoustic plaster21. 2x50mm rock22. "Vioroc" type cement panel 12mm23. Fireproof plasterboard panel 20mm24. "Sika" type self-levelling painted25. Regularisation 15mm26. Filling

1. 2. 303. 204. 45Baswaphon5. Baswaphon6. 50x50x37. 8. 309. 2010. 30x30x311. 32x32iGuzzini12. 50x50x313. 614.ERCO6504015. 32x32iGuzzini16. 17. 3018. 2019. 45Baswaphon20. Baswaphon"21. 5022. 12Viroc23. 2024.Sika25. 1526.

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Ground floor plan1. Entrance2. Reception3. Cloakroom4. Bar5. Caf6. Hall7. Temporary exhibitions / hall of distribution8. Elevator9. Corridor / exhibition10. Corridor / hall11. Education service room 1

12. Education service room 213. Technical cabinet of museology 14. Cabinet of director15. Meeting room16. Reception of works17. Office18. Reserved collection19. Bathroom20. Public patio21. Discharge patio22. Post processing23. Education service patio

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First floor plan1. Elevator2. Multipurpose room3. Permanent exhibition room 14. Permanent exhibition room 25. Permanent exhibition room 36. Permanent exhibition room 47. Permanent exhibition room 58. Hall of distribution9. Bandstand 110. Bandstand 211. Hall/living space12. Temporary exhibition room13. Technical area 114. Technical area 215. Public reception16. Ramp17. Security control monitor18. Access to the technical area

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General plan

16 Row Houses "Quinta da Avenida"

Project Year: 2003-2004Construction Year: 2004-2005Address: Av. BoavistaLocation: Porto, PortugalClient: Rumo MudanaCollaborators: Lus Peixoto, Bernardo Duro, Jorge Domingues, Jos Carlos Mariano, Manuel VasconcelosStructural Consultants: Toro - Eng Carlos MoutinhoElectrical Consultants: Light Plan - Eng Fernando SilvaMechanical Consultants: P2E - Eng. Manuel SarmentoGeneral Contractor: EdiferPhotographer: Lus Ferreira Alves

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On the basis of a previously approved subdivision on a steep slope, the architects build three row housing typologies set on three platforms. The patio-houses in the upper part, at street level, have a single storey that opens on to the garden. The entrance is generated from a patio/garden on the south side. The three-storey houses are set at the lower level with the transition in between. The entrance and garage are set in the terrace/garden, like in Los Angeles. With the exception of the patio-houses, all the dwellings enjoy views of the park.

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Constructive section (Facing)1. Cobble coverage2. Geotextile screen3. Roofmate isolation material 4cm4. Waterproof canvas5. Regularisation 1cm6. Form layer7. No.14 zinc sheet ruff8. Delta MS Droken screen9. Roofmate isolation material 4cm10. Waterproof canvas11. Steel plate 3mm 12. Regularisation13. Steel plate 5mm14. Stone wall 28cm15. Roofmate isolation material 4cm16. Brick wall 1117. "Seral" type synthetic stucco18. Granite paved 12cm19. Sand cushion20. Geotextile21. Gravel foundation 15cm22. Humus23. "Impersep 250" (Imperalum) type screen

24. "Isola platon de 25" (Imperalum) type screen25. Roofmate isolation material 4cm26. Asphalt screen27. Regularisation28. Form layer of lightweight concrete29. Concrete slab 25cm30. "Seral" type synthetic stucco31. Aluminium frames Series GK (for details see frames)32. Laminated glass 8mm (4+4)33. Air box 10mm34. Tempered glass 6mm35. Asphalt screen36. Afzelia floor 22mm 37. Slat38. Concrete layer with additive39. Insulation panel40. Filling41. PEX tube42. Clip for insulation panel43. PE film44. LECA45. Concrete slab 25cm

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Ground floor plan (Lot 19)1. Garage2. Hall 13. Tidy room / hall4. Tidy room5. Bathroom 16. Tidy room / cellaret7. Tidy room / office8. Hall 29. Laundry10. Bathroom 111. Maid room

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First floor plan (Lot 19)1. Hall 32. Hall 43. Hall rooms 14. Room 15. Bathroom 46. Bathroom 57. Room 28. Hall rooms 29. Room 310. Bedroom suite11. Bathroom 612. Living room13. Dining room14. Hall 515. Kitchen16. Pantry17. Bathroom 318. Garage lighting 19. Patio / garden20. Garden21. Plat22. Route entry

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Basement 2 floor plan (Type B Lot 18)1. Living / dining room2. Bathroom 43. Laundry 4. Pantry 5. Kitchen6. Tidy room7. Stairs8. Patio / garden

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Site plan

17 House in Maia III

Project Year: 2003-2007 Construction Year: 2007-2010Address: Rua de Nicolau Nasoni, n.155 Location: Maia, Portugal Client: Eng. Tiago SilvaCollaborators: Susana Meirinhos, Joaquim Portela, Luis Peixoto, Joana Quintanilha, Tiago Santos, Joana Simes, Junko, Nuno CordeiroStructural Consultants: AFAconsult - Eng. Rui FurtadoElectrical Consultants: AFAconsult - Eng. Raul Serafim Mechanical Consultants: AFAconsult - Eng. Joo SousaHidraulics Consultants: AFAconsult - Eng. Marta PeleteiroGas Consultants: AFAconsult - Eng. Marta PeleteiroAcustics Consultants: AFAconsult - Eng. Joana Neves da SilvaSecurity Consultants: AFAconsult - Eng. Maria da Luz SantiagoExteriors Consultants: Eng. Manuel Pedro MeloStructural System: ConcreteMajor Materials: Concrete, glass and graniteGeneral Contractor: MatrizldaPhotographer: Lus Ferreira AlvesSite Area: 1,071 m2Building Area: 192 m2Total Floor Area: 384 m2

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In a land with a strong drop we built two platforms where two volumes are implanted. In the higher volume, in concrete, are the rooms facing east. In the lower volume, of granite, where the other is based, facing west are the rooms and the kitchen, and facing the garden a courtyard that is the garage roof. Along the lot - in the north side - another house that I have made, with the same accuracy by the same company. There are moments like these, that we still believe that we can build well. It is only a matter of taste and dedication.

Porto, 8th June, 2009, Eduardo Souto de Moura

, 200968

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Ground floor plan (Above)1. Hall2. Living room3. Kitchen4. Dining room5. Office6. Library

Northwest elevation

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First floor plan (Above)1. Hall / office2. Corridor3. Bedroom 14. Bedroom 25. Bedroom 36. Bedroom 47. Bathroom

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Transverse section1. No.14 zinc sheet ruff2. "Delta MS Drken" screen3. Roofmate isolation material 3cm4. Asphalt screen5. No.14 zinc sheet ruff6. "Delta MS Drken" screen7. Asphalt screen8. Exposed concrete wall9. Thermal insulation with Wallmate 4cm10. Exposed concrete wall11. Stone masonry12. Lintel of entry13. Builders of stone14. Air box 2cm15. Concrete wall16. Thermal insulation with Wallmate 4cm17. Builders of stone18. Ceiling suspension system19. False ceiling of plasterboard20. "Seral" type synthetic stucco21. Steel bracket22. Afzelia floor23. Slat24. "Knauf system 112d" type ceiling suspension system25. False ceiling of plasterboard26. Afzelia and new RIGA floor27. Slat28. No.14 zinc sheet ruff29. "Delta MS Drken" screen30. Roofmate isolation material 3cm31. Asphalt screen32. Thermal insulation with Wallmate 4cm33. "Blackout" type blind34. "Sun-screen" type blind35. "Vitrocsa" aluminium frame-double rail36. Stainless steel bracket37. Afzelia and new RIGA floor38. Slat39. Armed screed40. Thermal insulation41. Plastic screen42. "Knauf system 112d" type ceiling suspension system43. False ceiling of plasterboard44. "Seral" type waterproof synthetic stucco45. Brick wall 1146. Thermal insulation with Wallmate 4cm47. Concrete wall48. Afzelia and new RIGA floor49. Slat50. Ruff coverage of No.14 Camarihna type zinc sheet51. "Delta MS Drken" screen52. Roofmate isolation material 8cm53. Regularisation54. Form layer of lightweight concrete55. No.14 zinc sheet ruff56. "Delta MS Drken" screen57. Roofmate isolation material 3cm58. Asphalt screen59. Finished exposed concrete with formwork according to the elevation stereotomy60. Ceiling Suspension System61. False ceiling of plasterboard62. "Aquapanel" type panel63. "Omega of Knauf" type profile64. Regularisation of designed waterproof plaster65. Reinforced concrete wall66. Thermal insulation with Wallmate 6cm67. Wardrobe closet68. Waterproof MDF veneer panel69. Aluminium bracket70. Afzelia and new RIGA floor71. Screed72. Form layer of lightweight concrete73. Thermal insulation74. Plastic screen75. "Sun-screen" type blind76. "Vitrocsa" aluminium frame-double rail77. Afzelia floor78. Slat79. Parapet of reinforced concrete80. Form layer of lightweight concrete

Longitudinal section(See the following page)

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Garage plan

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Project Year: 2004Construction Year: 2007Location: Portalegre, PortugalCo-author: Graa CorreiaClient: Fundao RobinsonCollaborators: Ana Neto Vieira, Nuno Miguel Ferreira, Telmo Gervsio Gomes, Ricardo Cardoso, Pedro Gama, Hugo Natrio, Ins Ruas, Rita Breda, Lus Diniz, Nuno Vasconcelos, Ana P. Carvalho, Ana L. Monteiro, Joo Marques, Maurcia Bento, Elisama ReisStructural Consultants: GOP - Gabinete de Organizao de Projectos, LdaHydraulic Consultants: GOP - Gabinete de Organizao de Projectos, LdaElectrical Consultants: GPIC - Gabinete de Projectos, Consultadoria e Instalaes, LdaMechanical Consultants: GET - Gesto de Energia Trmica, LdaPhotographer: Lus Ferreira Alves, Christian RichtersTotal Area: 4,005 m2Site Area: 60,500 m2

Hotelary School in Portalegre

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The building of the Hotel and Catering School defines a new street, a structural and vital element to the rehabilitation of the old area of the Robinson Factory. To south, literally "hangs" over the landscape, enjoying the natural slope. The building is intended to be a box resting on the existing embankment defining a large balcony where all main spaces of the school turn to classrooms, library, lounge, restaurant and bar. To north, this box is closed, given its frank relation with the street and sets up two bodies completely closed. The largest and most detached volume embraces all kitchens and infrastructural support to the restaurant, self-service and teaching kitchen, finished in a blue colour traditionally used in bakeries and all places where special hygiene requirements exist. This volume is also denounced by huge skylights-chimneys. At the area in front of the classrooms and corresponding to yellow ochre body are placed the offices and additional spaces of smaller areas, each opening to a small private courtyard on the console. This equipment is an element of articulation with the rest of the urban fabric, serving a good portion of the population.

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Project Year: 2004-2005Construction Year: 2006-2007Address: Avenida da Boavista, 4143/4207 e Rua Aristides Sousa Mendes, 181/229Location: Porto, PortugalClient: 1946 - Imobiliria, S.A.Collaborators: Jos Carlos Mariano, Slvia Alves, Ricardo Tedim, Lus PeixotoStructural Consultants: AfassociadosElectrical Consultants: AfassociadosHydraulic Consultants: AfassociadosMechanical Consultants: AfassociadosSuperviasion: Sopsec, LdaGeneral Contractor: EdiferPhotographer: Lus Ferreira Alves

Office Building in Avenida Boavista

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The building is composed by a table parallel to the Avenue, which works as commercial stores. In the tabletop scattered boxes were placed, whose orientation is aimed at the City Park. Those boxes are disposed randomly but interconnected, and function as offices. Different from the traditional platform-like style building that I used to make, now I rethink the concept of the box-like architecture, transforming it into a composition of boxes that generate an urban faade over the avenue. Deployment of its irregularity on the table, resulting interstices, courtyards, gardens - serving each volume, each office, enables us to be "smoking", or feel the proximity of the park, right there in front.

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Constructive section1. Zinc plate (Camarinha type)2. Geotextile3. Roofmate4. Regularisation5. Lightweight concrete6. Concrete slab7. False ceiling of plasterboard8. Linoleum9. Regularisation10. Lightweight concrete11. Concrete slab12. Stainless steel frames13. Epoxy mortar14. Regularisation15. Lightweight concrete16. Concrete slab17. Thermal insulation and zinc ruff18. Anodised aluminium frames in natural colour19. Flameproof glass20. Armed isolation and plaster with paint21. Concrete paving flags22. Thermal insulation23. Concrete24. Stainless steel guard25. Granite cube 6x6cm26. Concrete

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20 Paula Rego Museum

Project Year: 2005Construction Year: 2009Address: Avenida da Repblica, CascaisLocation: Cascais, PortugalClient: Cascais City Hall Project Coordination: Srgio Koch, Ricardo PrataCollaborators: Bernardo Monteiro, Diogo Guimares,Junko Imamura, Kirstin Schtzel, Paula Mesquita, Manuel Vasconcelos, Maria Lus Barros, Pedro G. Oliveira, Rita Alves, Sofia Torres Pereira, Susana Monteiro, Paula MesquitaStructural Consultants: AFA consultHidraulics Consultants: AFA consultElectrical Consultants: RS Raul Serafim e associadosMechanical Consultants: PQF - Paulo Queirs de FariaPhotographer: Lus Ferreira AlvesSite Area: 8,896 m2Building Area: 3,307 m2Net Area: 2,648 m2Cost: 5,000,000 Euros

Site plan

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I was so lucky to choose this site, which increased my responsibility after the painter Paula Rgo had chosen me as projectist. The site was a woods, all surrounded by a wall, with a big empty in the middle, some former club tennis courts, which had disappeared with the Carnation Revolution. With the trees survey, especially their tops, I have developed a set of volumes with different heights, to respond to the plurality of the programme. The boxes distribution works like a mineral positive, from the negative that remains from the tree top perimeter. This "Yang" and "Yin" game between artifact and nature, helped me to decide the exterior material, red concrete, the opposite colour to the green wood, which meanwhile decreased by botanic prophylaxis. As I didn't want the building to be a neutral sum of boxes, I have established a hierarchy, introducing two big pyramids (skylights) in the entrance axis, which are the library and the caf, where it wasn't an indifferent Alcobaca's kitchen, some houses from Architect Raul Lino and some illustrations from Boull. It was my concerning that every exhibition room had always an opening to the exterior, to the garden. It is never too much to oppose the abstract and totally artificial reality of contemporary art to the daily and ruff reality that surrounds us.

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Ground floor plan (Right)1. Courtyard2. Reception / Coat check3. Atrium4. Cafeteria5. Bar6. Bookstore7. Permanent exhibition (Corridor 1)8. Permanent exhibition (Room 1)9. Permanent exhibition (Room 2)10. Permanent exhibition (Room 3)11. Permanent exhibition (Room 4)12. Permanent exhibition (Room 5)13. Permanent exhibition (Room 6)14. Temporary exhibition15. Corridor 216. Projection booth17. Translation booth18. Storage19. Auditorium20. Stairs21. Offices22. Loading and unloading23. Technical courtyard

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Basement floor plan1. Atrium2. AVAC centre U.T.A.S. and equipment3. Workshop4. Warehouse5. Fire and water centre6. Document deposit7. Storage8. Security centre9. Cloakroom10. Men's restroom 11. Women's restroom 12. Hall13. Technical gallery14. Auditorium

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Constructive section1. Zinc plate roof cover2. Plasterboard 20mm3. Acoustic ceiling4. Joint 5mm5. Azulino de Cascais marble 30mm6. Cement mortar7. Levelling layer8. Reinforced cement mortar9. Lightweight aggregate filling10. Zinc water drain11. Plasterboard 20mm12. Acoustic ceiling13. Joint 5 mm14. Lacquered MDF wardrobe15. Rockwool 60mm16. Double height density plasterboard17. White marble skirting board (60mm)18. Zinc cover19. Skylight20. Azulino de Cascais Marble 30mm21. Cement mortar22. Levelling layer23. Reinforced cement mortar24. Lightweight aggregate filling25. Zinc water drain26. Drain27. Plasterboard 20mm28. Acoustic ceiling29. Joint 5mm30. "Aleixo" lamps31. Rockwool 60mm32. Double height density plasterboard33. White marble skirting board 34. Joint 5mm

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Municipal Market, Braga, Portugal"Casa das Artes", S.E.C. Cultural CentrePorto, PortugalHouse One, Nevogilde, Oporto, PortugalHouse Two, Nevogilde, Oporto, PortugalHouse in Quinta do Lago, Almansil, Algarve, PortugalBridge "Dell' Academia"La Biennale di Venezia, Venice, ItalyAnnexes to a house in Rua da Vilarinha,Oporto, PortugalHouse in Alcanena, Torres Novas, PortugalSalzburg Hotel CompetitionMaster Plan for "Porta dei Colli"Palermo, Italy (Milan Triennal)House 1 in Miramar, Vila Nova de Gaia, PortugalHouse in Av. da Boavista, Porto, PortugalMaster Plan and Civic Buildings for "Mondello", Palermo, ItalyConversion of the Santa Maria do Bouro Convent into a State Inn, Amares, PortugalHouse in "Bom Jesus", Braga, PortugalGeo-Sciences Department, University of Aveiro, Aveiro, PortugalHouse in Maia, Maia, PortugalHouse in Baio, Baio, PortugalHouse in Tavira, Tavira, Algarve, PortugalBurgo Project in Boavista Avenue (Office Blocks and Commercial Mall), Porto, Portugal

FACT SUMMARY

Eduardo Souto de MouraBorn on 25th July, 1952 in Oporto, Portugal

House in Moledo, Caminha, PortugalApartment Block in Rua do "Teatro",Porto, PortugalChildren's Library and Auditorium,Porto, PortugalRemodelling and Improvement of the Gro Vasco Museum, Viseu, PortugalCourtyard Houses in Matosinhos, Matosinhos, PortugalConversion of the Customs Building intoTransports and Communications Museum, Porto, PortugalHouse in Serra da Arrbida, PortugalHouse in Cascais, PortugalResidential Building, Liege Square, Porto, PortugalMaster Plan for Maia City, Maia, PortugalConversion Plan for the Coastline of South MatosinhosMatosinhos, PortugalDesign of the Portuguese Pavilion, Expo 1998, Lisbon, PortugalInterior Project for Santa Maria do Bouro Inn, Amares, PortugalInterior Project for the "Armazens do Chiado", Lisbon, PortugalPortuguese Photographic Centre, "Edificio da Cadeia da Relao do Porto", Porto, PortugalArchitectural Project for the Porto Metro (subway)Porto, PortugalResidential building in Cidade da Maia, Maia, PortugalRemodelling of the Market in Braga, Braga, PortugalCultural "Silo" in the Norteshopping, Matosinhos, PortugalCinema House for Manoel de Oliveira, Oporto, PortugalCo-author with Alvaro Siza of the Portuguese Pavilionfor Expo HannoverMulti-purpose pavilion in Viana do Castelo, PortugalArchitecture Project for the Braga Stadium, Braga, Portugal28 Houses in na Av.da Boavistra, Porto, PortugalRehabilitation of the Historical CentreValena do Minho, PortugalModern Contemporary Art Museum in Bragana, Portugal

EDUCATION

1980-19841981-1991

1982-19851983-19881984-1989

1985

1986-1988

1987-19921987-19891987

1987-19911987-19941988

1989-1997

1989-19941990-1994

1990-1993

1991-19951997-2007

BRIEF CHRONOLOGY

School of Architecture (ESBAP), Oporto, Portugal

1991-19981992-1995

1992-2000

1993-2004

1993-19991993-2007

1994-2002

1994-20011995-20041995-2002

1995-19981996-19971997-19991997-2001

1997-2005

1997-2001

1997-20011998-19991998-20031999-2000

20002000-20032002-20062002

2003-2008

CHRONOLOGY OF MAJOR WORKS

Worked with architect No DinisWorked with architect Alvaro SizaAssistant Professor, Faculty of Architecture,Oporto University, PortugalOpened his own architectural firm

19741975-19791980-1991

1980

264

House in Girona, Llabia, Barcelona, SpainCo-author with Alvaro Siza of the Metro StationMunicipio - Linea 1, Naples, ItalyCo-author with Alvaro Siza of the Serpentine Pavilion, London, UKGolf Resort, bidos, PortugalCo-author with Atelier Terradas i Muntaola forResidential Centre and Services - La Pallaresa,Barcelona, SpainPaula Rgo Museum, Cascais, PortugalOffice Building for Novartis, Basil, SwitzerlandBernia Golf Resort, Alicante, SpainKortrijk Crematorium, BelgiumHouse of Professor, Cascais, PortugalTwo Family Houses, Ibiza, SpainConversion of "Convento das Bernardas" intoFamily Houses, Tavira, PortugalOffice Building for Edemi Gardens, Porto, PortugalResidential Building for Vale de Santo AmaroAlcntara, Lisbon, PortugalWine Cellar in Mealhada, PortugalMaster Plan for New City Hall Buidling, Trofa, PortugalTower in Benidorm, Apartments and Hotel, SpainEspao Miguel Torga, Sabrosa, PortugalConversion of Penso Monumental into Apartments, Porto, PortugalCo-author with ngelo de Sousa for the Portuguese Official Representation in the Venice Biennale 2008, Venice, ItalyHotel in Obidos, Obidos, PortugalCo-author with Architect Flvio Barbini for theRecuperation of Pagnoni Complex, Monza, Italy

2003

2004-2005

20042004

2005-200920052005

2006

2007

2008

SELECTED PUBLISHED MATERIALS

In Books "Souto de Moura", Gustavo Gili, Barcelona, 1990"Eduardo Souto Moura", Blau Editora, Lisbon, 1994"Ten Houses", Rockport Publishers,Massachusetts, 1998"Santa Maria do Bouro", White & Blue, Lisbon, 2001"Eduardo Souto Moura", Blau Editora, Lisbon, 2000"Eduardo Souto Moura", Electa, Milan, 2003"Eduardo Souto Moura", Gustavo Gili, Barcelona, 2003"Eduardo Souto Moura", LOFT Publications, Barcelona, 2003"Stein Element Stone", Werner Blaser, Birhauser Publishers, Basel, 2003"Casa do Cinema Manoel de Oliveira",Caleidoscpio, Casal de Cambra, 2004"Pavilho Multiusos Viana do Castelo",Civilizao, Porto, 2005"Estdio Municipal de Braga", Civilizao,Porto, 2007

Temi di Progetti, Accademia di Architettura,Mendrisio 1998Case / Ultimi Progetti, Bolonha Citt Europea de laCultura, 2000"Prmio Secil de Arquitectura 2004", O A, Secil,Lisbon 2005"BURGO O Projecto", Grupo San Jose, Porto 2005"BOM SUCESSO - Design Resort, Leisure, Golf & Spa", Acordo, Porto 2006"Vinte e Duas Casas", (VI Bienal de So Paulo 2005), OA & Caleidoscpio, Lisbon, 2006"Princpio e Fim de Um Projecto - Souto Moura /Ferreira Alves JN/DN, Porto 2008Architecture and Photography Exhibition"Uma Conversa no campo com ESM", Coleces Privadas, Museu Municipal de Tavira"C fora: arquitectura desassossegada", Eduardo Souto de Moura / ngelo de SousaVeneza 2008 - La Biennale di Venezia-11 Mostra"CASA DAS HISTRIAS, CA: 05", City Hall Cascais, Cascais 2009

"Architecti" n 5, Trifrio Editora, Lisbon, 1990Review "2G n 5", Gustavo Gili. Barcelona, 1998"du" n 715, Herzog, Zurique, 2001"A&B" n3, Watekz Kamienia, 2002"Arquitectura" n 337, COAM, Madrid, 3Trimestre 2004"Estdio Municipal de Braga", City Hall Braga, Braga,2004"Obra Reciente", TC-Cuadernos Tribuna de laConstruccin n 64, Valencia 2004"El Croquis n 124, El Croquis, Madrid 2005"AA - Arquitecturas de Auto" r n32, T 6 Ediciones, Pamplona 2005"A+202-Revue Belge dArchitecture", Bruxelles 2006Bauwelt n 37, Bau, Berlin 2008Cdo-Cadernos d Obra n01, Gequaltec / Feup, Porto 2009WA n229, School of Architecture Tsinghua, China, 2009"SOUTO DE MOURA 2005-2009", El Croquis n 146, Madrid 2009"ArchiNews" n 16, Eduardo Souto de Moura, inside city, Lisbon, 2010

In Reviews

In Catalogues

"Conversas com Estudantes", Gustavo Gili, Barcelona, 2008"Conversaciones con Estudiantes", Gustavo Gili,Barcelona, 2008"Eduardo Souto de Moura 2008", Caleidoscpio,Casal de Cambra, 2008"Eduardo Souto de Moura-Architect", Loft Publications, Barcelona, 2009"Casa das Histrias Paula Rego", City Hall Cascais, 2009"Eduardo Souto Moura - Architect", Bertrand / (LOFT),Lisbon, 2010

265

Award FAD, Barcelona, for the project of Braga StadiumOpinion Award FAD, Barcelona, for the project of Braga StadiumGold Medal for Braga Stadium - IAKS, International Association for Sports and Leisure Facilities, Cologne, GermanyFinalist of the "I Prmio de Arquitectura Ascensores Enor", for the project "Cinema House Manoel de Oliveira"1st Prize in the competition for a Crematorium in Kortrijk, BelgiumArchitecture International Prize for "Braga Municipal Stadium" from the Chicago Athenaeum Museum, USAHonourable Mention for "Braga Municipal Stadium""Best Window" VETECO, Madrid Fair, SpainFAD Award "Ciutat i Paisatge" with the Project "Metro do Porto"ENOR Ward of Portugal with the Project "Metro do Porto""Gran Prmio Enor" with the Project "Metro do Porto""Finalist" for the Jury of Enor Award with the Project "Metro do Porto"Honourable Mention for "Braga Municipal Stadium"V Edition Bienal Iberoamericana of Architecture and Urbanism, Montevideo, UruguayHonourary Fellow of the American Institute of Architects (AIA)Architecture International Prize for "Burgo Office Tower" from the Chicago Athenaeum Museum, USAInternational Fellow of Royal Institute of British Architects - RIBAFinalist of FAD Award 2008 for "Burgo Tower"Green Good Design 2009, with the "Luce 3" LampThe European Centre for Architecture Art Design and Urban Studies and the Chicago AthenaeumAward "Cidades de Excelncia 2008-2009", for the project "Plano de Pormenor do Largo do Souto, em S. Joo da Madeira"Doctor Honoris Causa, Universidade de Chiclayo, Repblica do PerArchitecture International Prize for Contemporary Art Museum of Bragana from the Chicago Athenaeum Museum, USAFirst prize in the Competition for the project "Railway High Speed Axis Lisbon / Madrid - PPP1 - Poceiro / Caia", co-authored with Arch. Adriano PimentaFirst prize in the competition for the New Hospital of voraFirst Prize in the Project LIWA an Oasis of Learning for Abu Dhabi, United Arab EmiratesNominated as a Member of the Academy of ArtsArchitecture Section of BerlinArchitecture Medal of "L'Academie dArchitecture de France", ParisAward for the project "Paula Rego Museum" from The Chicago Athenaeum, the Museum of Architecture and Design and the European Centre for Architecture Art Design and Urban Studies

2006

2007

2008

2009

2010

Antnio de Almeida Foundation1st prize in the competition for theCultural Centre of the S.E.C., Oporto, Portugal1st prize in the competition for theRestructuring of the Main Square in vora, PortugalAntero de Quental Foundation1st prize in the competition for the C.I.A.C. pavilions1st prize in the competition for a Hotel in Salzburg1st prize (ex-aequo) in the IN / ARCH 1990 per la SiciliaSecil Award for Architecture1st prize in the competition for the"Construction of an Auditorium and a Children's Library in the City Hall Library", Oporto, Portugal2nd prize in the competition for "The Stone in Architecture"Secil Award for Architecture - Honourable Mention for the House in AlcanenaNational Awards for Architecture - Honourable Mention for the Cultural Centre and the House in AlcanenaInternational Prize for Stone in ArchitectureFiera di Verona, for the House in Bom Jesus, BragaAnnual Award of the Portuguese Department of theInternational Association of Art Critics,for the building in Rua do TeatroNominee for the Mies van der RoheEuropean Union Architecture Prize for the following projects:1990 - Cultural Centre, Oporto1992 - House in Alcanena1994 - Department of Geosciences, Aveiro University1996 - Building in Rua do Teatro, Oporto1998 - Pousada of Santa Maria do Bouro2000 - Courtyard Houses in Matosinhos2002 - Cinema House "Manoel de Oliveira", Oporto2010 - Paula Rego's House of Stories, CascaisNominee for the Award IBERFAD with the"Pousada Santa Maria do Bouro"1st prize in the I Bienal Iberoamericana with the"Pousada Santa Maria do Bouro"Award PessoaAward "Stone in Architecture" - Honourable Mention for the "Pousada Santa Maria do Bouro"Award FAD - Opinion Award for the "Silo Cultural" inNorteshopping, MatosinhosAward Heinrich-Tessenow-Medal in GoldNominee for the III Bienal Iberoamericana deArquitectura e Ingenieria Civil, for the Courtyard Houses in MatosinhosAward "Stone in Architecture" - Honourable Mention of the Project in Matosinhos SouthFinalist of the FAD Award 2004, for the project 2 Houses in Ponte de Lima" - Opinion Award of the FAD Jury 2004Secil Award for ArchitectureFinalist of the Prize "Prmio Europeu de Arquitectura Pabelln Mies van der Rohe 2004" for the project of the "Braga Stadium".

AWARDS

19801981

1982

19841986198719901992

1993

1995

1996

1998

1999

20012002

2003

2004

2005

266

"After the Modernism", National Society of Beaux Arts, in Lisbon"11 Oporto Architects - Recent Images", S.N.B.A., Lisbon; House of Crivos, Braga;Coop. rvore, Porto"Architecture Drawings", Architectural Association, London."Braga Market", Biennale of Paris."House 2 in Nevogilde", Identita nellArquittectura, Pirano, Jugoslvia"Corbu vu par...", I.F.A., ParisMilan Triennale"The Scholl of Oporto", Clermond-Ferrand, France"Furniture Exhibition", Atalaia Store, Lisbon"Italian Design Forum", Milan and New York"Emerging European Architects", Univ. Harvard, Boston; Univ. Columbia, Nova York."Lieux dArchitecture Europenne", Academy of France in Rome"Architectures Publiques", Centre Georges Pompidou, Paris"Ouvertures a Bordeaux", Arc en Rve - Centre dArchitecture, Bordeaux"Installation, Architektur Forum Zurich, Zurich."10 Portuguese Authors - Contemporary Design, House of Arts, Oporto"Portugal Four Points of View", Galerija DESSA, Ljubljana"Waves of Influence", New York, USA"Projects and Materials", Cultural Centre of Belm, Lisbon"Object Light", Porto and Lisbon"Less is More", UIA, Colegio Arquitectos Catalunya, Barcelona"From Project till Construction", City Hall of Maia, Maia"Design aus Portugal - eine Anthologie, in Frankfurt"Temi di progetti", Art Museum in Mendrsio, Switzerland"Temi di progetti", E.P.F.L., Lausanne, Switzerland"Temi di progetti", gta institut, Zurich, Switzerland"Temi di progetti", Vicenza, Italy"Temi di Progetti", City Hall in Matosinhos, Matosinhos"Case. Ultimi Progetti", Bologna, Italy"Case. Ultimi Progeti", Dresden, GermanyExhibition in StuttgartExhibition of Contemporary Design, Helsinki, FinlandExhibition in Pamplona, Spain"Draws in the Cities: Portuguese Architecture", V BIA of S. Paulo, Brasil"Draws in the Cities: Portuguese Architecture", Milan Triennale"EURO 2004 Stadiums", Lusada University, in LisbonMilan Triennale"Secil Award of Architecture 2004", Portuguese Architects Association, LisbonParticipation in Venice Biennale"Inedited 2005", drawings exhibition, House of Madrid, SpainParticipation in the exhibition about no constructed projects, Fribourg, SwitzerlandParticipation in S. Paulo Biennale, Brasil"22 Houses" in Portuguese Architects Association, LisbonParticipation in the exhibition "Inhabit Portugal 2003 / 2005",Cultural Centre of Belm, LisbonExhibition "Work Meeting North #005 dedicated to the themeUrban Infra-structures - Oporto Metro 1994to 2005, Transports Museum in OportoArchitecture Triennale of LisbonEduardo Souto de Moura / Luis Ferreira Alves -Exhibition in the Gallery of the Journal "Notcias", in PortoArchitecture: Portugal out of Portugal, Berlin

EXHIBITIONS

1983

19851987

1988

19891990

1992

19931994

1996

1997

1998

1999

2001

2002

20032004

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2007

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ContentsAbout Eduardo Souto de MouraS.E.C. Cultural Centre - "Casa das Artes"Conversion of the Santa Maria do Bouro Convent into a State InnBurgo TowerHouse in MoledoCourtyard Houses in MatosinhosHouse in Serra da ArrabidaHouse in CascaisHouse in "Bom Jesus" IIHouse in Maia IICommercial Building in Maia CityPorto MetroCinema's House "Manoel de Oliveira"Braga Municipal Stadium2 Houses in Ponte de LimaContemporary Art Museum in BragancaRow Houses "Quinta da Avenida"House in Maia IIIHotelary School in PortalegreOffice Building in Avenida BoavistaPaula Rego MuseumFACT SUMMARY