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Ministério da Cultura, Prefeitura da Cidade do Rio de Janeiro, Secretaria Municipal de Cultura, Governo do Rio de Janeiro, Secretaria de Estado de Cultura, Lei Estadual de Incentivo à Cultura do Rio de Janeiro apresentam

LEI DE INCENTIVO

COAPRESENTAÇÃO COAPRESENTAÇÃO PANORAMA CARIOCA NA CIDADE DAS ARTES

REALIZAÇÃO

APRESENTAÇÃO

panoramafestival.com

25/OUT A 10/NOV

INGRESSOSPOPULARESEnglish version

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LEI DE INCENTIVO

APRESENTAÇÃO

COAPRESENTAÇÃO COAPRESENTAÇÃO PANORAMA CARIOCA NA CIDADE DAS ARTES

PATROCÍNIO SÊNIOR

PATROCÍNIO

PARCERIA

Edital Funarte para Realização de Encontros, Seminários, Mostras, Feiras e Festivais

APOIO

REALIZAÇÃO REALIZAÇÃO

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The French word “avant-garde” comes from a military expression used to name the most advanced squad, the one that marches in the front line. That physically risky position was metaphorically used to name the movements that promoted fundamental ruptures in all artistic languages, from the end of the 19th century to the middle of the 20th century. This advanced squad lived a theoretical clash with European aesthetic models, while in the continent’s trenches and on the streets of many capitals people fought in other fronts of the ideological and political conflict. The regime of aesthetic and political relations in this transit between the notion of historical avant-garde and social movements is at the center of important debates in art history. This year, among hundred-year-old pieces and young artists experimenting the current possibilities for art, Festival Panorama celebrates its 22 years revisiting the connections between history, documentation, artistic and social.

On the everyday front in Rio, 22 years is also the age of many young people that are now, on the stairways and public squares, in a combative and artistic action - two processes that are impossible to separate. In a redesign of the original word, being on theavant-garde always meant also being in front of the squad, facing the combat. Like was the case in the historical context of several radical pieces that were an inspiration, document or ghost for many of the attractions in the Festival this year, the front pages of today’s newspapers have no idea of what is going on. At least this time we won’t have a one and only version of History’s live streaming.

A century ago, dancer and choreographer Vaslav Nijinsky (1890-1950) and composer Igor Stravinsky (1892-1971) created The Rite of Spring, the ballet that would later became an icon. With almost no remaining images, it’s music made for a dance that has disappeared, a specter, even when it is re-created based on documents. The Festival presents pieces that were inspired by The Rite of Spring with such different strategies as Xavier Le Roy’s and Roger Bernat’s. This journey through the 20th century continues with other artists that sought pieces or artistic movements from the avant-gardes of the first half of the last century as sources of inspiration, such as Olivia Grandville and le letristtes or Fabián Barba and Mary Wigman.

Another thread through the programme is the relation between body and the city. New horizons are openning and a feeling of belonging are being constructed. In a project devoted to creators from Rio, the Festival joins forces with Cidade das Artes and arrives in the West Zone with three new pieces conceived for the concrete architecture of the newly inaugurated cultural complex: João Saldanha, Gustavo Ciríaco and Denise Stutz.

Marcela Levi and Lucía Russo also premiere a co-production with Panorama and propose an inefficient walk against time in the busy city center between CCBB and Museu de Arte do Rio – MAR. This year, Panorama also arrives at MAR with another piece by Xavier Le Roy, “Retrospectiva”, a zigzag of his work, crated in collaboration with 12 Brazilian artists. An international seminar also takes place at the museum, gathering artists and theorists so we can tackle the notions of document, history and movement together.

The anticipated premieres of Rosas’ Cesena and Bruno Beltrão’s CRACKz and many other artists from different Brazilian states and countries, besides educational activities, coLABoratorio and Panoraminha complete the 2013 programming in venues in Centro, the South Zone and North Zone .

Just like what a group of artists lead by choreographer Lia Rodrigues imagined in 1992, Festival Panorama is once more an overview of many ideias and languages, both in and out of the stages. A fragmented overview that is free and risky, but always drawn along the lines of Rio de Janeiro’s landscape.

Ahead of the Guard

Catarina Saraiva, Nayse López e Renato Saraiva Directors

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The Rio de Janeiro State Culture Secretariat (SEC) has been working since 2008 to spread, stimulate and strengthen the culture of Rio de Janeiro, by creating fomenting mechanisms and policies for the sector, in all of its fields, seeking to contemplate all manifestations of art and culture, from the traditional to the experimental.

Panorama is among the projects sponsored by the Secretariat, through Rio de Janeiro’s Cultural Incentive Law, and in its more than 20 years, along with other festivals, it has been crucial for the development of artists and for offering to the public the most innovative dance research and creation.

By the means of actions such as this one, we are investing in the state’s performing arts and expanding the ongoing incentive to the sector, which is also made through calls for projects, projects like Circuito Estadual das Artes and Novas Cenas and the programming of spaces like the João Caetano, Glaucio Gill and Theatro Municipal theaters.

Thus, SEC fosters artistic creation and market increase, as well as cultural integration, research of new languages and the training and development of professionals in the area.

Secretaria de Estado de Cultura

Dance is going through an excellent phase, creativity-wise. This new edition of Panorama, one of the most important dance festivals in the country is an opportunity to acknowledge and experience the effervescent moment of all dance trends. Thanks to Panorama, after 25/10, cariocas will have access to a diverse selection of the most interesting and challenging national and international dance works.

Created in 1992 by choreographer Lia Rodrigues, intending to give more visibility and access to contemporary dance in Rio, Panorama already has a history of 21 years, a period when it received more than 350 companies and about 400 thousand people. Because of the programming quality, it became known as one of the most important dance festivals in Latin America. It is also the largest event of its kind in Brazil.

Produced by Associação Cultural Panorama, with the support of the Rio de Janeiro City Culture Secretariat and in partnership with

universities, schools and organizations, the event goes beyond the shows it usually offers. Besides installations and several artistic presentations, there is also an extensive educational program throughout the year, offering lectures, debates and laboratories for children and kids from different social contexts.

The support of the Rio de Janeiro City Culture Secretariat to Panorama is part of its guidelines to foster cultural production in Rio, stimulate artistic diffusion and establish the city as a stage for large cultural events, on an ongoing basis. Congratulations to the organizers for another high quality edition of Panorama. The people of the city are proud to host this event that celebrates and spreads dance, with a high cultural and social impact.

Sérgio Sá Leitão Rio de Janeiro City Culture Secretary

Secretaria Municipal de Cultura

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For the first time, the Cidade das Artes Foundation of the Rio de Janeiro City Hall presents the Panorama Carioca project. Through an unprecedented artistic residency program with renowned dance artists from Rio, Cidade das Artes establishes a partnership with Festival Panorama for a special edition of its programming between October 25 and 27.

This program of creations from Rio works with the concept of site-specific art, proposing a new gaze towards the building’s architecture and its relationship with the surrounding landscape. The main focus of the occupation is to co-produce three new pieces, specially

conceived for the spaces of Cidade das Artes.

As the city’s largest dance event, Panorama Festival 2013 presents Finita, by Denise Stutz, Onde o horizonte se move, by Gustavo Ciríaco and Piquenique Urbano, by João Saldanha. Three international premieres complete the program: Rosas & graindelavoix’s Cesena, Sílvia Real and Sergio Pelágio’s Tritone, and Xavier Le Roy’s La sacre du printemps.

May dance conquer this space.

Emilio Kalil President of the Cidade das Artes Foundation

For any festival, reaching its 22nd edition is a great accomplishment. Being the biggest dance and arts of the body event in Brazil and one of the most important in Latin America makes Festival Panorama an important highlight in the country’s cultural calendar. With each edition - always with renewed strength - Panorama mobilizes the artistic community and the public around attractions that are not limited to the contemporary dance shows. By following its multidisciplinary inclination, the Festival always surprises with a diverse programming. The 2013 edition is superlative in numbers and in the way it occupies stages, cultural centers and public spaces in the city of Rio de Janeiro.

Oi is proud to be alongside Festival Panorama. So is Oi Futuro. The cultural center in Flamengo

receives a part of the programming, hosting Lab-Uni 2013, a unique meeting of researchers and research groups of universities in Rio and in Brazil dedicated to investigating art focusing on the body and performance. For three days, the Laboratory will be a space for free experimentation and exchange with the public.

Oi Futuro Flamengo is also the starting point for the piece Domínio Público, by Spanish artist Roger Bernat, one of the most important names of this edition of Panorama. Domínio Público takes place in the surroundings of the cultural center, at Largo do Machado, and works as a board game, in which spectators are literally the protagonists, by responding in real time to the director’s instructions.

Enjoy the festival.

The Brazilian Development Bank (BNDES) acts in all different sectors of the Brazilian economy, fostering sustainable development, job creation and social inclusion.

BNDES finances projects that range from large infrastructure construction to small and micro-sized companies and also gives special attention to Brazilian culture, in all of its manifestations.

Aware that artistic manifestations are crucial for building the identity of a country, BNDES consistently invests in projects aiming to promote knowledge and value the creativity of our professionals.

Sponsoring Festival Panorama, one of the most important platforms for contemporary dance in the country, contributes to spread the work of Brazilian companies, promote debates about this artistic language and develop new audiences.

Thus, BNDES is pleased to be a partner of the project since 2008 and to contribute to bring the best of Brazilian contemporary dance to the public in a broader context, in which the most prominent international artists also perform.

Fundação Cidade das Artes

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Concept: Anne Teresa De Keersmaeker and Björn Schmelzer Choreography: Anne Teresa De Keersmaeker Musical director: Björn Schmelzer Creation and performance: Rosas and graindelavoix: Olalla Alemán / Carla Babelogoto, Haider Al Timimi, Bostjan Antoncic, Aron Blom, Carlos Garbin, Marie Goudot, David Hernandez, Matej Kejzar, Tomàs Maxé, Julien Monty, Chrysa Parkinson, Marius Peterson, Michael Pomero, Albert Riera, Yves Van Handenhove and Sandy Williams Created with: Gabriel Schenker, Mikael Marklund and Lieven Gouwy Music: Ars subtilior Set design: Ann Veronica Janssens Costumes: Anne-Catherine Kunz Rehearsal director: Femke Gyselinck Artistic director’s assistant: Anne Van Aerschot Technical coordinator: Joris Erven Sound: Alexandre Fostier Technicians: Wannes De Rydt and Bert Veris Wardrobe: Emma Zune Special acknowledgement: Johan Penson, Simo Reynders and Maria Eva Rodriguez Co-production: Rosas, La Monnaie / De Munt (Brussels), Festival d’Avignon, Théâtre de la Ville (Paris), Les Théâtres de la Ville de Luxembourg, Festival Oude Muziek Utrecht, Guimarães 2012, SteirischerHerbst (Graz), deSingel (Antwerp) and Concertgebouw Brugge (Bruges) World premiere: 16/07/2011 at Festival d’Avignosn.

Support for the tour: Flemish Authorities Partner in the tour: SESC-SP

Rosas & grandelavoix | Bélgica

Cesena Rosas’ latest production, Cesena is a counterpoint to En atendant (2010), which opened Panorama – 20 Anos, in 2011. While the per-formers danced at dusk in the previous piece, the new one announces the beginning of the day. The stage is shared among 19 dancers and singers who explore the limits of their abilities. Dancers sing and singers dance, once again in dialogue with the notes of ars subtilior, a sophisti-cated polyphonic musical style from the 14th century also developed in En atendant. In Cesena, which opens Panorama 2013, Rosas worked with graindelavoix, an art collective created by Björn Schmelzer.

Created 27 years ago, Rosas is one of the most respected and in-demand dance companies in the world. Choreographer and director of the group Anne Teresa De Keersmaeker conceived a series of impressive choreographic pieces in which she writes with movement in time and space. Her work immediately drew attention with her first piece in 1982, Fase, four movements to the hypnotic music of Steve Reich.

Since 1999, art-collective graindelavoix develops work with musicians who wish to experiment with other possibilities besides music, like per-formance and creation. It uses early music repertoires to shed light on current times.

www.rosas.be www.graindelavoix.be

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Panorama Carioca at Cidade das ArtesRestating its significance as one of the main arts festivals in the country and the largest in Rio de Janeiro, Panorama 2013 expands its program throughout the city, landing on the brand-new Cidade das Artes, in Barra da Tijuca, in the city’s West Zone.

Foyer, garden, rehearsal room... Cidade das Artes comes in as a new and unprecedented partnership for Panorama, which opens its doors for new works – co-produced by the festival and Cidade das Artes – of three important dance artists from Rio: João Saldanha, Denise Stutz and Gustavo Ciríaco.

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João Saldanha | Brasil, RJ

Piquenique urbano In this co-production between Panorama and Cidade das Artes, the artists share the space with the audience in an environment that is char-acterized by the idea of entertaining and nurturing those who visit with food, music and dance in different spaces. Piquenique urbano is a site-specific piece that will occupy and explore the possibilities of the archi-tecture of the monumental Cidade das Artes building. An itinerant duo composed by Ana Paula Marques and Thiago Sancho and choreographed by João Saldanha will spread dance through the performance space.

João Saldanha is one of the most important Brazilian choreographers. He created dozens of pieces conceived with Atelier de Coreografia, the company he directs since 1986 in Rio de Janeiro and which important dance artists from Rio have been parts of. Because of his significance, the Panorama – 20 Anos edition made a retrospective of Saldanha’s work, presenting Paisagem concreta, Núcleos, Qualquer coisa a gente muda and Monocromos.

Choreography, storyline, lighting, costumes and directing: João Saldanha Creative collaboration and performance: Ana Paula Marques and Thiago Sancho.

www.atelierdecoreografia.com.br

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CIDADE DAS ARTES | JARDIM 26 OUT / 17H, 27 OUT / 13H 120min (aprox.) 25 OUT / 16H - Educational Program Session

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Gustavo Ciríaco | Brasil, RJ

Onde o horizonte se move A landscape brings together men and women, nature and city, history and phantasmagoria. Something nameless, sublime and, at the same time, trite permeates it. The fleeting landscape generates narratives, biographies and fables. In Old Western movies, it was common for something to be seen in the horizon, sometimes blurred by the dust and the scorching sun. These distant figures would reveal themselves little by little, taking shape and materializing as they came towards us. Nowa-days, that dimension has been lost. No one seems to come from afar. In Onde o horizonte se move, spectators search the horizon to decipher the figures blurred by the distance, like watchmen from the past.

Gustavo Ciríaco works in projects and collaborations involving archi-tecture, visual arts and spectacle. His works are guided by the context in which they take place and by the poetry of the materialness of each situation. He has taken his work to festivals and art institutions in Latin America, Europe, Asia and the Middle East.

www.gustavociriaco.blogspot.com

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Directing and concept: Gustavo Ciríaco Performers: Ignacio Aldunate, Isabel Martins, João Victor Cavalcanti, Priscila Maia and Tiago Cadete Executive producer: Anna Ladeira | Curto Circuito Produções Production assistant: Gabriella Barbosa Special acknowledgement: Andrew Mitchelson, António Pedro Lopes, Dina Levy, Laura Samy, Letícia Ciríaco, Lucía Russo, João Sanchez, Marianne Baillot, Pedro Rivera, Sandra Carneiro and the Rio Occupation London staff and artists.

The project was part of the official programming of Galeria Maus Hábitos, in Guimarães, European Capital of Culture 2012, and of the Rio Occupation London, the Brazilian artistic mission at the London Cultural Olympiad 2012, with performances at V22. Rio Occupation London was commissioned by Rio de Janeiro’s State Culture Secretariat, produced by People’s Palace and co-produced by Battersea Arts Center.

© Tiago Cadete

CIDADE DAS ARTES | FOYER CENTRAL 26 E 27 OUT / 16H 45min 25 OUT / 15H - Educational Program Session

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CIDADE DAS ARTES | SALA ELETROACÚSTICA 26 OUT / 15H, 27 OUT / 18H 45min. The sessions are adapted for LIBRAS 25 OUT / 14H - Educational Program Session

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Denise Stutz | Brasil, RJ

Finita Finita: Portuguese feminine singular noun meaning something that has an end or a limit. Developed over the last two years, Denise Stutz’s new solo was sparked by a letter from her mother. With that inspira-tion, she used the scenic architecture of theater to elaborate the concept of loss and work with the issues of aging and absence from the perspective of dance. The creative process was posted on a blog: www.denisestutz.wordpress.com.

Denise Stutz began her dance studies in Belo Horizonte (MG). In 1975, along ten other dancers, she created Grupo Corpo. She worked with cho-reographer Lia Rodrigues as a dancer, teacher and director’s assistant. For more than ten years, she has been creating and performing her own pieces, with wide national and international circulation.

Text, directing and performance: Denise Stutz Collaboration: Laura Samy and Clara Kutner Lighting: Daniel Uryon Sound: Luciano Siqueira Music: J.S.Bach (Prelude and Fugue in C major), Tchaikovsky (Nutcracker) and Ray Noble and Al Bowlly (Midnight with the stars and you) Support: Casa da Glória Acknowledgement: Felipe Ribeiro, Lucia Russo, Marcela Levy, Emanuel Aragão, Fernanda Felix, Miwa Yanagizawa, Camila Márdila, Guilherme Stutz, Pedro Coelho, Renato Mangolin, Adriana Penatti, Leysa Vidal, Beatriz Radunski, Isabel Penoni and Espaço Sesc Copacabana.

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© Renato Mangolin

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Concept and performance: Xavier Le Roy Music: Igor Stravinsky Sound design: Peter Boehm Recording: Berliner Philharmoniker conducted by Sir Simon Rattle Collaborators: Berno Polzer and Bojana Cvejic Executive producer: Vincent Cavaroc / Fanny Herserant Production: Le Kwatt (F) and illusion et macadam (F) Co-production: Centre Chorégraphique National de Montpellier Languedoc-Roussillon (Xavier Le Roy Associated Artist 2007/2008), Les Subsistances / Residence - Lyon, Tanz im August - Internationales Tanzfest 2007 – Berlim and PACT Zollverein Choreographisches Zentrum NRW – Essen Support: The National Performance Network with funding provided by the German Federal Cultural Foundation as part of its project Dance Plan Germany.

Support for the tour: Institut Français and Goethe-Institut Rio de Janeiro.

Xavier Le Roy | França / Alemanha

Le sacre du printemps In the year of the hundredth anniversary of The Rite of Spring, Vaslav Nijinsky’s masterpiece with music by Igor Stravinsky, Festival Pano­rama 2013 presents Xavier Le Roy’s solo inspired by this classic. The idea for this piece came up in 2003, when the choreographer watched a Berlin Philharmonic rehearsal conducted by Simon Rattle. Without formal knowledge of music, the French artist painstakingly studied the conductor’s performance as if it were a choreography on its own, unfold-ing questions such as: when is one conducting and when one is being conducted by this song? Le Roy also presents “Retrospectiva” in this edition of the festival.

Xavier Le Roy has worked as a choreographer since 1991. After studying molecular biology, he transitioned from science to art without abandon-ing his interests, always creating new ways to articulate them. Self-unfinished (1998) and Product of circumstances (1999) are among his best known works, along with several pieces in different formats for theaters, galleries and other venues. He has worked with important in-ternational dance artists such as Jérôme Bel and Yvonne Rainer.

www.xavierleroy.com

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CIDADE DAS ARTES | SALA ELETROACÚSTICA 26 E 27 OUT / 20H 45minL

© Vincent Cavaroc

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Concept: Xavier Le Roy Performers: Volmir Cordeiro, Jacyan Castilho, Laura Samy, Denise Stutz, João Martins, Neto Machado, Jacqueline Eslebão, Fábio Osório Monteiro, Matias Santiago, Jeane Claudino, Daniella Aguiar Production: Le Kwatt Co-production: Fundació Antoni Tàpies Barcelona, Musée de la Danse Rennes Support: Institut français - Ministère de la Culture et de la Communication.

Thanks to the participants of the Retrospective as mode of production workshop during ImpulsTanz/Vienna 2011: Ben Evans, He Jin Jang, Iris Julian, Lenio Kalkea, Arianna Marcoulides, Nibia Pastrana Santiago, Magdalena Ptasznik, Anatoli Vlassov and Marta Ziolek.

Support for the tour: Institut Français and Goethe-Institut Rio de Janeiro and Alliance française Rio de Janeiro.Partner in the tour: Festival Interação e Conectividade (Salvador).

França / Alemanha

“Retrospective” by Xavier Le Roy “Retrospective” is a “choreographic exhibition” in which the performers carry out actions that create different experiences about how we use, consume or produce time. Three compositions are simultaneously set in motion: the duration of each visitor in the piece; the duration of each of the 11 performers’ daily work; and the development of the actions throughout the total duration of the exhibition. “Retrospective” is based on the solos created by Xavier Le Roy between 1994 and 2010 and was created for the first time for Fundació Antoni Tàpies, in Barcelona. The Brazilian version was co-produced with the Interação and Conectividade festival, in Salvador, organized by Grupo Dimenti. The piece uses the concept of retrospective as mode of production, not as a way to show the development of an artist. Along with Le sacre du printemps, this piece completes the French choreographer’s participation in Panorama 2013.

Xavier Le Roy’s presence in Brazil is part of the Year of Germany in Brazil.

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MUSEU DE ARTE DO RIO (MAR) 25 OUT A 10 NOV / 10H ÀS 17H The Museum is closed on MondaysL

© Lluís Bover

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Concept and creation: Marcela Levi & Lucía Russo | Improvável Produções Development: Claudio Magalhães, Jorge Lopes and Ricardo Fontes | Núcleo de Experimentacão Tridimensional PUC-Rio Co-production: Festival Panorama Production: Improvável Produções Acknowledgment: Alexandre Francisco, Amália Lima, Bruno Rezende, Carol, Clara Castro, Clara Cavalcante, Denise Stutz, Edivane Silva, Felipe Vian, Francisco Cavalcanti, João Victor Cavalcante, Gabriela Cordovez, Germán Lang, Ginetta Levi Mortera, Gustavo Ciríaco, Ignacio Aldunate, Isabel Martins, Laura Erber, Lia Rodrigues, Luana Bezerra, Lucas Bueno, Luiz Bitencourt (Tortubag) Michelle Outram, Paula Delecave, Pedro Rivera, Rita Natálio, Sérgio Resende, Simone Kennyon, Thiago Souza, Vinny Rigo, Catarina Saraiva, Nayse López and the whole team of Festival Panorama Photography: Álvaro Sánchez-Montañés.

The first phase of this project was developed during the RIO OCCUPATION LONDON program conceived by the Rio de Janeiro’s State Culture Secretariat and produced by People’s Palace.

Marcela Levi & Lucía Russo | Brasil / Argentina

sandwalk with me In urban centers in 2013, people walk in a hurry. The gaze, the hearing, the path and the walking itself no longer exist. People leave one point to quickly reach another one. The space between these two points doesn’t arouse any interest. sandwalk with me is an excursion that sympa-thizes with swings, stumbles, the waves of the see and the carts and streetcars that crossed the center of Rio de Janeiro in the beginning of the 20th century. sandwalk with me is an experience that is literally carried by each sandwalker. Come and be a sandwalker!

Marcela Levi has been developing projects that dissolve the boundar-ies between dance and visual arts, creating a language that upsets the hierarchy between body and object: the body becomes an object and objects become body. Restless Lucía Russo moves between artistic creation, transmission and exchange processes and cultural manage-ment. In 2010, between Rio de Janeiro and Buenos Aires, the two artists created Improvável Produções, responsible for the creation and produc-tion of Natureza Monstruosa and for the concept of the audience devel-opment project Futuros Espectadores.

www.marcelalevi.com

CENTRO CULTURAL BANCO DO BRASIL (CCBB) | FOYER 1º DE MARÇO 30 OUT A 01 NOV, 06 A 08 NOV / 10H / 10H30

MUSEU DE ARTE DO RIO (MAR) | PILOTIS 30 OUT A 01 NOV, 06 A 08 NOV / 16H / 16H30 / 17H30 60min (aprox.) Up to 20 participants. The intervention will not be performed in case of rainL

© Álvaro Sánchez-Montañés

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Directing, choreography and production: Bruno Beltrão Assistant director: Ugo Alexandre Lighting: Bruno Beltrão and Tiedo Wilschut Dancers: Bárbara Lima, Bruno Duarte, Cleidson Seabra ‘Neguin’, Jonathan Canito, Joseph Antonio, Leandro Gomes ‘Skillo’, Leonardo Ciriaco, Leonardo Galvão, Luiz Carlos Gadelha ‘Maluquinho’, Olye Souza, Ronielson Araújo ‘Kapu’, Samuel Lima ‘Chairspin’, Tito Lacerda, Thiago Amorim Light Engineering: Bas - Bossinade Lightworks / Holland Music: The Vladislav Delay and Quartet Philosophy: Dr. Charles Feitosa Physiotherapist: Dyanne Sant’anna Cook: Vanessa Almeida Sponsor: Petrobras Co-production: KunstenFestivaldesArts (Brussels), Tanz im August (Berlin), HAU (Berlin), Hellerau - European Center for the Arts Dresden, Kampnagel (Hamburg), Ruhrtriennale and PACT Zollverein (Essen), Wexner Center for the Arts (Ohio), Wiener Festwochen (Vienna), Holland Festival (Amsterdam) and Festival d’Automne à Paris, Théâtre de la Ville (Paris) Support: Clube Naval Charitas Acknowledgement: João Marcos Beltrão e Norma Cássia Beltrão, Christophe Slagmuylder, Marie Collin, Mathias Pees, Dieter Jaenicke and Carmen Mehnert, Stefan Scheuermann, Stefan Hilterhaus, Chuck Helm, Bettina Masuch, Associação Fluminense Santa Rosa, Clementino, Tânia Rodrigues and Flávio Chame.

Bruno Beltrão / Grupo de Rua de Niterói | Brasil, RJ

CRACKz What status does a work of art still hold in the digital era? To what ex-tent processes like remixing, sampling and mash-ups are recognized as basic procedures for artistic creation? In their most recent work, Bruno Beltrão and Grupo de Rua de Niterói celebrate the process of cultural diffusion made easier by new information technologies. CRACKz (which refers to cracking protected software) is based on a series of actions randomly chosen on the Internet by the dancers. The only requirement was that they should choose videos they felt like copying, regardless of aesthetic value. After that, they spent a year rehearsing 28 clips with this “repertoire of humankind’s gestures”. CRACKz marks Bruno Bel-trão’s return to Panorama after four years.

Bruno Beltrão is one the most praised choreographers of his generation. In 2010, he received The Bessies award in New York City. With Grupo de Rua de Niterói, of which he was one of the founders in 1996, he propos-es creative and intelligent deconstructions of the world of street danc-ing. His company is now one of the most important ones in the European scene, with six pieces presented in 29 countries on their résumé. Since 2011, the company has been sponsored by Petrobras.

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© Tito Lacerda

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Support: GREAT, Arts Council England, Queen Mary University of London, British Council Transform, People’s Palace Projects Brazil, People’s Palace Projects UK and Centro Popular de Conspiração Gargarullo

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Tardes no ParquecoLABoratorio @ EAV Parque Lage coLABoratorio is an international contemporary dance artistic residency program organized by Panorama since 2006 in different formats. In its third edition, it restates the goal to stimulate collaborative creation and cultural exchange between national and international artists.

In 2013, coLABoratorio joins the Tardes no Parque project, which has been occupying Parque Lage’s Escola de Artes Visuais (EAV) for three years. The scenic result of the researches developed during the residency will be presented there.

The selected artists worked with three advisors – choreographers Alejan-dro Ahmed (SC), Jorge Lopes Ramos (RJ) and Marcelo Evelin (PI) – at Centro Popular de Conspiração Gargarullo, in Miguel Pereira (RJ), from October 14th to 27th. The participants were selected through call-for-entries and fitted two basic criteria: motivation to work in a group and adequate availability for the purposes of the meeting.

coLABoratio is supported by Iberescena (Fundo de Ajuda para as Artes Cênicas Ibero-Americanas). The residencies were held in collaboration be-tween Associação Ponto de Cultura Espaço Panorama, Centro Coreográ-fico do Rio de Janeiro and Centro Popular de Conspiração Gargarullo.

The artists selected for coLABoratorio 2013: Joseph Patricio (Phil-lipines/Spain), Volmir Cordeiro (Brazil), Lander Patrick (Brazil), Aimé Pansera (Argentina), Tamia Guayasamin (Ecuador) and María José Cifuentes (Chile). Completing the coLABoratorio program at EAV Parque Lage, Panorama receives Lois Weaver, from England, one of the most important names in international performance art.

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Advisors:

Alejandro Ahmed (SC) – Resident choreographer, artistic director and dancer of Grupo Cena 11 Cia. de Dança. His work as a choreographer started in a self-taught way, in response to a need to integrate the way he thought about the world and the dancing he was experimenting with. With Cena 11, he developed a technique – named “physical perception” – that produces dance based on the body and is one of the support points for his work. His gaze has always been directed towards the limitations of the body and the possibilities it allows for transforming the “other”, be it a spectator or an accomplice of the action to which the body is subjected.

Jorge Lopes Ramos (RJ) – Living in the United Kingdom since 2000, he was the artistic and executive director of the Zecora URA company between 2001 and 2012. He is currently the associate artistic director of the organization that promotes artistic residencies in Brazil and England. With Zecora URA, he received awards and nominations as a director of interactive theater events. His most acclaimed project was Hotel Medea, which ran for four seasons in London and became the only highlight of Edinburgh Fringe 2011, receiving praises from the specialized media. He has led teams of 50 people from different cultures and backgrounds. He is currently the artistic director of Centro Popular de Conspiração Gargarullo.

Marcelo Evelin (PI) – Choreographer, researcher and performer. He has lived in Europe since 1986, where he works with dance and physical theater with professionals from different nationalities, backgrounds and languages (music, videoinstallations and performance). In Teresina (PI), he created Núcleo do Dirceu, a partner of coLABoratorio in 2010, and coordinates it since 2006. He is a resident creator at Hatveem Theater, in Amsterdam, with his Demolition Inc. company, and teaches improvisation and composition at the Amsterdam Mime School. He is one of forerunners of dance, performance and political action in contemporary arts.

Lois Weaver | EUA / InglaterraThe long table The long table is a performing installation that experiments with the structure of a public debate using a dinner-table format. It encourages informal conversation about serious subjects and experiments with for-mats for spectators’ participation. In Panorama, Lois Weaver invites the audience to discuss the issues of the day.

Lois Weaver is a performer, writer, director and activist. Her researches include live art, performance, feminism, human rights and the relation-ship between performance and spectators’ participation. She is a pro-fessor of contemporary performance at Queen Mary University of Lon-don. As part of a human rights program, Lois taught classes in women’s prisons in Brazil and England. She is ahead of the Public Address Sys-tem, a space for public debate and participation about issues of gender, human rights and activism.

EAV PARQUE LAGE 02 NOV / 14H

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EAV PARQUE LAGE 02 E 03 NOV / 13H ÀS 18H

Joseph Patricio | Filipinas / EspanhaJoseph Patricio, also known as Pepe, is Filipino and lives in Spain. With his performances, he seeks creative ways to relate with the other, conceiving situations in which the audience can participate in the work’s final result. He is currently developing the Es cena / Food left project, with the idea of taking a kitchen to alternative spaces and cooking food with whatever is at hand. Throughout 2013, he participated in residencies in Berlin, Germany, and in Asturias, Spain.

www.cargocollective.com/josephpatricio/about

Volmir Cordeiro | BrasilVolmir Cordeiro was born in Santa Catarina (Brazil). He has a degree in theater from the Federal University of Rio de Janeiro (UFRJ) and a master’s degree in dance, creation and performance from University of Paris 8 and from Centre National de Danse Contemporaine d’Angers (France). Since 2004, he has dedicated himself to contemporary dance creation. He was awarded with Prêmio Funarte Klauss Vianna de Dança 2007 to create, direct and perform Hipo-teses para o corpo ou como se agarra o mundo com uma mordida. In 2012, he premiered Céu, his first solo piece, which was developed at Centre National de Danse Contemporaine de Angers. He was part of the companies of Alejandro Ahmed and Lia Rodrigues. He currently works with Laurent Pichaud, Loic Touzé and Anne Kerzehro and Xavier Le Roy, besides being a performer for choreographer Emmanuelle Huynh.

Volmir was one of the artists of the 2012 Panorama Futuro program.

TARDES NO PARQUE | COLABORATORIO 13

© Agustin Pilarte © Fernanda Tafner

14 TARDES NO PARQUE | COLABORATORIO

Lander Patrick | BrasilLander Patrick is Brazilian and has been living in Portugal for many years. In 2011, he graduated from Escola Superior de Dança and soon after joined the Erasmus program at ArtEZ voor den Kunsten, in the Netherlands. With the solo Noodles never break when boiled, he was selected for 1º Andar – Mostra de Criadores Emergentes 2012, in Castelo Branco, Portugal. Besides with own work, Lander also collaborates as a creator and as a performer with independent artists in Portugal and in other European countries. He is currently developing the project You can blow it when you want.

Aimé Pansera | ArgentinaAimé Pansera was born in 1986, in Buenos Aires, Argentina. She studied performing arts in France and in Spain and developed her first works there. She is part of the Melena collective and collabo-rates with other artists as an assistant, dramaturge and producer. She has a doctorate in performing arts by Université de Paris III – Sorbonne Nouvelle. In 2008, she lived in Barcelona, Spain, where she had closer contact with contemporary dance. There, she took class-es with Roger Bernat and Rosa Muñoz, among others. She directed Proyecto B, her first theater and dance piece, in 2009. In 2011, she was an artist-in-residence at La Caldera and at tragantDansa, in Barcelona. In that same year, the Melena collective was born.

www.melenacolectiva.wix.com

© Guille Chen © Aimé Pansera

TARDES NO PARQUE | COLABORATORIO 15

Tamia Guayasamin | EquadorTamia Guayasamin was born and lives in Ecuador. She is an indepen-dent choreographer, performer and producer. In 2008, she received an award from the Ecuadorian Ministry of Culture for En el principio, a piece that toured through Ecuador and came to Brazil. In 2011, she was part of the STILL_MÓVIL project, for which she created Animal que muta, in collaboration with Manuel Vason. Since 2009, she co-directs Festival Internacional Videodanza Ecuador and co-organizes the meetings Diálogos con la Danza. She is a member of Red Su-damericana de Danza and has participated in many artistic residency projects in several countries, including Brazil.

www.tamiaguayasamin.blogspot.com.br

María José Cifuentes | ChileMaría José Cifuentes is Chilean. She is a doctorate candidate in history and in arts and humanities, developing a research called Teatralidad doméstica: la historia de la casa como espacio de resis-tencia y disidencia del arte. She has been developing teaching and research work in performing arts since 2006. She wrote the book História social de la danza en Chile: visiones, escuelas y discursos, 1940-1990 and co-wrote Danza independiente en Chile: recon-strucción de una escena, 1990-2000. She is a researcher at Cen-tro de Investigación y Memoria de las Artes Escénicas – CIM/Ae (Chile) and at ARTEA – Creación y investigación escénica (Spain). Since 2011, she directs, along with Simón Pérez and Jorge Tief-fenberg, the Festival Escena Doméstica, in Chile, which proposes to take artists’ performances into people’s homes.

www.escenadomestica.wordpress.com www.cimartesescenicas.wordpress.com

© Jose G © Agustin Pilarte

The coLABoratorio 2013 project has the support of

© Jose G.

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Concept: Olivia Grandville, based on Isidore Isou Artistic collaboration and lighting: Yves Godin Performers: Olivia Grandville, Catherine Legrand, Sylvain Prunenec, Pascal Quéneau, Manuel Vallade, Ana Maria Krein, Luanna Jimenes, Lucas Delfino and Patrícia Arabe Installation concept: Michel Jacquelin / Odile Darbelley Sound concept: Karelle Ménine and Eric la Casa Graphic design: Martin Verdet Executive producer: Magali Larché Tour production: Raphaël Saubole Acknowledgement: Fanny de Chaillé and François Chaignaud Production: La Spirale de Caroline Co-production: Centre de Développement Chorégraphique Toulouse / Midi Pyrénées, Musée de la Danse – Centre Chorégraphique National de Rennes et de Bretagne, Centre Chorégraphique National de Montpellier, within the Domaines, Arcadi program Support: DRAC Île-de-France and Association Beaumarchais – SACD, La Ménagerie de Verre, within Studiolab, and Mécènes du Sud.

Support for the tour: Institut Français, Consulate General of France in Rio de Janeiro and Alliance française of Rio de Janeiro. Partner in the tour: Sesc-SP.

Olivia Grandville | França

Le cabaret discrépant In Le cabaret discrépant, bodies have as much to say as words. Inspired by Lettrism – a movement that valued the sound of words, created by poets Isidore Isou, Gabriel Pommerand, François Dufrêne and Maurice Lemaitre in the 1940’s–, Olivia Grandville decided to make a choreogra-phy after being in contact with a little book about dance called Chiselling Dance, written by Lemaitre with a preface by Isou. She was surprised with descriptions of choreographies “to be completed or invented” that reflect current issues of the choreographic practice, even though they dated from the 1950’s. Le cabaret discrépant is a playful and irreverent tribute to a group of young utopians that dreamt of a “heavenly society” in which the values of art would have replaced those of money.

On November 2 and 3, the artist will also promote two flashmobs within Panorama 2013. Times and places will be announced on the festival’s social networks. And on November 1, Olivia participates in the Docu-ments :: Movements Seminar.

Olivia Grandville participated as a performer in the works of Maguy Marin, Bob Wilson and Dominique Bagouet. Passionate about the correlations between words and gestures, she uses an aesthetics that puts the body at the center of a network of relations with other media. Parallel to her work as a choreographer, she recently worked as a performer with Vincent Dupont and Boris Charmatz. She had classic training and spent the first years of her career in the Paris Opera Ballet.

02 NOV

03NOV

TEATRO MUNICIPAL CARLOS GOMES 02 E 03 NOV / 20H 80min L

© Elisabeth Carecchio

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Creation, directing and voice-over: Roger Bernat/FFF Students that collaborated in the creative process: Adriana Bertran, Aleix Fauró, Anna Roca, Sònia Espinosa, Tonina Ferrer and María Salguero Translation and off-stage voice: Amarilis Vitale Cardoso Music: W.A Mozart, A.P. Borodin, G. Mahler, A. Dvorak, B. Smetana, J. Sibelius, J. Williams and E. Grieg Music selection, editing and versions: Juan Cristóbal Saavedra Vial Photography: Txalo Toloza and Cristina Fontsaré Photos of the piece: Blenda, Brasília, agosto / 2013 Technical directing: Txalo Toloza Graphic design: Marie-Klara González Acknowledgment: Víctor Molina and Mia Esteve Coordination: Helena Febrés Production: Elèctra Produccions Co-production: La Mekànica / APAP, Teatre Lliure and Centro Párraga Support: Generalitat de Catalunya / Entitat Autònoma de Difusió Cultural – Departament de Cultura i Mitjans de Comunicació, United Europe Community – General Direction of Education and Culture / Programa Cultural 2007-2013 and Ministerio de Educación, Deporte y Cultura/INAEM and Institut Ramon Llull.

Support for the tour: Institut Ramon Llull.

Roger Bernat | Espanha

Domínio público Domínio público is like a life-size board game, in which the spectator is much more than just a piece. The action takes shape with instruc-tions carefully orchestrated by Bernat, in order to investigate the nar-rative possibilities that emerge in a collective trying to organize itself. Micro-communities are formed and come apart, reflecting some social patterns that are decisive to reach the end of the action.

Roger Bernat creates pieces in which the audience is the protagonist, as he invites spectators to take control of all the actions in his perfor-mances. His work includes Pura coincidência (2009), Please continue: Hamlet (2011), Voto pendente (2012), RE-presentação (2013) and La consagracion de la primavera, also part of Panorama’s 2013 pro-gramming. Bernat worked with a group of kids to conceive a version of Domínio Público aimed at teenagers.

www.rogerbernat.info

06 NOV

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OI FUTURO FLAMENGO 06 E 07 NOV / 19H, 08 NOV 10H* E 15H* 60min *Sessions especially presented for a young audience16

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Concept and dance: Fabián Barba Counselors: Katharine Sehnert, Irene Sieben and Susanne Linke Costumes: Sarah-Christine Reuleke Ligthing: Geni Diez Music writing for Anruf Pastorale, Seraphisches Lied, Sturmlied and SoundmerlicherTanz: Hanns Hasting Music writing for Raumgestalt, Zeremonielle Gestalt and Drehmonotonie: Sascha Demand Production: K3 – Zentrum für Choreographie, Tanzplan Hamburg (Germany) Co-production: Fabrik Potsdam within Tanzplan Potsdam Artists-in-Residence (Germany), Kaaitheater (Brussels), P.A.R.T.S. (Brussels) and wp Zimmer (Antwerp) Support: Mary Wigman Gesellschaft (Hamburg and Bremen, Germany) and PACT Zollverein Essen (Germany) Tour: Caravan Production Special acknowledgement: Stephan Dörschel and Timmy De Laet. Thanks also to all those who attended the rehearsals and were available to get to know my opinions and comments and to share knowledge.

Support for the tour: Flemish Authorities.

Fabián Barba/Busy Rocks Equador / Bélgica

A Mary Wigman dance evening Fascinated by the work of German choreographer Mary Wigman, one of the pioneers of modern dance, dancer and choreographer Fabián Barba reconstructed her expressionist pieces performed in the United Stated, based on videos, dancers’ accounts and photos. In his first work with Wigman’s repertoire, Schwingende Landschaft, Barba created a cycle based on seven solos from 1929. A Mary Wigman dance evening comes from more extensive material of the German artist and further develops the tension between the original pieces and their restagings.

Fabián Barba created the collective Busy Rocks with five other P.A.R.T.S. students. After participating in some collective creations, he created his first solo piece in 2009. Parallel to his own work, he collaborates as a performer with artists such as Thomas Hauert / ZOO, DD Dorvilier and Olga de Soto. He was awarded the Prix Jardin d’Europe for A Mary Wig­man dance evening.

08 NOV

09NOV

TEATRO MUNICIPAL CARLOS GOMES 08 E 09 NOV / 20H 60min L

© Helmut Hergarten

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Directing, text and performance: Sofia Dias & Vítor Roriz Sound: Sofia Dias Artistic collaboration: Catarina Dias (images on stage) Technical directing and lighting: Nuno Borda de Água Costumes: Lara Torres Co-production: Box Nova / CCB, O Espaço do Tempo and CDCE Partners: alkantara, ACCCA, O Rumo do Fumo, O Negócio / ZDB and BainsConnective Publicity: Materiais Diversos Project financed by: Portuguese Government/ Secretary of State of Culture – DG Artes.

Support for the tour: Ministry of Culture of Portugal/ General Direction of the Arts - international program

Partners in the tour: Bienal Internacional de Dança do Ceará and Festival Contemporâneo de Dança - SP.

Sofia Dias & Vítor Roriz | Portugal

Um gesto que não passa de uma ameaça In Um gesto que não passa de uma ameaça, Sofia Dias and Vítor Roriz conceive words as bodies that are subjected to the logic of movement composition. Like when we repeat a word until it loses its meaning, this piece seeks to situate the audience in that moment of losing and assign-ing meaning, of degeneration and transformation, aligning itself with the chaotic way the mind perceives and connects events. To consider a word as a body means dealing with its full potential, it means taking not only its meaning into account but also its musical plasticity and its relation-ship with voice, breathing and music.

Sofia Dias’ dance training was split between New York and C.e.m, in Lisbon. She has worked with choreographers from Portugal and other European countries. Vítor Roriz has a degree in physical education, dance and performing arts. He was a grantee of DanceWeb2011 and participated in the multidisciplinary projects COLINA/06 (Tallinn, Es-tonia) and APAP/07 (Torres Vedras, Portugal). Since 2006, Vítor and Sofia collaborate in the research and creation of dance works, performed in European countries. They are associated artists of Materiais Diversos (Lisbon) and d’O Espaço do Tempo (Montemor-o-Novo, Portugal).

www.sofiadiasvitorroriz.blogspot.com.br

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ESPAÇO CULTURAL MUNICIPAL SÉRGIO PORTO 06 E 07 NOV / 21H 40min (aprox.)12

© João Octaüvio

20 PANORAMA FUTURO

Panorama Futuro Since 2010, the Panorama Futuro project opens space in the festival’s programming for the audience to get to know the new generation of contemporary dancers. This year, the four evenings dedicated to the program will be shared between Cia. Balé Baião, from Ceará, and Eduardo Fukushima, from São Paulo, who will perform two solos.

CAIXA CULTURAL | TEATRO DE ARENA 05 E 06 NOV / 19H 35min

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Cia. Balé Baião de Dança Contemporânea | Brasil, CE

Lamentos e gozos da Imperatriz de ItapipocaMore than building expressive, linear and expansive body movements, Lamentos e gozos da Imperatriz de Itapipoca challenges the perform-ers to be receptive and to cooperate through direct and indirect contact with a rectangular piece of wood. These interactions create poetic atmo-spheres, meeting and staying points, portals of countless sizes and shapes that are opened upon what is invisible and unspeakable. Choreographers Marcelo Evelin, Andrea Bardawil and Lia Rodrigues contributed to the con-cept of the piece. The title is a tribute to the inhabitants of Itapipoca (CE) and to the city itself, which used to be called Vila da Imperatriz during the colonial period.

For 20 years, Cia. Balé Baião has been developing a pioneer project in contemporary dance research, creation and ongoing training in the city of Itapipoca, in Ceará. The company is composed by dancer-performers-creators and teaching artists that develop collaborative and socio-educa-tional artistic work. It currently functions as a Ponto de Cultura at the old sawmill donated by the father of the company’s director, Gerson Moreno.

Creation: Cia. Balé Baião Scene directing: Gerson Moreno Proposals: Marcelo Evelin, Andrea Bardawil and Lia Rodrigues Performers: Cacheado Braga, Edileusa Inácio, Edilene Soriano, Gerson Moreno and Viana Júnior.

www.ciabalebaiao.blogspot.com.br

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© Valéria Pinheiro

CAIXA CULTURAL | TEATRO DE ARENA 08 E 09 NOV / 19H 18min + 27min

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Eduardo Fukushima | Brasil, SP

Entre contenções & Como superar o grande cansaço? The Entre contenções and Como superar o grande cansaço? solos represent two stages of the contemporary dance language research Eduardo Fukushima has been carrying out since 2007, based on autobiographical issues and feelings. The dancing is the question itself, as will to power and generator of movement. The first piece uses the least possible amount of scenic elements, creating a dance that takes place in the rawness of space. The second solo is an answer to the question-title. The action emerges from physical weariness, from exhaustion. The choreography is built upon gestures and intentions within a specific movement combined with repetition and breathing. Despite the fatigue, the dance continues to be... fast.

Eduardo Fukushima is a choreographer, performer and teacher. He was granted the Swiss scholarship Rolex Mentor and Protègè Arts Initiative 2012-2013 to study in Taiwan for a year with choreographer Lin Hwain Min, artistic director of Cloud Gate Dance Theatre. He has worked with choreographers Ângelo Madureira and Ana Catarina Vieira, Célia Gouvêa, Luis Fernando Bongiovanni and Miyako Kato. He received awards for the solos he will perform within Panorama Futuro.

www.fukushimaeduardo.wordpress.com

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Entre contenções | Directing, creation and performance: Eduardo Fukushima Guidance during the creative process: Key Sawao, Ricardo Iazzetta and Daniel Fagundes General artistic assistants: Hideki Matsuka, Beatriz Sano and Julia Rocha Staging technical director: Igor Sane Lighting: Igor Sane and Eduardo Fukushima Photos: Inês Correa.

Research developed by Projeto 10 Solos e Reverberações 2008, Núcleo Key Zetta and Cia., Prêmio Funarte Klauss Vianna.

Como superar o grande cansaço? | Directing, creation and performance: Eduardo Fukushima Guidance during the creative process: Key Sawao Sound creation: Felipe Ribeiro General artistic assistants: Hideki Matsuka, Beatriz Sano and Julia Rocha Staging technical director: Igor Sane Lighting: Igor Sane and Eduardo Fukushima Photos: Inês Correa.

Research subsidized by Rumos Dança Itaú Cultural 2009-2010.

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© Inês Correa

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CIDADE DAS ARTES | SALA DE ENSAIO 26 OUT / 16H, 27 OUT / 11H 45min 25 OUT / 10H - Educational Program Session

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Sílvia Real e Sérgio Pelágio | Portugal

Tritone Meet Miss Domicília, created in 1997 by Sílvia Real and Sérgio Pelágio. She is a technology-dependent urban character, a caricature of domes-tic life nowadays. After experiencing the situations of Casio Tone (1997) and Subtone (2003), it’s now time for the audience of Panoraminha to embark in the dream vacations of Miss Domicília in Tritone. The piece mixes different artistic languages and takes inspiration from very distinct sources such as the work of French filmmaker Jacques Tati and Vasco Granja, the pioneer of animation in Portugal. The Miss Domicília trilogy is a combination of languages that crosses different intertextual levels, activating a series of references and reaching an audience that goes from children to adults.

Silvia Real was a performer for João Fiadeiro, Vera Mantero, Miguel Pereira and Francisco Camacho. In 1998, along with musician and com-poser Sérgio Pelágio, she created the Produções Real Pelágio Cultural Association. Sérgio Pelágio has played with David Liebman, Andy Shep-pard, Graham Haynes, Frank Lacy, Norma Winston, John Abercrombie, Sylvia Cuenca, Mário Franco, Bernardo Sassetti and Mário Laginha, among others. He has worked as a composer with choreographers Paulo Ribeiro, Paula Massano, João Galante, Teresa Prima, Vera Mantero, Francisco Camacho and Sílvia Real.

www.realpelagio.com

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Storyline and performance: Sílvia Real Storyline and sound design: Sérgio Pelágio Technical direction and lighting operation: Carlos Ramos Set design and graphic design: Carlos Bártolo Stage assistant: Élio Antunes Costumes, props, stage direction and local production: Ana Teresa Real Animation: Daltonic Brothers (João Pedro Gomes – directing; Paulo Abreu – photographs; Patrícia Rego – assistant) Sound design for the animation, sound and image operation: Simão Costa International production: Clara Riso Co-production: Culturgest, Fundação Centro Cultural de Belém, Teatro Viriato, Festival Y / Quarta Parede, Centro de Artes de Sines, Centro Cultural do Cartaxo, Teatro Circo Support: Segway, Revista NADA, Daltonic Brothers, Miso Records, Restart - Escola de criatividade e novas tecnologias and Cadigital - Atelier de Impressão Acknowledgement: alkantara, Eira, Perseu Mandillo, Rosa Peliças, José Fabião, João and Tuta, Teatro São Luiz Rehearsal space support: Teatro da Voz (Escola Voz do Operário/Lisboa).

Support for the tour: Fundação Calouste Gulbenkian - Programa de Língua e Cultura Portuguesas 2013. Partners in the tour: Fórum Internacional de Dança (FID-BH) and SESC-SP.

© Laura Haanpaa

PANORAMINHA 23

Since 2008, Panoraminha has been an entryway for children audience development and awareness through art. The program has gathered more than six thousand children over the years, through partnerships with educational institutions. This year, two pieces will spark the audience’s curiosity about different worlds.

ESPAÇO CULTURAL MUNICIPAL SÉRGIO PORTO 02 E 03 NOV / 17H 45min 04 NOV / 10H E 15H - Educational Program Session

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Elisabete Finger | Brazil, PR

BURACO BURACO was born out of a desire to share other possible relationship logics with children, opening space for a sensory and sensitive adventure. On stage, three performers take off for an adventure: they pierce large, small, green, dark, noisy and silent landscapes. BURACO is an adventure of matter, everything is pierced and everything pierces. Without transitions. A whole world fits in.

Elisabete Finger is a performer and choreographer. Since 2010, she lives and works between Berlin (Germany) and Curitiba (Brazil), developing projects with other artists. She was an artist-in-residence at Casa Hoffman - International Center for Movement Studies (Curitiba, 2004), was part of the Essais program at CNDC d’Angers (France, 2005/2006) and completed the Master of Arts Solo/ Dance/ Authorship (SODA) at HZT/UdK (Berlin, 2010-2012). She was one of the members of the Couve-Flor Minicomunidade Artística Mundial.

Concept, directing and creation: Elisabete Finger Creation and performance: Cinira Macedo, Jamil Cardoso and Sandro Amaral Assistance and accompaniment: Litó Walkey and Xenia Hauf Props and costumes: Elisabete Finger, Marion Montel and Marcelo Busato (construction) Lighting: Fábia Regina and Yair Vardi Production: Cândida Monte and Wellington Guitti (Brazil) and Ana Rocha (Germany) Support and residencies: Pact Zollverein and Fabrik Potsdam Coproduction: Uferstudios (Berlin), Pact Zollverein (Essen) and Festival Panorama de Dança (Rio de Janeiro) Acknowledgement: Barbara Friedrich, Eva Maria Hoerster, Thiago Granato, Neto Machado, Jorge Alencar, Danilo Viana, Kerem Gelebek, Lena Sommer, Murilo Moregola and Ana Trincão. This project was financed by Prêmio Rumos Itaú Cultural Dança 2012/2013 and Prêmio Funarte Petrobras de Dança Klauss Vianna/2012 (Brazil); by Senatskanzlei ‐ Kulturelle Angelegenheiten and Bezirksamt Mitte, Fachbereich Kunst und Kultur – Bezirkskulturfonds Berlin (Germany).

www.elisabetefinger.com

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© Desirée Meul

24 HAPPENINGS | ASSOCIATED PROJECT

Panorama’s loud and unexpected cousin, HAPPENINGS has been an associated project since last year. This year, for the first time, it takes place in Casa França-Brasil, which will receive, on a weekend, collective actions involving performances, space for debates and experimental sounds. Curated by Batman Zavareze, HAPPENINGS 2013 also celebrates the hundredth anniversary of Nijinsky and Stravinsky’s The Rite of Spring. The participating artists were invited to revisit the classic as an inspiration for new creations.

On November 10, Panorama 2013’s closing party takes place with LULU ROUGE, composed by Danish duo DJ T.O.M. and DJ Buda.

CASA FRANÇA-BRASIL | ESPAÇO CENTRAL 09 E 10 NOV / 20H 50min

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Roger Bernat | EspanhaLa consagración de la primaveraIn another tribute of Panorama 2013 to the hundredth anniversary of The Rite of Spring, Nijinsky and Stravinsky’s masterpiece, Roger Bernat makes an invitation to experience the historical 1975 staging created by Pina Bausch in La consagración de la primavera in a different way. The piece mixes characteristics of a game and of choreography. Within this edition of the Festival, the audience can also enjoy another perfor-mance by Bernat: Domínio público.

Music: Igor Stravinsky Scenic creation: Roger Bernat, based on choreography by Pina Bausch Collaboration: Txalo Toloza, María Villalonga, Ray Garduño, José-Manuel López Velarde, Tomás Alzogaray, Brenda Vargas, Diana Cardona, Annel Estrada and Viani Salinas Technical directing: Txalo Toloza Sound Design: Rodrigo Espinosa Editing: Juan Cristóbal Saavedra Vial Image design: Marie-Klara González Coordination: Helena Febrés Executive production in Mexico: Alicia Laguna Production assistant in Mexico: Antígona González and Mariana Toledo Conducted by: Don Moisés Production: Elèctrica Produccions Co-production: Teatre Lliure, Festival Instal·laccions / Ajuntament de Cambrils and Festival Transversales (Mexico) Support: Programa del Fondo Cultural Unión Europea en México, Ministerio de Educación Deporte y Cultura / INAEM and Institut Ramon Llull.

Support for the tour: Institut Ramon Lilull

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Panorama @ HAPPENINGS

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ASSOCIATED PROJECT | HAPPENINGS 25

CASA FRANÇA-BRASIL

Charles Feitosa | Brasil, RJTHE AESTHETICS OF SCREAMINGWhat is so disturbing and fascinating about screaming? What is relationship between the voice that screams and the voice that sings or speaks? LIBRARY 14H 90min

Natsuko Tezuka | JapãoANATOMICAL EXPERIENCE / THE REQUEST VERSIONOn this version of one of her solos, Japanese performer Natsuko Tezuka’s follows the instructions sent by the audience for the movements of her body.www.natsuko-english.blogspot.com.brLIBRARY 15H30 30min

In the year of the hundredth anniversary of The Rite of Spring a group of artists was invited to revisit the classic especially for HAPPENINGS @ Panorama. The result is an occupation of the spaces of Casa França-Brasil in multiple formats, with sound installations and performances.

Maria Alice Poppe + Tato Tabordawww.matthias.grob.org/TatoTabordaP.htmCENTRAL SPACE / 16H, 30min

Duplexxwww.duplexx.com.br GALLERY 2 / 16H30, 30min

Vivian Caccuri + Arto Lindsaywww.viviancaccuri.netwww.artolindsay.com GALLERY 1 / 17H, 30min

Alexandre Fenerich + Daniel Quaranta CENTRAL SPACE / 17H30, 30min

Franz Manata + Saulo Laudareswww.arturfidalgo.com.br/bio_franzesaulo.html CENTRAL SPACE / 18H, 60min

Roger Bernat | EspanhaLA CONSAGRACIÓN DE LA PRIMAVERACENTRAL SPACE / 20H, 60min

Coletivo XPLAU e Nado LealThe XPLAU collective and DJ Nado Leal add beats, samples and interventions with synthesizers and noises of a work in progress. They will also use parts of other renditions in the composition. A yet unseen experience produced in less than 24 hours and performed live at HAPPENINGS 2013.CENTRAL SPACE 16H 60min

Dany RolandDrummer, music producer and actor Dany Roland will remix The Rite of Spring, assembling classics, noises, timbres and sounds that are unknown yet familiar to anyone. CENTRAL SPACE 17H 120min

Roger Bernat | EspanhaLA CONSAGRACIÓN DE LA PRIMAVERACENTRAL SPACE / 20H, 60min

LULU ROUGE / DJs T.O.M. e Buda DinamarcaPANORAMA 2013 CLOSING PARTYEXTERNAL AREA 21H-00H

09 NOV

10 NOV

Tato Taborda e Maria Alice Poppe

26

Festival Panorama’s Educational Project intends to promote artistic experimentation and reflectionthrough the relationship between its different audiences and contempo-rary art. In the 2013 programming activities that stimulate thinking and criticism, as well as audience devel-opment initiatives, are part of work-shops, seminars, laboratories, meet-ing with educational professionals, film screenings, shows for children and young people.

Educational Program

Cultural Mediation Based on common points of interest in the programming, the Festival’s Educational Project establishes partnerships with the government, educational and cultural institutions, communities, NGO’s, public and private schools, universities, cultural centers, museums and educational, social and cultural programs of the city and the state of Rio de Janeiro, enabling free entrance for shows.

Critique Laboratory In this edition, Festival Panorama organizes the Critique Laboratory for the second time. Produced in partnership with the Dance Theory Course of the Body Art Department of EEFD-UFRJ, the activity is coordinated by professor Sérgio Andrade. The Laboratory will deal with issues like the critic gaze towards a dance piece, criticism as a translation device and criticism in the media.

Internship ProgramIn partnership with the Dance Course of the Federal University of Rio de Janeiro (UFRJ), Panorama develops an internship program for undergraduate students who wish to act as cultural mediators in the Educational Program, facilitating the dialogue between different audiences and the artistic programming.

Volunteer ProgramSince 2009, Festival Panorama has been investing in volunteer training as an opportunity to give young students access to the job market. The Festival represents a learning environment by means of a learning pathway that includes experiencing the daily activities of the event in different areas and being able to participate in the Cultural Management and Production Workshops offered by Panorama’s team.

26 EDUCATIONAL PROGRAM

© Festival Panorama © Andreia Salame

EDUCATIONAL PROGRAM 27

Culture Point PanoramaPonto de Cultura Espaço Panorama connects and strengthens the ongoing activi-ties of Associação Cultural Panorama that were born within Festival Panorama but took on a life of their own. Production, development and awareness to dance are fos-tered in projects that promote, support and spread contemporary dance on a national and international level. The main activities are awareness through dance workshops and the activities related to Videoteca Panorama. Ponto de Cultura Espaço Pano rama is part of the Ministry of Culture’s Cultura Viva program, associated with the Rio de Janeiro’s State Culture Secretariat.

Panorama Video LibraryVideoteca Panorama has over two thousand dance films, including recordings of shows, performances and videodances. The collection has been open to the public since 2011 and has been constantly receiving new contributions. It is a non-profit initiative aiming to contribute to the development of the artistic field of dance, by increasing access to recordings of dance works.

Since its opening in Ponto de Cultura, Videoteca has served hundreds of people, either in visits to its physical space or in itinerant projects and participations in events produced by the project or by partner institutions. Videoteca also collabo-rates by reproducing its collection for the libraries of dance colleges.

Panorama Video Library on the streets!The Videoteca Panorama on the streets! project screens films each first Wednes-day of each month. On the street at Rua da Lapa, in front of building 213, in the cen-ter of Rio de Janeiro, the screenings publicize the collection and the other projects of Videoteca, showcase dance and media artists and present issues related to the art of dance. After each session, right on the public square, guests discuss the contents that were presented, valuing the occupation of the public space and increasing the population’s access to dance production and its dialogues.

Classes and workshopsThe workshops of Ponto de Cultura da Associação Cultural Panorama aim to create a space for ongoing development, with activities related to the practice and the theory of contemporary dance for a diverse public. The workshops have been held in many neighborhoods – and even some other cities in the state. They took place in places such as the Talavera Bruce Women’s Prison, the Nise da Silveira Psychiatric Hospital, Olympic Villages and theaters in Rio’s North and West Zones, as well as Pontos de Cul-tura in communities all over the state.

Ponto de Cultura Espaço Panorama currently maintains two workshops: dance classes at IPUB / UFRJ Psychiatric Hospital and the Sensibilizando o olhar… Dan-çando workshop, which is being developed in four municipal schools in the West Zone of Rio de Janeiro.

Panorama @ ArenasThis year, the Festival starts an unprecedented partnership with the Arenas Culturais of the Rio de Janeiro City Culture Secretariat. The Arenas of Pavuna and Penha will receive contemporary dance workshops with African choreographer Marcel Gbeffa, from Benin, and screenings of films from Videoteca Panorama’s collection.

Support for the tour: Alliance française Rio de Janeiro

CONTEMPORARY DANCE WORKSHOP Improvisation and contact workshop with choreographer and artistic director of Com-panhia Multicorps, in Benin (Africa), Marcel Gbeffa.

ARENA DA PENHA, 15 OUT / 18H30 TO 22H30 ARENA DA PAVUNA, 19 OUT / 14H TO 18H

PANORAMA VIDEO LIBRARYVideoteca Panorama will be at the Arenas of Pavuna and Penha. Films about hip-hop and street-dance will be screened in a ses-sion specially conceived for both venues.

ARENA DA PAVUNA, 30 OUT / 19H ARENA DA PENHA, 05 NOV / 19H

Panorama at UniversityThe project that started in 2012 was expanded into the University – LAB UNI, a meeting among researchers of the arts of the body held for three days at Oi Futuro Flamengo. The project is a partnership between the Festival and the Arts of the Body Department of.

See pages 28 and 29.

28 PANORAMA AT UNIVERSITY

Lab Uni – University LaboratoryContinuing the Panorama at the Universities project that started in 2012, Festival Pano­rama presents the University Laboratory 2013, at Oi Futuro Flamengo. Lab Uni – a part-nership between Pano rama and the Body Art Department of the Federal University of Rio de Janeiro (UFRJ) – is a meeting among researchers from Brazilian universities focused on body and performance studies. A space for free experimentation, with presentations of works in different formats selected through a call-for-entries.

OI FUTURO FLAMENGO 11H ÀS 18H The program of the roundtables and selected works is available at www.panoramafestival.com

Roger Bernat | EspanhaRE-presentación: Numax A special session of one of Roger Bernat’s most important pieces opens the university meeting and presents the reconstruction process of the Catalan director. In 1979, after two and a half years of strikes, protests and self-management, the workers of appliance factory Numax, in Barcelona, decided to make a documentary in partnership with film-maker Joaquim Jordá to tell the story of their struggle. Committee meetings and assemblies are depicted in the film. In the RE­presentación: Numax performance, Roger Bernat invites the audience to participate in re-creating some of the situations experienced by the factory workers.

05 NOV

A

07NOV

05 NOV

OI FUTURO FLAMENGO 05 NOV / 11H 60min

© Blenda © Blenda

PANORAMA AT UNIVERSITY 29

29 OUT

01NOV

Documents :: Movement SeminarA space to reflect about the Panorama 2013 programming, the seminar inaugurates a partnership between FestivalPanorama, Museu de Arte do Rio - MAR and the Rio de Janeiro Federal University (UFRJ), through the Art of the BodyDepartment. Based on the issues of the restagings and re-enactments in different formats that are present in the 2013programming, the seminar gathers Brazilian and international artists and researchers to discuss this kind of artistic prac-tice and its historical and political context. Panorama 2013 takes a look at some historical moments of the Avant-garde movements of the 20th century and the possibilities of thinking about the exchange between body-movement and social-movement.

Support: GREAT, Arts Council England e Queen Mary University of London, British Council Transform, People’s Palace Projects do Brasil e People’s Palace Projects UK, Institut Français.

MUSEU DE ARTE DO RIO - MAR TIMES BELOW

29 OUT

01 NOV

Bojana Cvejic | Sérvia / BélgicaThe artist will present a perspective of aesthetic continuity between everyday movements and dance, allowing for a redefinition of ideological operation modes such as “aesthetic” and “performative”.Mediator: Maria Alice Motta

11H ÀS 13H

Xavier Le Roy | França / Alemanha Christophe Wavelet | FrançaBased on”Retrospective”, by Xavier Le Roy exhibition that will be part of Panorama 2013 and present at MAR, a creator and a researcher talk about forms of documentation, showing the audience two different ways to look at a piece of performing art and the possibilities for documenting it.Mediator: Mariana Trotta

14H ÀS 17H

André Lepecki | USALepecki will approach some recent cases of performance art and contemporary dance that privilege a will to remake. Through that will, archive and transformation are united in the same act, revealing how recent performances create a short circuit of temporal and historical coordinates - thus remaking the very idea of “art piece” and therefore the very function of the author.Mediator: Sérgio Andrade

11H ÀS 13H

Lois Weaver | EUA / Inglaterra Olivia Grandville | FrançaUnder the mark of social change, many social movements take on a performative aspect. Participating in Panorama’s programming with Le cabaret discrépant, Olivia Grandville talks about her work and what the lettrist movement meant, while researcher Lois Weaver talks about activism and how art can reinvent society.Mediator: Marina Martins

14H ÀS 17H

30

Dancing disidentity: after ButohParallel to the retrospective of artist Yayoi Kusama at CCBB, Pano­rama 2013 opens space for Japanese performance with the Dancing Disidentity: After Butoh showcase, curated by Japanese critic Daisuke Muto. An Avant-garde performance movement that emerged in Japan in the 1960s, butoh was an experiment of rejecting traditional Japanese and Western dance disciplines to reveal a bare body and its vital force and mobility. Thus, butoh was a resistance to the idea of the body as an agency of “Japaneseness”. Even after butoh declined around the late 1980s, this basic idea of corporeal resistance to identity politics seems to remain in contemporary dance-makers.

The Dancing Disidentity: After Butoh showcase presents to the audi-ence of Panorama three creations by artists who explore influences that range from traditional butoh to pop dance.

In Chinese Flower (90min), Kota Yamazaki combines different dance languages to build a beautiful disorder. An original choreography that mixes Eastern and Western influences, including butoh, Yamazaki’s work has been described as “butoh on speed” for carrying the classic discipline and theatricality of the Japanese dance style.

Shigehiro Ide captures daily movements in his humorously schizophrenic choreography. In 1995, he created the IDEVIAN Crew, which seeks to explore the personality of each dancer. The choreographer participates in the showcase with Kankeisha Deluxe (60min), from 2004.

Private Trace 2009 (25min) is a piece to observe relationships. Nat-suko Tezuka proposes the observation of a very familiar situation - we will probably never know what really happens there. The artist works in disassembling and decomposing the human body. Since 2001, she has been producing solos for the Anatomical experiment, in which she explores concentration and actions in her own body. One of the perfor-mances will be enacted live in the HAPPENINGS program.

The film showcase and Natsuko Tezuka at HAPPENINGS are produced in partnership with Kyoto Experiment.

16CENTRO CULTURAL BANCO DO BRASIL (CCBB) | CINEMA 2 06 NOV A 10 NOV

06 NOV

A

10NOV

06 NOV16H Kota YAMAZAKI, Chinoise Flower

(90min)18H Shigehiro Ide/IDEVIAN Crew,

Kankeisha Deluxe (60min) + Natsuko Tezuka, Private Trace 2009 (25min)

07 NOV14H Shigehiro IDE/IDEVIAN crew,

Kankeisha Deluxe (60 min) + Natsuko TEZUKA, Private Trace 2009 (25min)

18H Kota YAMAZAKI, Chinoise Flower (90 min)

08 NOV16H Shigehiro IDE/IDEVIAN crew,

Kankeisha Deluxe (60 min)18H Kota YAMAZAKI, Chinoise Flower (90

min) + Natsuko TEZUKA, Private Trace 2009 (25min)

09 NOV14H Kota YAMAZAKI, Chinoise Flower

(90 min)16H Palestra com o curador da Mostra, o

critico de dança japonês Daisuke Muto.18H Shigehiro IDE/IDEVIAN crew,

Kankeisha Deluxe (60 min) + Natsuko TEZUKA, Private Trace 2009 (25min)

10 NOV16H Shigehiro IDE/IDEVIAN crew,

Kankeisha Deluxe (60 min)18H Kota YAMAZAKI, Chinoise Flower (90

min) + Natsuko TEZUKA, Private Trace 2009 (25min)

PROJETO ASSOCIADO | THEATRO MUNICIPAL 31

The Rite of SpringIn another associated project, Panorama 2013 joins forces with Theatro Municipal do Rio de Janeiro for two evenings of celebrating the hundredth anniversary of The Rite of Spring. On the October 29 and 30 sessions, those who present the ticket to any of the Panorama 2013 shows will pay only R$ 20 (R$ 10 half price) for the ticket at the current Municipal season. The initiative is part of a series of tributes to Nijinsky’s piece on this edition of the Festival.

Vaslav Nijinsky’s historic and revolutionary piece, with music by Igor Stravinsky, gets a new rendition for ballet by American choreographer Millicent Hodson, conducted by Argentinean conductor Javier Logioia Orbe. The program with eight sessions between October 19 and 30 is completed by L’après-midi d’un faune, with Nijinsky’s original choreogra-phy and music by Claude Debussy, and Le spectre de la rose, by Michel Fokine, with music by Carl Maria Von Weber, both restaged by Tatiana Leskova. This is a chance for Rio’s public to get to know a classic staging of the masterpiece.

THEATRO MUNICIPAL DO RIO DE JANEIRO 29 E 30 OUT / 20H 70min (with intermission) Tickets at R$ 20 upon presentation of a ticket to any of the shows of Panorama 2013.

09 NOV

10NOV

L

© Vânia Laranjeira© Vânia Laranjeira

32

FESTIVAL PANORAMA General Director Nayse LópezArtistic and Production DirectorCatarina SaraivaExecutive DirectorRenato SaraivaDirector’s AssistantRafael FernandesExecutive AssistantThiago CorrêaProduction CoordinatorRenata MonneratExecutive ProducerCaroline MoreiraProduction InternMichella OliveiraTechnical CoordinatorHugo DamattaTechnical ProducerGabriella VillaçaGuest RelationsLívia DinizGuest Relations AssistantBruna PoncioniFestival Center ProducerMonna CarneiroFestival Center AssistantPiti LacerdaLogistics ProducerAna Beatriz SilvaLogistics Production AssistantRenata BiancoEducational Program CoordinatorJuliana Lopes – Caleidoscópio CulturalEducational Program ProducerAna TeascaVolunteers Program ProducerBeatriz CondiniEducational Program AssistantCarolina MeirellesBox Office CoordinatorTrio Carioca ProduçõesEditorial Producer PIG SoluçõesIsabella Motta | Gabriela BaptistaProofreadingKathia FerreiraCommunications AssistantJuliana ViegasPress RelationsAgência Febre

Graphic ProjectBoldº_a design companyArt DirectorMariana OchsDesignAlexandre AndradaJoana PetersenCoordinatorVivianne JorásGraphic ProducerSidnei BalbinoWebsiteRafael DouradoVideo EditingLuiz Guilherme GuerreiroProducer of coLABoratórioUrias de OliveiraVenue ProducersGustavo LawallJulia BakerDaniel CostaThiago DiDeusRenata FurtadoTechnical Coordinators at VenuesAlbertoBruno BarretoDaniel LuzFlávio GuimarãesJosé Luis JúniorMirella SassakiRodrigo LopesTechniciansAna LuziaCaioEmanuel MineiroJeová CarneiroCarlos Alberto MagéBernardoCristiano AugustoMayconDamião ArrudaJoãoJoão GióiaJosé Ricardo dos SantosAntônio Jorge Camacho JúniorLeonardoLuis ScanferlaLuis SobralLuiz MottaMarten SteinPedro Paulo JúniorRandal PessoaSamitri Bará

Samuel OliveiraWillyan de SouzaWilmarZezinho MottaZezinho LuzZezinho SomVolunteersAline Rodrigues Fonseca de OliveiraAna Beatriz PestanaAna Paula Casalli Cruz PinheiroBárbara OliveiraBeatriz Vieira VidalCarolina RochaFabiano GeigerFernanda BalbinoFernanda da Costa Silva MarteletoFrederico BrandãoGeferson Gomes CoutinhoGeorgia Ramos de OliveiraIasmin Maria SousaIsabela OliveiraJohn SoaresJoice Pereira Conceição CostaJuliana Sousa SilvaKlenair FranklinLarissa MayaLetícia Carvalho PintoLuisa Fernanda Rodriguez BeltranLuiz Fernando OrofinoMarcelly CaetanoMaria Carolina Xavier MartinsMaria das Graças Sampaio CostaMariana Bittencourt OliveiraMathilde MollaMaxsander BarrosPatricia RibeiroRenan SilveiraRuth Anne Santos MacielSilvestre MendesSonia SoaresTháila VegaThais ter MatenThaisa Motta

HAPPENINGSCurator and DirectorBatman ZavarezeProduction CoordinatorPatrícia BarbaraProduction and ExecutionEquipe 27 Mais 1 Comunicação Visual Ltda.

Special thanks to the partners and sponsors of HAPPENINGS 2103: Evangelina Seiller and the staff of Casa França-Brasil, Citroen ans Rio de Janeiro State Culture Secretariat and Instituto Dinamarca.

ASSOCIAÇÃO CULTURAL PANORAMAGeneral DirectorsEduardo Bonito and Nayse LópezComptrollerSanti Elias Accounting CoordinatorGenésio NogueiraAccounting AssistantKelly CristinaManagement AssistantTatiane SantosReceptionistFernando NorõesOffice SupportPaulo Roberto

PONTO DE CULTURA ESPAÇO PANORAMADirectorEduardo Bonito Educational Coordinator Carla StrachmannVideo Library ProducerMarília Petrechen LibrarianAdriano GonzagaTeachersGiselda FernandesMayara Souza de AssisSamir SantosAssistantsMaria Luiza CavalcantiLidiane ReisIPUB Psychology InternMariah Ugelli

Staff

33

AcknowledgementsAdriana MattosAdriana RattesAdriano AraújoAlberto SaraivaAlexandre PessôaAlicia FerreiraAline BrufatoAlphons HugAmaury Cacciaccaro Filho Anahi RavagnaniAnderson BarnabéAndré MariniAndrea ChesorinAngel Vianna Angela Figueiredo Antônio MazilloBruno SinghCarla CamurattiCarla Lobo Caroena Neves Cíntia MonsoresClarissa DinizClarisse RiveraClaudia SaldanhaDani Amorim Daniel DiasDanielle NigromonteDavid LinharesDenise MenezesDenise PalhaDiana de Rose Doroti JablonskiEduardo BonitoElaine AlbinoEliana CarusoEliane Albino Eliane Lax

Emilio Kalil Eva Doris RosenthalEvangelina Seiler Fabiano Carneiro Fernando GonçalvesGabriel BortoliniGabriel CanedoGerman CarmonaGleyce Kelly HeitorHenilton MenezesIsabel DirisIsabel Ferreira Jean WyllysJoão Cardoso João Luiz Duboc PinaudJoelson GussonJorge Lopes RamosJúlia BakerJuliano AzevedoJúnior ScaramussaLarissa GrauerKrisna LeoneLeda FonsecaLeidy Suzan Leo FeijóLia Rodrigues Luca LoureiroLucia Guimarães Lucia MelloLuciana QuintaesLuciene SevilhaLuis F. BritoMárcia DiasMárcia VinchonMarco AurélioMarcos DamigoMarcus Bonito

Maria AugustaMarie DepalleMarília PetrechenMarisa Riccitelli Sant’AnnaMônica Andrade Nahama BaldoNuno BelloOdimar Silva Paul HeritagePaulo HerkenhoffRafael NogueiraRamiro FidalgoRaquel DiasRegina Bonito Regina StudartRioTurRoberto Guimarães Roberto JucáRobson Outeiro Rodrigo LamounierSandra LyraSandra Paes Sérgio Andrade Sergio Sá LeitãoSesanSilvia SoterSilvio Pinheiro de AlbuquerqueSonja FigueiredoStella PaivaTatiana RichardTon DutraValderi Ferreira Victor D AlmeidaWalter Macedo FilhoWashington Fajardo

Festival Panorama is a project established in 1992 by choreographer Lia Rodrigues.

34

Schedule

ESPAÇOSSEX25

SÁB26

DOM27

TER29

QUA30

QUI31

SEX01

SÁB02

DOM03

TER05

QUA06

QUI07

SEX08

SÁB09

DOM10

TEATRO JOÃO CAETANO

CRACKz, 20hBruno Beltrão / Grupo de Rua de Niterói

TEATRO MUNICIPAL CARLOS GOMES

Le cabaret discrépant, 20h Olivia Grandville

A Mary Wigman dance evening, 20hFabián Barba

OI FUTURO FLAMENGO Teatro

Lab Uni, 11h - 18h

Largo do MachadoDominio público, 19hRoger Bernat

Dominio público (Jovens), 10h / 15hRoger Bernat

ESPAÇO CULTURAL MUNIC. SÉRGIO PORTO

BURACO, 17hElisabete Finger

Um gesto que não passa de uma ameaça, 21hSofia Dias & Vítor Roriz

CAIXA CULTURAL | TEATRO DE ARENA

Lamentos e gozos da imperatriz de itapipoca, 19hCia Balé Baião

Entre contenções / Como superar o grande cansaço?, 19hEduardo Fukushima

EAV PARQUE LAGE coLABoratorio, 13h - 18h

CIDADE DAS ARTES Grande Sala

Cesena, 21hRosas Abertura

Cesena, 15hRosas

Sala Ensaio 2Tritone, 16hSilvia Real

Tritone, 11hSilvia Real

Sala Eletroacústica Le sacre du printemps, 20hXavier Le Roy

Sala EletroacústicaFinita, 15hDenise Stutz

Finita, 18hDenise Stutz

JardimPiquenique urbano, 17hJoão Saldanha

Piquenique urbano, 13hJoão Saldanha

Foyer centralOnde o horizonte se move, 16hGustavo Ciríaco

CENTRO CULTURAL BANCO DO BRASIL (CCBB) Foyer

sandwalk with me, 10h / 10h30Marcela Levi e Lucía Russo

sandwalk with me, 10h / 10h30Marcela Levi e Lucía Russo

Cinema 2Dancing disidentity: depois do butô

CASA FRANÇA-BRASIL HAPPENINGS a partir das 14h + La consagración de la primavera, 20h Roger Bernat

PRAÇA SURPRESA FlashmobOlivia Grandville

MUSEU DE ARTE DO RIO - MAR Externo

sand walk with me, 16h / 16h30 / 17h30Marcela Levi e Lúcia Russo

Galeria 2º Andar“Retrospectiva”, 10h - 17hXavier Le Roy

AuditórioSeminário Documentos :: Movimentos, 11h - 17h

Seminário Documentos :: Movimentos, 11h - 17h

Programação sujeita a alterações. Verifique a classificação indicativa de cada espetáculo.

35

ESPAÇOSSEX25

SÁB26

DOM27

TER29

QUA30

QUI31

SEX01

SÁB02

DOM03

TER05

QUA06

QUI07

SEX08

SÁB09

DOM10

TEATRO JOÃO CAETANO

CRACKz, 20hBruno Beltrão / Grupo de Rua de Niterói

TEATRO MUNICIPAL CARLOS GOMES

Le cabaret discrépant, 20h Olivia Grandville

A Mary Wigman dance evening, 20hFabián Barba

OI FUTURO FLAMENGO Teatro

Lab Uni, 11h - 18h

Largo do MachadoDominio público, 19hRoger Bernat

Dominio público (Jovens), 10h / 15hRoger Bernat

ESPAÇO CULTURAL MUNIC. SÉRGIO PORTO

BURACO, 17hElisabete Finger

Um gesto que não passa de uma ameaça, 21hSofia Dias & Vítor Roriz

CAIXA CULTURAL | TEATRO DE ARENA

Lamentos e gozos da imperatriz de itapipoca, 19hCia Balé Baião

Entre contenções / Como superar o grande cansaço?, 19hEduardo Fukushima

EAV PARQUE LAGE coLABoratorio, 13h - 18h

CIDADE DAS ARTES Grande Sala

Cesena, 21hRosas Abertura

Cesena, 15hRosas

Sala Ensaio 2Tritone, 16hSilvia Real

Tritone, 11hSilvia Real

Sala Eletroacústica Le sacre du printemps, 20hXavier Le Roy

Sala EletroacústicaFinita, 15hDenise Stutz

Finita, 18hDenise Stutz

JardimPiquenique urbano, 17hJoão Saldanha

Piquenique urbano, 13hJoão Saldanha

Foyer centralOnde o horizonte se move, 16hGustavo Ciríaco

CENTRO CULTURAL BANCO DO BRASIL (CCBB) Foyer

sandwalk with me, 10h / 10h30Marcela Levi e Lucía Russo

sandwalk with me, 10h / 10h30Marcela Levi e Lucía Russo

Cinema 2Dancing disidentity: depois do butô

CASA FRANÇA-BRASIL HAPPENINGS a partir das 14h + La consagración de la primavera, 20h Roger Bernat

PRAÇA SURPRESA FlashmobOlivia Grandville

MUSEU DE ARTE DO RIO - MAR Externo

sand walk with me, 16h / 16h30 / 17h30Marcela Levi e Lúcia Russo

Galeria 2º Andar“Retrospectiva”, 10h - 17hXavier Le Roy

AuditórioSeminário Documentos :: Movimentos, 11h - 17h

Seminário Documentos :: Movimentos, 11h - 17h

Programação sujeita a alterações. Verifique a classificação indicativa de cada espetáculo.

36

TEATRO JOÃO CAETANOPraça Tiradentes, s/n - Centro (21) 2332-9252 - (21) 2332-9257 R$20 / R$10 meia-entrada www.compreingressos.com

TEATRO MUNICIPAL CARLOS GOMESRua Pedro I, 4 Praça Tiradentes – Centro (Entry Praça Tiradentes, s/n) (21) 2224-3602 - (21) 2215-0556 R$20 / R$10 meia-entrada

OI FUTURO FLAMENGORua 2 de dezembro, 63 – Flamengo (21) 3131-3060 Roger Bernat: R$20 / R$10 meia-entrada Lab Uni: gratuito www.ingressorapido.com.br

ESPAÇO CULTURAL MUNICIPAL SÉRGIO PORTORua Humaitá, 163 (entrada pela R. Visconde Silva s/n) (21) 2535-3846 R$20 / R$10 meia-entrada www.ingressorapido.com.br

CAIXA CULTURAL RJ – TEATRO DE ARENAAv. Almirante Barroso 25 – Centro (21) 3980-3815 R$20 / R$10 meia-entrada www.ingressorapido.com.br ESCOLA DE ARTES VISUAIS DO PARQUE LAGER. Jardim Botânico, 414 Jardim Botânico (21) 3257-1888 Entrada Franca

CIDADE DAS ARTESAv. das Américas, 5300 Barra da Tijuca (21) 3328-5300 Espetáculos área interna: R$20 / R$10 meia-entrada www.ticketsforfun.com.br

CENTRO CULTURAL BANCO DO BRASIL – CCBBRua Primeiro de Março, 66 – Centro (21) 3808-2100 Entrada Franca

CASA FRANÇA BRASILRua Visconde de Itaboraí, 78 – Centro (21) 2332-5120 Entrada Franca

MUSEU DE ARTE DO RIO – MARPraça Mauá, 5 – Centro (21) 3031-2744 “Retrospectiva” : R$ 8 / R$4 meia-entrada Seminário: gratuito

THEATRO MUNICIPAL DO RIO DE JANEIROPraça Marechal Floriano, s/n, Centro Rio de Janeiro - RJ, 20031-050 (21) 2332-9191 R$ 20,00 / R$ 10,00 (com ingresso de outro espetáculo do Festival)

ARENA CARIOCA JOVELINA PÉROLA NEGRAPraça Ênio, s/nº – Pavuna (21) 2886-3889 Entrada Franca

ARENA CARIOCA DICRÓ – CARLOS ROBERTO DE OLIVEIRAParque Ari Barroso s/n - Penha (21) 3486-7643 Entrada Franca

DESCONTOS

Descontos não cumulativos.Em todos os casos, é necessário apresentar documentação comprobatória.

Tem direito a 50% de desconto na compra do ingresso:• Estudantes, professores da rede municipal,

maiores de 60 anos e menores de 21 anos.• Portadores de deficiência.• Classe artística mediante apresentação das

carteiras do SATED, da SBAT e do Sindicato dos Bailarinos.

• Professores da rede pública e particular de ensino.

• Funcionários: Petrobras, BNDES, Oi, MAR, Caixa Econômica Federal e Cidade das Artes (em até 2 ingressos). Exceto na Cidade das Artes e no MAR.

• Funcionários e artistas do Festival Panorama, devidamente credenciados e mediante apresentação da carteira de identidade.

• Teatro Municipal Carlos Gomes e Espaço Cultural Municipal Sérgio Porto: moradores da cidade do Rio de Janeiro.

• Caixa Cultural – Teatro de Arena: clientes da Caixa Econômica Federal.

• MAR: servidores públicos da cidade do Rio de Janeiro e estudantes de instituições particulares.

Tem direito a 30% de desconto na compra do ingresso:• Espaço Cultural Municipal Sérgio Porto e

Teatro Municipal Carlos Gomes: clientes do Metrô Rio mediante apresentação do cartão pré-pago do Metrô.

Sessão especial Festival Panorama no Theatro Municipal do Rio de Janeiro:• As récitas dos dias 29 e 30 da temporada

de A sagração da primavera custarão R$20 (R$10 meia) para quem levar um ingresso de qualquer outro espetáculo do Festival Panorama 2013. Promoção com número limitado de ingressos.

Venues

festpanorama

festivalpanorama

panoramafest

festivalpanorama

FOR MORE INFORMATION ABOUT PANORAMA FESTIVAL VISIT WWW.PANORAMAFESTIVAL.COM

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PARCEIROS NACIONAIS PROMOÇÃO

ESPAÇOS PARCEIROS

APOIO LOCAL

PONTO DE CULTURA PANORAMA

PARCEIROS INTERNACIONAIS