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() () . (Chapel Hill)Vaclav tepanek ()Gabriella Schubert () - ()
()
()Magdalena Koch () () . ()Namita Subiotto() ()Octavia Nedelcu()
() ( )
() ()Horvth Gza()
.
:
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: . 17, 26000 [email protected]
/: (013) 370-313
: (): 400
YU ISSN 1451-9976
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27 ...
:
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, . - , , , : Ivi per fama ero gi conosciuto, e gran-di
personaggi cominciavano a dimostrarsi dellmia amiciziadesiderosi.
Se a questo ora io ripenso, ingenuamente confessodi non intendere
il perch.3[
. , , ]. , , ingenuamente, ( ) - . - , - :mentire al vero io non
posso[ ] certo di dire il vero [ -]4. , 5. ,
, . , . , , . , ,
-
, , : , ,, - .
, - . , , - ,
(mortale omiciattolo), , , -, darsi potrebbe il caso che a voi
di megiungesse qualche sentore, e che vi prendesse alcuna
vaghezzadi conoscere qualuomo io mi fossi, qual sorte si avessero
leopere mie, spezzialmente quelle di cui la memoria ed il
poveronome avesse finito a voi tramandato la fama6 [ , ]. - -. - ,
, , fama. , ,
, . , , , .
, , , -
3 Francesco Petrarca, Rime. (G. Barbra editore: Firenze, 1886),
p. 9.4 Francesco Petrarca, Rime, . 8.5 , , , , , . 459 (2009), .
45.6 Francesco Petrarca, Rime, . 6.
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28 ...
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. , -
. -, , . : , , , , 7. - ,
, , , -. - , , : , . :in tuttaltro tempo da questoesser nato io
vorrei, del quale cerco a tuttuomo di farmi di-mentico, e vivo
collanimo in mezzo agli antichi8[ , ]. , . - -
. , , ( : Del-la famiglia mia, dir come Cesare Augusto diceva
della sua,chella fu antica9[ , , ]), , ,
( ) . -
.
, , - , , , , , ,
, , . - , , , , , , : Daltriamori non mi accesi che di un solo
nella mia giovinezza: equello onesto a un tempo e ardentissimo e
fui comuomoche a donna non si fosse avvicinato10[ : - ]. , , - -, ,
. - , , .
, , - . , ; , - ; ; - ; , .
7 , , , . 45.8 Francesco Petrarca, Rime, . 8.9 Francesco
Petrarca, Rime, . 6.10 Francesco Petrarca, Rime, . 7.
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. -
. -
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- , , , , . :
Or io meravigliando rammento, e se tu saperlo potessi
mera-viglieresti, lettore, le onorevoli accoglienze, e le
dimostrazionidi amore, ondegli fummi cortese: n pu ridirsi quanto
la-nimo gli godesse nel sentire del venir mio la cagione: ch daun
lato ammir la giovanile mia fidanza, pens dallaltro nonpoca gloria
dallonore, che io chiedeva, tornare a lui stesso, cuisolo fra tutti
i mortali aveva io giudicato capace a sentenzia-re di me12[ , , , :
: , -
, , - ]. , . , - , -
: Poich di mille svariate cose ebbe meco ragionato, iogli feci
vedere il mio poema dellAfrica, e tanto gli piacque, che
11 Francesco Petrarca, Rime, . 9.12 Francesco Petrarca, Rime, .
10.
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30 ...
:
come singolare favore mi preg che volessi a lui
intitolarlo13
[ , , , ]. , , : . ,
, . - , , , -. - , , -, . , . , . , , , : rozzo ancora ed
ignorante qual era,cinsi la chioma del poetico alloro. Non di
scienza alcuna, maben ti trista invidia fummi feconda quella
corona: n vo diquesto parlare ch troppo largomento trarrebbemi per
le lun-
ghe14 [ , . - ,
, , ]. , . -, - , , - , , . -
,
. , , - , : Molti annipi tardi per solo merito della fama fui
preso a ben volere daun personaggio di tanto rara bont, che nessuno
per certo fraquanti furono in Italia signori, potrebbe con esso lui
venirea confronto15[
, ]. - , .
, , - . , , , - , . , , - : , , - .
:Di tante altre cose dir quest una16[ , ].
13 Francesco Petrarca, Rime, . 10.14 Francesco Petrarca, Rime, .
11.15 Francesco Petrarca, Rime, . 11.16 Francesco Petrarca, Rime, .
11.
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31 ...
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32 ...
:
. - . , - 20.
, - . , . quandera in parte altruomo da quel chisono21[ ].
20. , , ., , . - , . . . . , , , -, . - 22, . ,
, , . , , - . , , - . ,
, , ,
. , , - 23. , , , , . , .
, . -, - . , . -, : - . , , - . 24 . -, , , , . , ,
, , : (carte sacre), ( - , ), , - .
20 , , . 47.21 Francesco Petrarca, Rime. (Fabbri editori:
Milano, 2006), p. 49.22 , , , . 47.23 . , . ( : , 2009), . 221.24 .
, , . 220.
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33 ...
:
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25. . - , , , , , , . . , , - , -
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25 . , , . 222.
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34 ...
:
, , , ,
, .
-, , -. , -. , -
, , .
, , . - , , . , - . - , -
, -.
, - . , , , . , - , , , ,
-.
Ivana Skenderovi
Sommario
Le teorie della verit possono essere applicate sullanali-si
letteraria, in questo caso su Posteritati, epistola scritta
daFrancesco Petrarca. Si tratta di una autobiografia idealiza-ta,
nlla quale si possono verificare gli elementi
storiografici,dividere dagli elementi della finzione. Lobbiettivo
principale
dellautore era scrivere unautobiografia corrispondente
allim-magine dei poeti latini. In questo contesto molti elementi
dellaverit vengono trascurati o inseriti nel testo dell opera in
unmodo pienamente artistico. Finalmente, lopera pu essere ri-
guradata nel contesto delle teorie della verit.Parole chiave:la
verit, la finzione, la storiografia, lauto-
biografia idealizzata, le teorie della verit
:1. Petrarca, Francesco. Rime. Firenze: G. Barbra editore,
1886.2. , . . :
, 2011.3. , . , -
. . , , 2009, . 459.
4. Lejeune, Philippe. Il patto autobiografico. Il
Mulino:Bologna, 1986.
:
1. , . . . : - , 2009.
2. , . . -
: ,1990.3. Petrarca, Francesco. Rime. Milano: Fabbri editori,
2006.
-
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: - . -
-. , . , - . , . -
. , , - . , . - .
: , , , , , -,
821.112.2.09-31 . ; 82.09
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36 ...
:
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- : , (), , -, .
- . - - . ,
. , 1. -, -, , , 2. ,
. e -. , - 3.
, - , -
.
, ,
. /, , - . , - -, .
, , - . , , , -, .
. - .
. , - , , , , .
,
- , . , , .
, , -
16. .
1 , . ( : , 2011), . 912.2 , . 9.3 , . 10.
-
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37 ...
:
,
. . , , , . , - . : , -4.
, -, a-. . :
, , - ?, (1641)
(genius malignus). ,
. . , , , - 5. , - . - , .
, -, , , . . - , -
.
. ,
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. . , - . - , - , , . . ,
. . . . ,
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.
4 , . 26.5 , . 44.
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38 ...
:
18. , (magischeIdealisten) (magische Realisten). . - . . -
. , ,
6
. , 20. , -, . , (18901965), 1925. . -
. . , - ( . , , ., .) -. -
, , . -
, . . . - . , - ,
. - . , , . , - .
, . - () . , - . - .
. . : Magic realism is a fictional techniquethat combines
fantasy with raw physical reality or socialreality in a search for
truth beyond that available from thesurface of everyday lif7. -8
(Magischer Realismus), , , .
( -, , , ), - : (MagischerRealismus: Post-Expresionismus). ,
.
6 K. E. , . , . (: , 2004), . 272.7 : [ ,
].8 Bowers, Maggie Ann.Magic(al) Realism. (New York: Routledge.
Taylor & Francis e-Library, 2005), . 9.
-
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39 ...
:
-. (magisch realisme), (magic realism) (realismomagico). , , .
-
, , - . , - . - . , , , -
. , , , - .
9 (1959), (Gnter Grass), . .- (1961), (1963). (Nullpunkt). -
. . -
47
(Gruppe 47). 47 , , , .
- . - . . -
. , . . - . , Ma . , -
, - , , - .
?
10, -
. - . . - , .
, , , -
9 .10 Lois Parkinson Zamora andB. Wendy Faris (eds),Magical
Realism: eory, History, Community. (Durham, NC and London: Duke
University Press,
1995).
-
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40 ...
:
:
, , 11. , . :
, 12. . -
. , , - -. , (. ). : - , , ,
, . . - , , . , - - .
, - - ?
. 13. . .
,
-
. 1945-1967 . 47, . - , . -
, , - . ,
-. , - - , . , -
, , - . , - . - 1949. . ,
. - .
, -, . , . -
-
11 , I. (: . . , 1982), . 71.12 , 55.13 . . , . (: , 2009), .
235.
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41 ...
:
, -
. 50- .
14. - - , - . -
. , - . , . - - .
, - 15.
- : , , 16. , -
. -, , , , . . - -
,
. , 17
. , - , . - , . , , . - . , -
, , . , , - , . - . , -
. - , - , . 18. -
- 19. - , -
14 , . (: , 1986), . 233.15 . . , . (: , 2009), . 241.16 , . ( :
, 2011), . 22.17 , . (: , 1959), . 143.18 , . ( : , 2011), . 47.19
, . 4748.
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42 ...
:
.
, - . , - 20. , , . , -
. , - . , -. - , . , ,
, - , , .
- , , , , -
. - , . -
,
. - : Gnter Grass ist kein Moralist, sonderein Realist21. , -
47, 1999. .
- , , .
, (Giambattista Vico) (Giovanni Vicenzo Gravina) - , . . :
, 22.
. - , . - , - . (Jean-Baptiste Dubos) 23. . ,
. . , , . - , .
20 , . 51.21 .: [ , ]: David E. Wellbery, Judith Ryan, Hans
Ulric & co, Eine neue Geschichte der deutschen
Literatur. (Berlin: Berlin University Press, 2007), . 1071.22 K.
E. , . , . (: , 2004), . 201.23 , . 205.
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43 ...
:
Maja Stefanovi
Fiktion und Wirklichkeit im magischen Realismus. GnterGrass Die
Blechtrommel
Zusammenfassung
Gnters Roman Die Blechtrommel ist ein typischesBeispiel des
magischen Realismus in der deutschen Literatur.Der Roman wurde aus
zahlreichen Perspektiven gedeutet.Diese Deutungen fhrten zum
eindeutigen Schluss, dassder Roman einen Geisteszustand und das
Wesen einerfurchterrengenden Zeit in Hitlerdeutschland zeigt.
Jedoch,die Untersuchung der Beziehung zwischen Wirklichkeitund
Fiktion in dem genannten Roman ist kein hufigesema. Das Essay
behandelt das Problem der literarischenWhrheit und Fiktion im
Konzept des magischen Realismus.Die Komplexitt dieser Beziehung
wird gerade am BeispielGrass Roman dargestellt. Auerdem befasst
sich das
Essay mit dem Ursprung und Entwicklung des magischenRealismus.
Es werden verschiedene Auffassungen derliterarischen Wahrheit
erwhnt, beginnend mit den antikenBegrnder solcher theoretischen
belegungen Platon undAristoteles. Die Arbeit gibt einen
komparativen berblickber die grundlegenden theoretischen Annahmen
der
verschiedenenWahrheitsmodelle.Schlsselwrter: Wahrheit, Fiktion,
Platon, Aristoteles,
magischer Realismus, Gnter Grass
:
1. , I. : . -. , 1982.
2. , II. : . -
. , 1982.
:
1. . . , , : , 2009.
2. , , : AugustCesarec, 1983.
3. Bowers, Maggie Ann. Magic(al) Realism, New York:Routledge.
Taylor & Francis e-Library, 2005.
4. David E. Wellbery, Judith Ryan, Hans Ulric & co, Eineneue
Geschichte der deutschen Literatur, Berlin: BerlinUniversity Press,
2007.
5. . . , . , , :, 2004.
6. , . :, 1986.
7. , ,: , 2006.
8. , , : -
, 2011.9. Lois Parkinson Zamora and B. Wendy Faris (eds),
Magical Realism: eory, History, Community, Durham,NC and London:
Duke University Press, 1995.
10. . , -, Philologia Mediana: - , : -, 2010.
11. , , -: , 2007.
12. , , :, 1959.
13. , . , : , 2010.
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: , .
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12 . : . (: , 2011), . 9.13 : . . : . ( : Ars Libri ,
2003), . 152.14 . . , . 485, . 1/2, (2010), . 137.
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9.
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, . , .
- , , , , -
, . , , , .
Kristijan Olah
eological view on the problem of metaphysical truth inmodern
literature
Summary
In this paper we analyze the problem of truth in
modernliterature, from the aspect of its temporal and in the
directionof nothingness immersed perspective.
Key words: truth, metaphysics, art, salvation,
ethics,aesthetics, theurgy, textuality, modern literature
:
1. 2005: . . : .
2. 2011: . -
: . : .
3. 2011: . -. : .
4. 2008: . -. : .
:
1. 2003: . . : .
: Ars Libri .2. 2005: .
. : - .
3. 1979: . . -; . : .
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:
O :
1. 2004: . . : .
2. 2010: . .- , . 485, . 1/2, ,. 133137.
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: - . -
, , . , , . -, , , , .
, .
: , , , , ,
- , . - : , , , . , , . -
e :
821.163.41.09-31 .
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53 : ...
:
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; , , , - , - , 1. - () , , , , . , : ,, , -, , - 2.
- , - , , , , , VI -, -
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-
-? . , - , - , , - 3. , - . . , , - . - , , . -
, , , : - ( , )4. -
, - , , - , -
1
, . ( : , 2011), . 128, 129.2 , . 44.3 , : , , , , 2009,
. 459, . 36, http://polja.rs/polja459/459-7.pdf4 , , , , , -
, , 2009, . 459, . 53, http://polja.rs/polja459/459-8.pdf
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, - ; 6, ? - - , , , , -. , , - , - , - 7. , , , -
. , (- , , - ) - -
8
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9. ,
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? , , ,
, , , , , 10.
- , - - .
, - , . ,
5 , : , . ( : - , 1990), . 43.
6 , . 43.7
. , . (: ), 2009, . 170177.8 , : , , , , 2009,. 459, . 37,
http://polja.rs/polja459/459-7.pdf
9 Paul de Man, Autobiography as De-facement, MLN, 94, 5,
Comparative Literature, str. 919930, Baltimore: e Johns Hopkins
University Press, 1979.10 , : , . ( : -
, 1990), . 44.
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55 : ...
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, .
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, -: ( ), , - 11. 1979. 1992. , , , ,
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, - .
, - 12, ,
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, , - , ., , - , , , -,
20. ,
14 , : , . ( : - , 1990), . 47.
15 , . 47.16 . , . (: ), 2009, . 268.17
, . (: , 1996), . 10.18 , : , . ( : - , 1990), . 47.
19 , , , . 55, . 3 (2007), . 623.20 , , . ( : -, 1991),
. 176.
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57 : ...
:
. -
., , alter ego, , 21. - . , , - - , , 22. - . , - . -, ,
, , - . , , : ,
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,
, , , , , - . , ? ? , -. , , , - , , - .
- , . , - -// , 23, .
- 24, ? , , , , - - , 25. -
21
, , , , , , ,2009, . 459, . 99,
http://polja.rs/polja459/459-12.pdf22 , , , . 51, . 3 (2003), .
668.23 . ,. (: , 2010), . 14.24 , . ( : ), 2011, . 11.25 , , , :
http://www.hrvatskiplus.org
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58 : ...
:
,
- - 26. , , - . - - , , - . , : , , . () . , , , -- ,
- 27. : , , , . , , -
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- -
28. -
. -, , - -: - . , , , - ,
. - : , - .
, , - .
Milena Maleevi
Egzistencija by Pavle Uginov: between fiction and
factsSummary
is paper focuses on the relationship between fictionand facts in
the work of Ugrinov Pavle. Given the docu-mentary and
autobiographical nature of Egzistencija, thepaper repeatedly
question the existing theory of truth, inorder to determine the
relevance of some of them when it
26 . ,. (: , 2010), . 6.27 , , , . 51, . 3 (2003), . 668.28 , ,
. ( : -, 1991),
. 220.
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59 : ...
:
comes to this layered Ugrinovs achievement. Taking into
account the poststructuralist notion of autofiction, whichis
even more pronounced gap between truth and literarywork, the
interpretation of Egzistencijais more complicated.Starting from the
characteristics of autobiographical fictionas a whole, the research
moved toward border possibilitiesof interpreting of Egzistencija,
in which, no matter how fac-tual reality had, however, focus on a
specific artistic truth asrevelation. Hence the as the focus of the
analysis imposedby those segments that precisely incarnate this
kind of truth,to the very end of the text presented the conclusions
of in-terpretation.
Key words:fiction, factography, Egzistencija, truth,
auto-biography, autofiction
:
1. ,: , , , , 2009, . 459.
2. , : - , , : , 1990.
3. , , : -
, 2011.4. , -, , : -, 1991.
5. , , : ,
1996.6. , , , - , , , , 2009, . 459.
7. . , , : - , 2009.
:
1. , -, ,2007, . 55, . 3.
2. , , - , :http://www.hrvatskiplus.org
3. . ,, : , 2010.
4. , -, , 2003, . 51, . 3.
5. Paul de Man, Autobiography as De-facement, MLN,94, 5,
Comparative Literature, str. 919930, Baltimore:e Johns Hopkins
University Press, 1979.
6. , , , , , -, , 2009, . 459.
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: - ,
. - , , . , , , .
: , , , ,
, , - , - . , , .
, - , , -. , , , - . , - .
: 821.163.41.09-31 .
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61 ...
:
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. - , - 1. 2, , , - , . - , , . , - XX , ,
, , , . - , , , , , .
, , ,
, -, . -
,
3
. - , -, , - , .
, - . 14455, , , - , , . , , , - -, , ,
. -
, , - , . -, , -, 4. ,
, - , - .
, -
1 , , , - , .
2
, , , . 85 (1990), . 197.3 , , , - .
4 . , , : . -.
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.9
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-, , -, - . - , - : ,, ,
11. , -
, , , . , , -
, . 12,
5 , .(: , 1994), . 19. . , , , .
6
, . 22.7 , . 260.8 , . 261.9 , . 261.10 , .11 : , . ( : ,
2011).
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63 ...
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. ( -
), - , , . - , ,
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, - , .
, , . , . -
, 16. - , - ,
12 . , - , . : , , , , , , . . , ,
, 36/2 (2006).13 , , . ( : , 1996), . 34.14 , , -
, , .
15 , , . ( : , 1996), . 23.
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:
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. , , 17. , .
, - , , ,
. , -, - , . , -18, -
. , -
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, , .19 - , , - , . ,
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, , -, , . , . , , , , , 20.
, - , -, , . , . - , , ,
- , , .
- , , - , .
, - . , , . , , .
16 , , , , , . 459 (2009), . 53.17 , , . ( : , 1996), . 22.18 ,
. ( : , 1983), . 24.19 , , . ( : , 1996), . 55.20 , . (: , 1994), .
268.
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:
Jelena Babi
Historiographical and fictional elements in e Use of Manby
Aleksandar Tisma
Summary
e relation of literature to the truth in this paper is
con-sidered in e Use of Manby Aleksandar Tisma, with thespecial
emphasis on the documentused as a narrative heartof the novel.
Viewed in the context of models that promote
the presence of the truth in the artwork, e Use of Manproves to
be incentive for defense against the new centuryspoetical
challenges that advocate relativization of the truthin the
literature. e document will be viewed through itsrelation to the
reality, wide aspects of the truth, as well as itsrelation to the
art as a whole, acquiring in that way the signi-ficance different
from the one it has as a historical evidence.
Key words: truth, fiction, diary, documentary, e Use
of Man
:
1. , . (: , 1994).
2. , ,
. ( : , 1996).3. , . ( : - , 1983).
4. , , : - , .( : - , 1990).
5. , - , , 36/2 (2006), . 435446.
6. , . ( : , 2011).
7. , , -
, 22 (2010), .2538.8. ,
, , . 52 (1982),. 1841.
9. , , - , Txt., . 9/10 (2005), . 3844.
10. , , - , -
, , . 459 (2009), . 4454.11. , . (: ,
2011).
:
1. , . (: -
, 2002).2. , . (: , 1976).3. , . (
: , 1996).4. ,
: ,Txt., . 3/4 (2003), . 6381.
5. , ,
,. 85 (1990), . 196202.6. : , , , . ( : , 2005).
:
1. , , , .(: , 1979).
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- : 1980. , -.1 , , . . , - - .2 1970- , .3 ,
, , . - (. Gothic studies) , - -. , .
(I)
1 - - 2012. .
.2 Gary K. Wolfe, History and Criticism, in: Neil Barron (ed.),
Fantasy and Horror, Scarecrow Press, Lanham,1999, p. 453.
3 David Punter, Te Literature of error: A History of Gothic
Fictions from 1765 to the Present Day, Longman,1980. , , : , .
821.111.09-3 ; 821.111(73).09-3
67
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67
, -
- :
, - , , , .
, , - - , (. penny dreadfuls, shilling shockers).4
, ( ) , -
, - . , - , .
, . , - : - (1765), - (1818, 1831), (e Progress of Romance,
1785) - (On the Supernaturalin Poetry, 1826).
,
( ), - (EdmundBurke, A Philosophical Enquiry into the Origin of
OurIdeas of the Sublime and Beautiful, 1757). , . ,
- (, , ), -, , , - , .
, , , - , -
; , . , , -, . - . , .
; ; - ? , : . , , -, .5
, ,
4 Gary K. Wolfe, ibid, p. 453.5 Edmund Burke, On the Sublime and
Beautiful, in: Te Works of the Right Hon. Edmund Burke, vol. 1,
Holdsworth and Ball, London, 1834, p. 38.
68
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68
, ,
-. , (. ) - - : , , , , - , , ,
, , , -,
, , - , (Rudolf Otto, 18691937). - ( ) .
-. , , , , : augustum , semnn .6
-
mysterium tremendum( ; : - ). , , . , ,
, , -
, - .7
, - 8 , - . ,
-: ; , , , ,
.9 , , -, - , .10
- 18.
19. , (MatthewGregory Lewis,Te Monk, 1796). - , , . . :
6 Rudolf Otto, Sveto, Svijetlost, Sarajevo, 1983, str. 80.7
Otto, isto, str. 36.8 Anna and John Aikin, On the Pleasure
Derived From Objects of Terror, 1773.9 Anna and John Aikin, On the
Pleasure Derived From Objects of Terror; with Sir Bertrand, A
Fragment,Miscellaneous Pieces in Prose, London, 1773,
p. 125.10 J. Aikin and A. L. Aikin, On Romances, An Imitation, .
: E. J. Clery,Te Rise of Supernatural Fiction 17621800, Cambridge
University
Press, Cambridge, 1995, p. 81.
69
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69
1797. -
- , : , , - , , . -.11
, -
, , - , . . . - , , , . - , . . , -
- :
, - - , , . :
, - , .12
, , - (. - ) , ,
. -
, , , ( , - ).
(17641820), - 19. . , -
( ), - , . . , ( ) , , - . , - ( ) ,
( ). 19. , (,, , , ), .
- (1917).13 , , . , , .
11 E. J. Clery, ibid, p. 148.12 Samuel Coleridge, Review of Te
Monk, Critical Review, 2nd. series, No. 19 (1797), p. 197. . :
Michael Gamer, Romanticism And Te
Gothic: Genre, Reception, and Canon Formation, Cambridge
University Press, Cambridge, 2004, p. 77.13 Dorothy Scarborough, Te
Supernatural in Modern English Fiction, G. P. Putnams Sons, New
York, 1917.
70
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70
-
, , , , , - . , .14
, -
-, : (1921).15 - , -, , , , - . , -
(. 1820. ), - , . .
, , - : - ,
. , , -: (1927) , -,16 - , : . . , ( -
, - , -
), , , , . -, , .
: .17 -
, , , , . , , -
, . . -. , , . . - . : , , .. , .
,
- ( ) . (1927).18 , , - , , , (), -
14
Jason Colavito, Introduction in: Jason Colavito (ed),A Hideous
Bit of Morbidity; An Anthology of Horror Criticism from the
Enlightenment toWorld War I, McFarland & Company, Inc.,
Publishers Jefferson and London, 2008, p. 6.15 Edith Birkhead, Te
ale of error: A Study of the Gothic Romance, E. P. Dutton and
Company, New York, 1921.16 Eino Railo, Te Haunted Castle; A Study
of the Elements of English Romanticism, E. P. Dutton and Company,
New York, 1927.17 Montague Summers, Te Gothic Quest; A History of
the Gothic Novel, e Fortune Press, London, 1938.18 H. P. Lovecra,
Supernatural Horror in Literature, 1927 ( : 1939).
71
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71
, . , - : - , - . , - , (
). , , - , , , - . , , , .
, (1952)19 - -.20 ( - )21 (. . .
). (1957)22 , - . ,
, - .
, , -, , - 20. . - . -
: , . , - 20. , - - ( ), ,
- . , - (Stephen King) , , . - , -
.
: .
19 Peter Penzoldt, Te Supernatural in Fiction, Peter Nevill,
London, 1952.20
, , . - (1919) . . . , (nem. unheimliche, eng.uncanny).
21 Gary K. Wolfe, ibid, p. 464.22 Devendra Varma, Te Gothic
Flame, Being a History of the Gothic Novel in England: Its Origins,
Efflorescence, Disintegration & Residuary Influence ,
Arthur Barker, London, 1957.
72
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72
(1976), 23 - (.female gothic), . -, , , - . , ,
(1979) ,24
(Charlotte Bront,Jane Eyre,1847), . -
( 700 ) - / , . , . , , - - , , , , ,
- .
23 Ellen Moers, Literary Women, Garden City, N. Y., Doubleday,
1976.24 Sandra Gilbert and Susan Gubar, Te Madwoman in the Attic:
Te Woman Writer and the Nineteenth-Century Literary Imagination,
Yale University
Press, 1979.
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: -
. - - . , , - , .
: , , , ,
, , , . , . , .. , - ; :
, , , , . ()
:
? (II)
821.111.09 . ; 82.09:141.72
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() ()1.
- , , . - , . , , -
, , .
, , . , - , , . - :
; , ; - 2.
, , - .
( ).
, , . , - 3 , - 4. , - . -
: I was influenced, of course, as a poet, by the skill withwhich
she managed to transform the material of poetry intothe prose form
of the novel5. , , .
, . ,
, -, , - :
() - ; ; , - ,
6
, -
1 . , , PLAVI JAHA GROUP, , 2009,. 87.2 . : , : , , , 2003,
.
2933 . : , , , :
http://www.openbook.ba/izraz/no12/12_zdenko_lesic.htm
4 5 John Lehmann Virginia Woolf , ames and Hudson, London, 1975,
page 39.6 . , . , . 93
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75 ...
. (Helene Cixous) - - , , , , - . - 7
8.
-
, - . - . . , -, . - ,
9
. , , - , . - ,
, -
, :
It is a little ominous that Morgan [E. M. Forster] wontreview
it. It makes me suspect that there is a shrill femininetone in it
which my intimate friends will dislike.()
I forecast, then, that I shall get no criticism, except of
theevasive jocular kind that the press will be kind and talk of
itscharm, and sprightliness; also I shall be attacked for a
feministand hinted at for a sapphist; I shall get a good many
lettersfrom young women.10
, - , . , , , - . , , - , .
, - , , 11.
- . : , : - ,
12
.
7 , , , .() , , , . , , , , . , - . . , . ( ,, , :
http://www.openbook.ba/izraz/no12/12_zdenko_lesic.htm)
8 . : , , , :
http://www.openbook.ba/izraz/no12/12_zdenko_lesic.htm
9 . , . , . 89.10 Joel Rich,About A Room of Ones Own:
Liberation, Feminism, and Androgyny,Dostupno na:
http://greatliteraryworks.blogspot.com/2008/09/about-
room-of-ones-own-liberation.html11 . , . , . 11812 , , , , 1991,
. 95
76 ...
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, , . , . , , - .
, - ,
. -, . , -.
, . . -
13.
,
. - , - :
. ()
, , , , . .14
, , : , ,
15. ,
, , - , .
: What she minded most, perhaps, was
what she considered male advantages, and especially advant-ages
in education. () Also, she resented, the way in whichman, as she
thought, patronized women, especially womenwho were attending to
create works of art or succeeded in whatwere one considered manly
professions. Assurdenly, Virginiadid not wish to be a man, or to be
treated as a man: she wishedto be treated as an equal just possibly
as a superior16.
. . -
13 . , , PLAVI JAHA GROUP, , 2009, . 6214 . , . , . 4215 , 87.16
. , . , 87
77 ...
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. - , - . , - - . -,
. ,
- , , .
,
, , , . , , - -. , , , -, . ,
, - . , , , -, , , .
, - , ,
, , 17
-, , - . , . - , , -
.o combine new words with old words is fatal to the con-
stitution of the sentence. () Our business is to see what wecan
do with the old English language as it is. How can wecombine the
old words in new orders so that they survive, sothat they create
beauty, so that they tell the truth?18
-
. -, 19 , , . , , - . -
,
: , e, , , .
17 , , , , , 1956, . 7718 Virginia Woolf, Words, Dostupno na:
http://atthisnow.blogspot.com/2009/06/crasmanship-virginia-woolf.html19
: Virginia Woolf,Words, Dostupno na:
http://atthisnow.blogspot.com/2009/06/crasmanship-virginia-woolf.html
78 ...
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Kristina Petrovi
A room of ones own: feminist writing or literarycriticism? (A
room of ones own by Virginia Wolf seen in
the context of feminist struggle)Summary
In this paper, we have tried to give an opinion on thefeminist
aspect of the essay A room of ones own by analyz-ing some ideas
Virginia Woolf presented in her work. By all
means, this book has not been taken without reason for one ofthe
works that most loudly express ideas of womens strugglefor
independence and emancipation. Virginia Woolf has re-peatedly
condemned the English system of education, busi-ness and private
behavior towards women who are deprivedof changing anything about
their status in society. Apart fromthis aspect, Virginia Woolf
anticipates the entire current offeminist struggle of the sixties
by defining female speech and
female sentence. Talking about female writing as a type
ofprimeval speech, she sharply criticizes the artificiality of
mod-ern literature which tends to, while yearning for
innovation,dwell in one-sided reasoning and superficiality. In that
waythe writer completes her essay on women and literature,
herconsiderations ranging from the position of women in societyto
an in-depth elaboration on contemporary literature and theway it
develops, giving a special place to the voice that is only
hinted at and which is the female writing.Key words: woman,
literature, education, feminism, fe-male writing
:
1. , , PLAVI JAHAGROUP, , 2009.
:
1. , , , 1956.2. Recollections of Virginia Woolf, (Edited by
Joan Russel
Noble), Penguin books, Harmodsworth, 1972.3. , , , , 1991.4.
Nicolas Marsh, Analyzing texts: Virginia Woolf, Te
Novels, St. Martins Press. Inc. New York, 1998.5. , ,
, 2003.
:
1. Arnold Benett, in: e Scope of Woolf s Feminism inARoom of
Ones Own, Dostupno
na:http://www.123helpme.com/preview.asp?id=23143[20.1.2012]
2. Joel Rich,About A Room of Ones Own: Liberation, Fem-inism,
and Androgyny, Dostupno na: http://greatliter-
aryworks.blogspot.com/2008/09/about-room-of-ones-own-liberation.html
[20.1.2012]3. Virginia Woolf, e Modernism Lab at Yale
University,
Dostupno na: http://modernism.research.yale.edu/index.php
[8.2.2012]
4. Virginia Woolf, Words, Dostupno na:
http://atthisnow.blogspot.com/2009/06/crasmanship-virginia-woolf.html
[11.2.2012]
5. Dr. Isam M. Shihada,A Feminist Perspective of VirginiaWoolfs
Selected Novels: Mrs. Dalloway and o theLighthouse, Dostupno na:
http://www.alaqsa.edu.ps/ar/aqsa_magazine/files/44.pdf
[20.1.2012]
6. , , , : http://www.openbook.ba/izraz/no12/12_zdenko_lesic.htm
[25.1. 2012]
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1. , : . : , 2002.( )
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, 1969.
13 , : . : , 2002, . 447.14 : , . 403
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3. Davidson H. R. Ellis: Gods and Myths od NorthernEurope,
Hermondsworth, England: Penguin BooksLtd,1977.
4. , : , -: -, 2003.
5. , : , , : y,2007.
6. Frye, Northrop: Anatomija kritike. Zagreb: Naprijed,1979.
7. , ; , : . : y, ,2004.
8. , : , y, 2004.
9. , . : .: ,1972.
10. , : . : IIV, 1993,
. 263310.11. Tabbi Joseph, Wutz Michael (ur.): Reading
Matters.London, Ithaca: Cornell University Press, 1997.
12. , : -, : , 1989.
13. , . : , . : , 1979.
:
1. Anders, Charlie Jane, Te Walled City Where SunlightCouldnt
Reach,
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: - (19291996), - . , . .
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. , (1949), - , .
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. . - credo3( -, 18. 25. 1960). , - , -,
( : - , , ) - .
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-. -.4 :
1 , , , . 2, 1951, . 177.2 , ,, , 1968, . 134.3 , I, , , , ,
1996. . 7.4 , . 12.
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9 , . 169.10 , III, . 505.
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.
.14
. , -.
Dragana Litriin Duni
Do we have Bart or what about the critique? (Newspapercritical
essays of Petar Dzadzic)
Summary
is thesis presents literary criticism essays of Petar Dz-adzic,
being one of the most important critic in the secondhalf of the
twentieth century. e evaluation is based on thenewspaper critical
essays of Petar Dzadzic which he had
devoted himself to over the period of several decades, so-called
ongoing critique from day to day.
Key words: Petar Dzadzic, literary criticism, newspapercritical
essays, so-called ongoing critique from day to day.
14 , . 332.
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95
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, .
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1 John Fiske, Understanding Popular Culture. (New York:
Routledge, 2002)2 .
96
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. , , 3.
- , , , , - . , - . , 12, 13 .
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3 , . (: , 2002), . 162.4 , . 50.5 John Fiske, Understanding
Popular Culture. (New York: Routledge, 2002)6 . . 19.
97
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7 , . (: , 2002), . 163.8 : Judith Williamson, Consuming
Passions: Te Dynamics of Popular Culture. (London: Marion Boyars
Publishers, 1988)9 : Azar Nafisi, Reading Lolita in ehran. (USA:
Random House, 2004)10 , . (: , 2002), . 182.11 , . 54.
98
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, , .
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99
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, . -
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. . -, , , , .17, - , .
Jelena Dostani
Lolita and popular cultureSummary
e aim of this paper is to present the complex processin which
popular culture and literature impact each othersimulataneously. e
analysis of the elements and functionsof popular culture presented
here is based on the analyticalstudy Understanding Popular Culture
by John Fiske. Fastfood, womens magazines and romantic Hollywood
filmshave shaped the character of Lolita as well as the
entireconsumer society at its onset. Elements of popular
culturehelped Nabokov in giving a vivid description of a typical
girlof that era. Nevertheless, in Lolitas case, a serious
modific-
ation of the authors intention has occurred. Consequently,the
character of a helpless girl trapped by a pedofile gave
way to a teenage seductress. e Media, such as newspapersand
film, have given a false interpretation of Lolitas naturewho later
became a worldwide symbol of popular culture,still exploited
nowadays.
Key words: popular culture, literature, Lolita,
media,seductress, wrong interpretation, cultural symbol.
:
1. , , , , -, 2002.
:
1. Fiske, ohn, Understanding Popular Culture, Routledge,New
York, 2010.2. Williamson, Judith, Consuming Passions: Te
Dynamics
of Popular Culture, Marion Boyars Publishers, London,1988.
3. Nafisi, Azar, Reading Lolita in ehran, Random House,USA,
2004.
4. Vickers, Graham, Chasing Lolita: How popular culturecorrupted
Nabokovs little girl allover again, Chicagoreview Press, Chicago,
Illinois, USA, 2008.
:
1. Appel, Alfred, Lolita and the Fabulous Forties andFiies:
Lolita in American Conference, Noj/:Nabokov Online Journal, 3,
2009.
16 : Alfred Appel, Lolita and the Fabulous Forties and Fifites:
Lolita in American Conference,Noj/: Nabokov Online Journal. 3,
200917 : Graham Vickers,Chasing Lolita: How popular culture
corrupted Nabokovs little girl all over again. (Chicago, Illinois,
USA: Chicago
Review Press, 2008)
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(2002) , . , , , -, , -. , , ,
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. - , ,
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14
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.15
. - , , , ().
arka Svirev
Confessions of strangeness r Boba Blagojevis
poetictransgression
Summary
e essay discusses the transgression as a poetic toposof Boba
Blagojevis work. e transgression is reflected
in many plans in her novels Skerletna ludaand Putnica. Itmodels
the discourse of fantastic, narrative strategy andgenre boundaries.
Moreover, the phenomenon of transgres-sion is the anchor place of
Boba Blagojevis cogitation ofidentity (existential, gender,
creative), otherness, language,indigenization, ideological and
cultural repressions, cat-
12 . , . (: , 2005), . 2223.13 , . 492493.14 .15 . , , . , , . .
. (- : - -
, 2002), . 391.
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egories of memory/oblivion, phantoms of history etc, whichshe
transposes in her work.
Key words: Boba Blagojevi, poetics, transgression,Otherness
:
1. , ,, -, , -
, , 2002.
:
1. , , , , , 1984, .6670.
2. , , , ,, , , - , , 2002, . 381384.
3. , , , ,
, 2005.4. , , , , , , , , , 2002, .390391.
8
